![](https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/La_figure_de_Boulongne_ensemble_des_fortz_et_places_circonvoysines_-_par_Pierre_Haultin_-_btv1b8593401h.jpg/220px-La_figure_de_Boulongne_ensemble_des_fortz_et_places_circonvoysines_-_par_Pierre_Haultin_-_btv1b8593401h.jpg)
Pierre Haultin (c. 1510 – 1587) was a French printer, publisher, punchcutter and typefounder.[1][2][3][4][5][6]
He was the nephew of the famous Parisian women printer Charlotte Guillard.[7] As a punchcutter, he may have been trained by Claude Garamont, who worked for Guillard.[7] He started his career as a typefounder, a woodcutter and a bookseller in Paris around 1545.[7]
A French Calvinist, Haultin left Paris for Lyon and Geneva in 1550, and then ran a printing office in La Rochelle from 1571 to 1587.[8] Haultin engraved many typefaces, including romans, italics, Greek and music type, which were widely used across Europe; his nephew Jerome Haultin lived in London from around 1568 and sold his types there.[9]
References
[edit]- ^ Carter 2002, p. 86-7.
- ^ Lane 1996, pp. 110, 115.
- ^ Vervliet 2008, p. 243.
- ^ Jimenes, Rémi (March 2017). "Reconsidering Pierre Haultin's Early Career: Roots, Training, Beginnings (1546–1550)" (PDF). The Library. 18 (1): 62–80. doi:10.1093/library/18.1.62.
- ^ "Pierre Haultin". Oxford Companion to the Book. Oxford University Press. Retrieved 30 August 2020.
- ^ Jimenes, Rémi. "La jeunesse de Pierre Haultin : origine familiale, formation et début de carrière (1546-1550)". Mnémosyne. Esad Amiens. Retrieved 28 November 2020.
- ^ a b c Jimenes, Rémi (March 2017). "Reconsidering Pierre Haultin's Early Career: Roots, Training, Beginnings (1546–1550)" (PDF). The Library. 18 (1): 62–80. doi:10.1093/library/18.1.62.
- ^ Vervliet 2008, pp. 244–246.
- ^ Vervliet 2008, pp. 247–8.
Cited literature
[edit]- Carter, Harry; Morison, Stanley (1967). Sixteenth-century French Typefounders: The Le Bé memorandum. Private printing for A. Jammes.
- Carter, Harry (2002). Mosley, James (ed.). A View of Early Typography Up to About 1600 (Reprinted ed.). London: Hyphen. ISBN 978-0-907259-21-3.
- Dreyfus, John, ed. (1963). Type Specimen Facsimiles. London: Bowes & Bowes, Putnam.
- Jimenes, Rémi (2017). "Reconsidering Pierre Haultin's Early Career: Roots, Training, Beginnings (1546–1550)". The Library. 18–1: 62–80.
- Lane, John A. (1996). "From the Grecs du Roi to the Homer Greek: Two Centuries of Greek Printing Types in the Wake of Garamond". In Macrakis, Michael S. (ed.). Greek Letters: From Tablets to Pixels (PDF). Oak Knoll Press. ISBN 9781884718274.
- Shaw, Paul (18 April 2017). Revival Type: Digital Typefaces Inspired by the Past. Yale University Press. pp. 48, 61. ISBN 978-0-300-21929-6.
- Vervliet, Hendrik D. L. (2008). "Printing Types of Pierre Haultin, c. 1510-1587". The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces. BRILL. pp. 243–286. ISBN 978-90-04-16982-1.
- Vervliet, Hendrik D. L. (2010). French Renaissance Printing Types: a Conspectus. New Castle, Del.: Oak Knoll Press. ISBN 978-1-58456-271-9.