William Gaunt (/ɡɔːnt/; 1900–1980) was a British artist and art historian, best known for his books on British 19th-century art.
Born the son of a graphic designer and chromolithographer, Gaunt dabbled in drawing and writing as a youth. In 1914, after winning a literary contest in The Connoisseur for an essay on Shakespeare's The Tempest, his thoughts seriously turned to becoming a critic. He served briefly in World War I, fighting in the Durham Light Infantry in 1918, until the war ended that year. The following year he attended Worcester College, Oxford, where he read modern history and participated in the Art Society. At Oxford, his friends included John Rothenstein and Cyril Connolly. Graduating with honours in 1922, he studied at the Ruskin School of Drawing and wrote reviews of art exhibitions.[1]
He worked as a free-lance contributor for The Studio magazine, editing several special issues. Gaunt was fascinated by the Pre-Raphaelites, at that time undervalued as Victorian. He published in 1942 his most enduring title on that subject, The Pre-Raphaelite Tragedy. He completed an M.A. in 1926. In 1930 he published a collection of his drawings, called London Promenade. 1935 he married Mary Catherine Reilly Connolly (died, 1980). The years 1930-39 were spent writing literary and artistic criticism, including The Pre-Raphaelite Tragedy. During the Second World-War, he took a special appointment for the war effort and researched for the book The Aesthetic Adventure. The Gaunts lived in a country cottage near the Surrey Hampshire borders.[2]
Selected publications
[edit]- The Aesthetic Adventure
- The Pre-Raphaelite Tragedy
- The Pre-Raphaelite Dream
- The March of the Moderns
- Impressionists
- Victorian Olympus
- English Painting: A Concise History
- Turner: Colour Library
- Court Painting in England from Tudor to Victorian Times
- A Concise History of English painting, 'The World of Art Library' series. Thames & Hudson, London, 1964. ISBN 0500200165
- Golden Age of Flemish Art
- Renoir: Colour Library
- Arrows of Desire: A Study of William Blake and His Romantic World
- Everyman's Dictionary of Pictorial Art. Vol.1
- The Great Century of British Painting : Hogarth to Turner
- Painters of Fantasy : from Hieronymus Bosch to Salvador Dalí
- The Observer's Book of Painting and Graphic art
- William De Morgan: Pre-Raphaelite Ceramics
- Restless Century: Painting in Britain, 1800-1900
- Turner
- The World of William Hogarth
- The Observer's Book of Modern Art: From Impressionism to the Present Day
- The Observer's Book of Sculpture
References
[edit]- ^ As at 28 July 2018, all text from Dictionary of Art Historians
- ^ As at 28 July 2018, all text from Dictionary of Art Historians
Further reading
[edit]- Kunitz, Stanley J. Twentieth Century Authors. First supplement. New York: H. W. Wilson, 1955, pp. 355–6; "Mr. William Gaunt" [obituary], Times [London]. 26 May 1980, p. 10.
- "Mr William Gaunt" [obituary] The Times, [London]. May 26, 1980, p. 10.