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{{Article for deletion/dated|page=Karin Putsch-Grassi|timestamp=20220206023345|year=2022|month=February|day=6|substed=yes}} |
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{{short description|German potter (born 1960)}} |
{{short description|German potter (born 1960)}} |
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{{BLP sources|date=February 2019}} |
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==Biography== |
==Biography== |
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[[File:Cut and Stretch.JPG|thumb|upright|right|Work of Karin Putsch-Grassi]] |
[[File:Cut and Stretch.JPG|thumb|upright|right|Work of Karin Putsch-Grassi]] |
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After an apprenticeship in the studio of Albrecht Kiedaisch in [[Tübingen]] Putsch-Grassi began her studies in ceramics 1982 at "[[Istituto statale d’Arte]]” in [[Florence]] with Salvatore and Stefano Cipolla.<ref>https://www.ilbuonsenso.net/karin-putsch-grassi-argilla-2018/ |
After an apprenticeship in the studio of Albrecht Kiedaisch in [[Tübingen]] Putsch-Grassi began her studies in ceramics 1982 at "[[Istituto statale d’Arte]]” in [[Florence]] with Salvatore and Stefano Cipolla.<ref>{{cite web | url=https://www.ilbuonsenso.net/karin-putsch-grassi-argilla-2018/ | title=Karin Putsch-Grassi: Dalla Germania all'Italia nel nome della ceramica | date=September 2018 }}</ref> |
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Her most recent work follows a newly developed technique named "Figulinae", which consists of assembling soft raw stoneware or porcelain vessels and compressing them to form a new entity.<ref>{{cite journal|title=la Ceramica Moderna & Antica n.301 (Coverstory, Pages 8-11)|journal=La Ceramica Moderna: Mensile di Informazione Tecnica|date=2018|url=https://www.aic-iac.org/wp-content/uploads/La-Ceramica-MA-n.301-Pag.8-11.pdf|issn=1123-816X}}</ref> |
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She received further inspiration from workshops with [[Takeshi Yasuda]], Ruthanne Tudball, Wally Keeler and Daphne Corregan. She received several rewards and gained notoriety especially with her work in the [[Raku ware]] technique. Her works are displayed in public exhibitions and can be found in various European museums as well as in private collections. |
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⚫ | Putsch-Grassi's work has been exhibited in personal exhibitions in Italy, Germany, Poland and Japan<ref>[https://www.behance.net/gallery/35550699/FIRENZE-KYOTO-TWINNING Catalog of Putsch-Grassi's Kyoto exhibition in 2017]</ref> as well as in numerous group exhibitions worldwide.<ref>[https://www.fittilemilano.it/portfolio-2/project-two-3pfsc-fahbp Fittile - Exhibition by Triennale Milano and Fondazione Cologni dei Mestieri d’Arte]</ref> Furthermore, her works are displayed in European Museums.<ref>[https://www.putsch-grassi.it/wordpress/wp-content/uploads/2022/03/National-Museum-of-Slovenia.pdf Certificate of the National Museum of Slovenia]</ref> Putsch-Grassi is an elected member of the [[International Academy of Ceramics]].<ref>[https://www.aic-iac.org/member/karin-putsch-grassi International Academy of Ceramics Membership profile]</ref> |
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Putsch-Grassi’s technique is stimulated by experimenting with new techniques and clays. She works on the relationship between shape and surface, using both throwing and also slap building as her creative technique. The shapes of her pieces are simple, and have a well-defined and linear outline. The final appearance is the result of processes similar to those that nature undergoes, i.e. submitted to continuous changes by atmospheric factors. |
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Most recently, Karin Putsch-Grassi has been using the technique named by her as “CUT & STRETCH”. It consists of making incisions in the surface of the ceramic work, which is subsequently pulled, lengthened or even widened until it creates uncontrollable clefts and fissures which are produced by the non-uniform thickness and by the consistency of the clay. The surface shows the traces of the work progress, and it is the firing of the piece that establishes this special moment. |
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⚫ | Putsch-Grassi's work has been exhibited in personal exhibitions in Italy, Germany, Poland and Japan<ref>[https://www.behance.net/gallery/35550699/FIRENZE-KYOTO-TWINNING Catalog of Putsch-Grassi's Kyoto exhibition in 2017]</ref> as well as in numerous group |
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== Awards (selection) == |
== Awards (selection) == |
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* 2012 First Prize “Rassegna Internazionale di Ceramica Contemporanea”, Albissola Marittima <ref>{{cite web | url=https://www.cronenberger-woche.de/nachricht/2012/09/04/keramik-preis-fuer-karin-putsch-grassi/ | title=Keramik-Preis für Karin Putsch-Grassi }}</ref> |
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* 2010 “Lodi fa Ceramica”, Lodi |
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* 2016 Second Prize "Ceramic & Colours Award", Faenza <ref>[https://www.facc-art.it/prodotto/i-edizione-ceramiccolours-award-faenza-2016/ "Ceramic & Colours Award", 2016, I edizione]</ref> |
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* 2011 First Prize “I Rakuriosi”, Roma |
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* 2021 Third Prize "Premio MIDeC per Design Ceramico", Cerro di Laveno Mombello <ref>[https://midec.org/secondo_premio_midec_design_ceramico/ "Premio MIDeC per Design Ceramico", 2021, II edizione]</ref> |
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* 2012 First Prize “Rassegna Internazionale di Ceramica Contemporanea”, Albissola Marittima |
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* 2012 First Prize “I Rakuriosi”, Faenza |
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*[https://www.museogaville.it/images/eventi/2014/26_04/MostraTerreLarorate.pdf Flyer of Karin Putsch-Grassi's Personal Exhibion inside the Civiltà Contadina Museum in Figline Valdarno] |
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*[https://www.aic-iac.org/wp-content/uploads/La-Ceramica-MA-n.301-Pag.8-11.pdf La Ceramica Moderna & Antica”, no. 301, 2018 ], {{ISSN|1123-816X}}, Coverstory, pp. 8–11 |
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*{{cite web |url= https://www.ilbuonsenso.net/karin-putsch-grassi-argilla-2018/ |title= Karin Putsch-Grassi: dalla Germania all'Italia nel nome della ceramica |
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|first= Federico |last= S. |date= September 2018 |
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|archive-url= https://web.archive.org/web/20180903113203/https://www.ilbuonsenso.net/karin-putsch-grassi-argilla-2018/ |archive-date= September 3, 2018 |url-status=live}} |
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* Ugo La Pietra. [https://www.fittilemilano.it/portfolio-2/project-two-3pfsc-fahbp"Fittile. Artigianato artistico Italiano della ceramica contemporanea" ], p. 50 |
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== Documentation in publications == |
== Documentation in publications == |
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* Ray Hemachandra, Jim Romberg: ''500 Raku. Bold Explorations of a Dynamic Ceramics Technique'', New York 2011, {{ISBN|978-1-60059-294-2}} |
* Ray Hemachandra, Jim Romberg: ''500 Raku. Bold Explorations of a Dynamic Ceramics Technique'', New York 2011, {{ISBN|978-1-60059-294-2}} |
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* Linda Kopp: ''The Best of 500 Ceramics. Celebrating a Decade in Clay, New York 2012'', {{ISBN|978-1-4547-0141-5}} |
* Linda Kopp: ''The Best of 500 Ceramics. Celebrating a Decade in Clay, New York 2012'', {{ISBN|978-1-4547-0141-5}}, p. 336 |
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* Duncan Hooson, Anthony Quinn: ''The Workshop Guide to Ceramics: A Fully Illustrated Step-by-Step Manual. Techniques and Principles of Design'', |
* Duncan Hooson, Anthony Quinn: ''The Workshop Guide to Ceramics: A Fully Illustrated Step-by-Step Manual. Techniques and Principles of Design'', Barron's 2012, {{ISBN|978-0-7641-6461-3}} |
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* Edoardo Pilia. ''Ceramica Artistica: materiali, tecniche, storia'', {{ISBN|9781718076907}}, pp. 98–99 |
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* Duncan Hooson and Anthony Quinn. ''The Workshop Guide to Ceramics'', Thames & Hudson, {{ISBN|0500516219}}, pp. 211, 218, 248 |
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* Ray Hemachandra and Julia Galloway. ''500 Vases: Contemporary Explorations of a Timeless Form'', Lark Books, {{ISBN|9781600592461}}, pp. 68, 272 |
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== External links == |
== External links == |
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* [http://www.putsch-grassi.it/ Website] Karin Putsch-Grassi |
* [http://www.putsch-grassi.it/ Website] Karin Putsch-Grassi |
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* [http://www.galleriartigianato.it/terre-lavorate-le-ceramiche-di-karin-putsch-grassi-mostra/#.U_EWnmP4CQ4 Website] of the exhibition „Terre lavorate“ |
* [http://www.galleriartigianato.it/terre-lavorate-le-ceramiche-di-karin-putsch-grassi-mostra/#.U_EWnmP4CQ4 Website] of the exhibition „Terre lavorate“ |
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* Linda Kopp: ''The Best of 500 Ceramics. Celebrating a Decade in Clay, New York 2012'', {{ISBN|978-1-4547-0141-5}}, page 398 |
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{{Authority control}} |
{{Authority control}} |
Latest revision as of 09:52, 22 April 2023
Karin Putsch-Grassi is a potter.
Biography[edit]
After an apprenticeship in the studio of Albrecht Kiedaisch in Tübingen Putsch-Grassi began her studies in ceramics 1982 at "Istituto statale d’Arte” in Florence with Salvatore and Stefano Cipolla.[1]
Her most recent work follows a newly developed technique named "Figulinae", which consists of assembling soft raw stoneware or porcelain vessels and compressing them to form a new entity.[2]
Putsch-Grassi's work has been exhibited in personal exhibitions in Italy, Germany, Poland and Japan[3] as well as in numerous group exhibitions worldwide.[4] Furthermore, her works are displayed in European Museums.[5] Putsch-Grassi is an elected member of the International Academy of Ceramics.[6]
Awards (selection)[edit]
- 2012 First Prize “Rassegna Internazionale di Ceramica Contemporanea”, Albissola Marittima [7]
- 2016 Second Prize "Ceramic & Colours Award", Faenza [8]
- 2021 Third Prize "Premio MIDeC per Design Ceramico", Cerro di Laveno Mombello [9]
References[edit]
- ^ "Karin Putsch-Grassi: Dalla Germania all'Italia nel nome della ceramica". September 2018.
- ^ "la Ceramica Moderna & Antica n.301 (Coverstory, Pages 8-11)" (PDF). La Ceramica Moderna: Mensile di Informazione Tecnica. 2018. ISSN 1123-816X.
- ^ Catalog of Putsch-Grassi's Kyoto exhibition in 2017
- ^ Fittile - Exhibition by Triennale Milano and Fondazione Cologni dei Mestieri d’Arte
- ^ Certificate of the National Museum of Slovenia
- ^ International Academy of Ceramics Membership profile
- ^ "Keramik-Preis für Karin Putsch-Grassi".
- ^ "Ceramic & Colours Award", 2016, I edizione
- ^ "Premio MIDeC per Design Ceramico", 2021, II edizione
Sources[edit]
- Website of the International Academy of Ceramics
- Flyer of Karin Putsch-Grassi's Personal Exhibion inside the Civiltà Contadina Museum in Figline Valdarno
- Catalog of Putsch-Grassi's Kyoto exhibition in 2017
- Ceramics Monthly, September 2015, (Statement of Putsch-Grassi and pictures of her work), p. 42
- La Ceramica Moderna & Antica”, no. 301, 2018 , ISSN 1123-816X, Coverstory, pp. 8–11
- S., Federico (September 2018). "Karin Putsch-Grassi: dalla Germania all'Italia nel nome della ceramica". Archived from the original on September 3, 2018.
- Ugo La Pietra. "Fittile. Artigianato artistico Italiano della ceramica contemporanea" , p. 50
Documentation in publications[edit]
- Ray Hemachandra, Jim Romberg: 500 Raku. Bold Explorations of a Dynamic Ceramics Technique, New York 2011, ISBN 978-1-60059-294-2
- Linda Kopp: The Best of 500 Ceramics. Celebrating a Decade in Clay, New York 2012, ISBN 978-1-4547-0141-5, p. 336
- Duncan Hooson, Anthony Quinn: The Workshop Guide to Ceramics: A Fully Illustrated Step-by-Step Manual. Techniques and Principles of Design, Barron's 2012, ISBN 978-0-7641-6461-3
- Edoardo Pilia. Ceramica Artistica: materiali, tecniche, storia, ISBN 9781718076907, pp. 98–99
- Duncan Hooson and Anthony Quinn. The Workshop Guide to Ceramics, Thames & Hudson, ISBN 0500516219, pp. 211, 218, 248
- Ray Hemachandra and Julia Galloway. 500 Vases: Contemporary Explorations of a Timeless Form, Lark Books, ISBN 9781600592461, pp. 68, 272