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  • Comment: Please replace the primary sources with secondary sources and note that press releases are not reliable, independent sources. As a paid editor you will be held to a very high standard here. Theroadislong (talk) 18:39, 15 July 2024 (UTC)
  • Comment: way too many primary sources here. Theroadislong (talk) 14:19, 15 July 2024 (UTC)
  • Comment: See WP:BLP. Statements, starting with the date of birth, need to be sourced or removed. Greenman (talk) 17:27, 13 July 2024 (UTC)


Jane Fine
Jane Fine
Born1958
New York City, US
EducationHarvard University, Tufts University, Skowhegan School of Painting and Sculpture
Known forpainting, abstraction
Movementfeminism, neo-pop

Jane Fine (born 1958) is an American visual artist known for paintings that blend cartoonish, pop-culture abstraction with personal and socio-political subject matter.[1][2] She has been an active participant in Williamsburg, Brooklyn's art scene since the 1980s, having been featured in historical exhibitions including Williamsburg2000, in which the art critic Hrag Vartanian referred to the borough as the "epicenter of the city’s artistic edge" in the 1980s and 1990s.[3] Her work has been associated with graffiti and the work of Philip Guston, who she had a chance to meet when he was a visiting artist at Harvard University.[4] Since 2007, in addition to her individual work, she has also created and exhibited art with her husband, the painter James Esber, as the artist-duo J.Fiber.[5]

Early life and education

Jane Fine grew up in New York City.[6] She attended Hunter College High School and enrolled at Harvard University as a mathematics major, but then switched majors to focus on studio art.[7] After graduating with a B.A. magna cum laude in Visual and Environmental Studies, she studied painting for two years at the School of the Museum of Fine Arts in Boston and went on to receive her M.A. from Tufts University.[8] In 1989, she attended the Skowhegan School of Painting and Sculpture along with Chris Ware, Eve Sussman, and Leonardo Drew, among other artists.[9]

Career

In 1985, Fine became one of the founding members of 124 Ridge Street Gallery in the Lower East Side, and participated in the gallery until 1988.[10] In 1986, Fine moved to Williamsburg and became an active participant in the neighborhood's growing artist community, for which she was consulted in Ann Fensterstock's book Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond.[11][12][13]

In the mid-1990s, Fine was represented by Casey Kaplan.[14] Her 1995 solo show at Casey Kaplan was the gallery's inaugural exhibition.[15] Fine showed her work in some of the first commercial exhibition spaces in Williamsburg, including Annie Herron’s Test-Site and Pierogi (originally named Pierogi 2000).[16] She was represented by Pierogi for over 20 years, where she had seven solo exhibitions.[17][18] Other one-person exhibitions by Fine have been held at locations including White Columns and the Mitchell Gallery at the Ringling College of Art and Design.[19][20]

In 2018, after a 23andMe test, Fine discovered that the man she thought was her biological father was not.[21] She was able to determine the identity of her biological father, a pediatrician she knew as a child named Henry Eisenoff.[22] This patrilineal discovery had a profound impact on the direction of her work, which began to incorporate text as a means to explore the complex range of memories, perceptions, and emotions associated with the event.[23] As stated in the press release for the exhibition Love, American Style (2018) at Pierogi, the newer work deals with the "profound emotional and conceptual gap between the cheerful American dream of her childhood and the growing disappointment and disgust of the Trump years". [24]

Teaching

Fine has held academic teaching positions at several institutions including Alfred University, Hamilton College, the University of California, Davis, the Rhode Island School of Design, and Vassar College.[25] Notably, in 2009, she was the Christian A. Johnson Visiting Artist-in-Residence at Middlebury College.[26]

Awards and fellowships

Residencies

Selected solo and two-person exhibitions

  • Love, American Style, Pierogi, New York (2018)[40]
  • Contents Under Pressure, Pierogi, Brooklyn, New York (2015)[41]
  • Ladies and Gentlemen, Please Remain Calm, Clifford Gallery, Colgate University, Hamilton, New York (2014)[42]
  • Formulas For Now, Pierogi, Brooklyn, New York (2012)
  • Jolly Quagmire, Michael Rosenthal Gallery, San Francisco, California (2010)
  • Where Boys with Guns Wear Bows in Their Hair, Prospect 1.5, The Wesley, New Orleans, Louisiana (2010)[43]
  • Glad All Over, Pierogi, Brooklyn, New York (2009)
  • J. Fiber: World War Me, Pierogi, Brooklyn, New York (2008)
  • Skirmish, Pierogi, Leipzig, Germany (2007)
  • Shock and Awe, Barbara Davis Gallery, Houston, Texas (2007)
  • Friendly Fire, Bernard Toale Gallery, Boston, Massachusetts (2006)
  • After Sugar Time, Pierogi, Brooklyn, New York (2004)
  • Jane Fine: New Work, Pierogi, Brooklyn, New York (2000)
  • Jane Fine, Casey Kaplan, New York (1996)
  • Jane Fine, Casey Kaplan, New York (1995)
  • White Room: Jane Fine, White Columns, New York (1992)[44]

Selected group exhibitions

  • Tectonic Abstraction, Bill Arning Exhibitions, Houston, Texas (2022)[45]
  • Re:Presentation, curated by Dan Cameron, Jonathan Ferrara Gallery, New Orleans, Louisiana (2021)[46]
  • Chromomania: Intoxication via Color, Bill Arning Exhibitions, Dallas Art Fair, Dallas, Texas (2020)
  • Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum, Skidmore College, Saratoga Springs, New York (2020)[47]
  • The Chaney Family: A Contemporary Art Collection, Pearl Fincher Museum of Fine Arts, Spring, Texas (2021)[48]
  • Mediums of Exchange, Shirley Fiterman Art Center and Lehman College Art Gallery, City University of New York, New York (2019)
  • Labyrinths of the Mind, Kleinert James Center for the Arts, Woodstock, New York (2019)[49]
  • Summer of Love, Freight + Volume, New York (2018)[50]
  • Broad Stripes and Bright Stars, Ely Center, New Haven, Connecticut (2017)
  • Pop-up Exhibition, NYFA Curatorial/McKinsey & Company, New York (2015)
  • Pierogi XX: 20th Anniversary Exhibition, Pierogi, Brooklyn, New York (2014)
  • Made in Paint, Sam & Adele Golden Gallery, New Berlin, New York
(2013)
  • image/clot, Zolla Lieberman Gallery, Chicago, Illinois (2012)[51]
  • Melt, Tang Teaching Museum, Saratoga Springs, New York (2011)[52]
  • Counterpart, West Collection, SEI Corporate Campus, Oaks, Pennsylvania (2011)
  • Thinking Through Drawing, Macy Gallery, Columbia University, New York (2011)
  • Zeichnungen, Graphiken und Fotografien aus New York und Leipzig, Kunstmühle Mürsbach, Mürsbach, Germany (2010)
  • Mutant Anxiety, Michael Rosenthal Gallery, San Francisco, California (2010)
  • Pierogi, et. al., Daniel Weinberg Gallery, Los Angeles, California (2008)
  • Art on Paper, Weatherspoon Art Museum, Winston-Salem, North Carolina (2008)
  • Future Tense, Neuberger Museum of Art, Purchase, New York (2008)
  • 100 Artists, 100 Watercolors, Jeannie Freilich Fine Art, New York (2006)
  • New Turf, curated by Evelyn Hankins, Fleming Museum, University of Vermont, Burlington, Vermont (2005)[53]
  • American Obsessive Drawing, Völcker and Freunde, Berlin, Germany (2005)
  • Open House, Brooklyn Museum, Brooklyn (2004)[54]
  • Works on Paper, Völcker and Freunde, Berlin, Germany (2003)
  • The Brooklyn Rail, Selection I, curated by Phong Bui, Wythe Studio, Brooklyn, New York (2002)
  • Inter-sex-tion, DNA Gallery, Provincetown, Massachusetts (2002)[55]
  • Pop Science, g-module, Paris, France (2001)
  • New Prints, International Print Center, New York (2001)
  • Compelled, Hunterdon Art Museum, Clinton, New Jersey (2001)
  • @, P.P.O.W., New York (2000)
  • Yaddo Centennial, Art in General, New York, and the Hyde Collection, Glens Falls, New York (2000)
  • Art on Paper, Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, North Carolina(2000)
  • Haulin' Ass, Post Gallery, Los Angeles, California (2000)
  • Fields, P.P.O.W., New York (1999)
  • Working in Brooklyn: Current Undercurrent, Brooklyn Museum, Brooklyn, New York (1997)[56]
  • Redefinitions: A View from Brooklyn, Nicholas and Lee Begovich Gallery, California State University, Fullerton, Fullerton, California (1997)[57]
  • Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, Missouri (1996)
  • Jane Fine, Joanne Greenbaum, John-Paul Philippe, Arena, Brooklyn, New York (1995)
  • Paintings, Petzel Gallery, New York (1994)
  • Pure Pop for Now People, Jack Tilton Gallery, New York (1993)
  • Update 1992, White Columns, New York (1992)[58]
  • Salon of the Mating Spiders, Herron Test-Site, Brooklyn, New York (1992)
  • High Density Abstraction, Procter Art Center, Bard College, Annandale-on Hudson, New York (1991)[59]
  • Selections 42, Drawing Center, New York (1988)[60]

Collections

References

  1. ^ "Jane Fine". Christie's. Retrieved 15 July 2024.
  2. ^ Johnson, Ken (2 April 2004). "Art in Review: Jane Fine -- 'After Sugar Time'". New York Times. Retrieved 15 July 2024.
  3. ^ Vartanian, Hrag (24 March 2011). "Back to the Future, the Williamsburg that Waz". Hyperallergic. Retrieved 15 July 2024.
  4. ^ http://www.artnet.com/magazine/reviews/garcia-fenech/garcia-fenech1-5-01.asp
  5. ^ "Makin' Whoopee: A Conversation with J. Fiber, James Esber and Jane Fine with Jim Supanick". The Brooklyn Rail. April 2008.
  6. ^ "Episode 62: Jane Fine: Abstract Artist Discovers Family Secret". Happiness Through Hardship. Retrieved 15 July 2024.
  7. ^ Carey, Brainard. "Jane Fine". Museum of Non-Visible Art. Retrieved 15 July 2024.
  8. ^ Carey, Brainard. "Jane Fine". Museum of Non-Visible Art. Retrieved 15 July 2024.
  9. ^ "People Database". Skowhegan. Retrieved 15 July 2024.
  10. ^ "May 5, 1986 members of the 124 Ridge Street Gallery". Facebook. Retrieved 15 July 2024.
  11. ^ Fensterstock, Ann (2013). Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond. St. Martin's Publishing Group. pp. XIII, 140, 250, 251.
  12. ^ "Jane Fine". Verdad Magazine. Retrieved 15 July 2024.
  13. ^ Kalm, James (June 2008). "Brooklyn Dispatches". The Brooklyn Rail.
  14. ^ Smith, Roberta. "Palettes Full of Ideas About What Painting Should Be". New York Times. Retrieved 15 July 2024.
  15. ^ Smith, Roberta (14 April 1995). "Art in Review". New York Times. Retrieved 15 July 2024.
  16. ^ "Annie Herron, 50, an Art Dealer, is Dead". The New York Times. 28 September 2004.
  17. ^ "Jane Fine". Pierogi. Retrieved 15 July 2024.
  18. ^ Yablonsky, Linda. "What Makes a Painting a Painting?". Artnews. Retrieved 15 July 2024.
  19. ^ "Jane Fine Bio". Pierogi. Retrieved 15 July 2024.
  20. ^ "White Room: Jane Fine". White Columns.
  21. ^ Saltz, Jerry. "25 Things to See, Hear, Watch, and Read Over the Next Two Weeks: Family Matters" (PDF). Vulture. Retrieved 15 July 2024.
  22. ^ "HENNRY EISEN OFF, PEDIATRICIAN, 71; Aide at the Bronx-Lebanon Haspital Center Dead". The New York Times. 21 March 1964.
  23. ^ "Patrilineations: Jane Fine at Pierogi".
  24. ^ "Jane Fine at Pierogi". 8 July 2018.
  25. ^ "Bio". Jane Fine. Retrieved 15 July 2024.
  26. ^ Richards, Ramona (April 16, 2009). "Jane Fine". Middlebury Campus. p. 17.
  27. ^ "Announcement".
  28. ^ "New York Foundation for the Arts".
  29. ^ "New York Foundation for the Arts".
  30. ^ "Fine Arts Work Center".
  31. ^ "NEA Annual Report 1989" (PDF). National Endowment for the Arts. Retrieved 15 July 2024.
  32. ^ "Our Artists – Yaddo".
  33. ^ "Jane Fine - MacDowell Fellow in Visual Arts".
  34. ^ "All Fellows". Fine Art Work Center. Retrieved 15 July 2024.
  35. ^ "Meet the Artists |".
  36. ^ "Past Residents". Golden Foundationwilliam. Retrieved 15 July 2024.
  37. ^ "Central City Artist Project". Central City Artist Project. Retrieved 15 July 2024.
  38. ^ "Jane Fine". Cité internationale des arts. Retrieved 15 July 2024.
  39. ^ "Jane Fine: "Love, American Style"". The Art Guide. Retrieved 15 July 2024.
  40. ^ McCann, Margaret. "Patrilineations: Jane Fine at Pierogi". Painters' Table. Retrieved 15 July 2024.
  41. ^ "Jane Fine: Contents Under Pressure". Golden Foundation. Retrieved 15 July 2024.
  42. ^ "Jane Fine: Ladies and Gentlemen, Please Remain Calm". Clifford Gallery. Retrieved 15 July 2024.
  43. ^ "P.1.5".
  44. ^ "White Room: Jane Fine".
  45. ^ "Tectonic Abstraction: Weighty Forms and Colossal Colors". Artland. Retrieved 15 July 2024.
  46. ^ "RE:REPRESENTATION - PART I". Ferrara Showman Gallery. Retrieved 15 July 2024.
  47. ^ "Never Done: 100 Years of Women in Politics and Beyond".
  48. ^ "Past Exhibitions".
  49. ^ "A labyrinth worth getting lost in | the New Criterion". 28 May 2019.
  50. ^ "SUMMER OF LOVE - Exhibitions - Freight+Volume".
  51. ^ https://thevisualist.org/2012/11/imageclot-curated-by-dan-mills-phyllis-bramson-coupling-displays-and-dalliances-of-a-romantic-nature/
  52. ^ "MELT".
  53. ^ https://www.uvm.edu/sites/default/files/Fleming-Museum-of-Art/Archive_PDF/2005_Fall.pdf
  54. ^ "Brooklyn Museum".
  55. ^ "Gallery".
  56. ^ "Brooklyn Museum".
  57. ^ "Redefinitions: A View from Brooklyn, 1997-11-09 - 1997-12-11 | CSUF UA&SC and LDCOPH Finding Aids".
  58. ^ "Update 1992".
  59. ^ "Allyson Grey, High Density Abstraction, Procter Art Center, Bard College, Card, 1991". 3 December 2019.
  60. ^ "The Drawing Center: Selections 42: Eve Ascheim, Amanda Barrow, Jane Fine, Nancy Friese, Gary Goldberg, Prudencio Irazabal, Michael Kareken, Tom Koken, Kathleen E. Kucka, Thomas Lyon Mills, Michael Mulhern, Kathryn Myers, Carol Parlato, Herman Steins, Po Shu Wang, Harvey".
  61. ^ "Orange Flip". Harvard Art Museums. Retrieved 15 July 2024.
  62. ^ "Swamped". University at Albany Fine Art Collections. Retrieved 15 July 2024.
  63. ^ "Forced Entry". RISD Art Museum. Retrieved 15 July 2024.
  64. ^ "Artists". West Collection. Retrieved 15 July 2024.
  65. ^ "The Artist Pension Trust Had a Utopian Dream to Give Artists a Shared Retirement Fund. It's Devolved into Legal Threats and Despair". 11 January 2022.

Bibliography

  • Jerry Saltz, "25 Things to See, Hear, Watch, and Read Over the Next Two Weeks", New York Magazine, September 16, 2018
  • Margaret McCann, "Patrlineations: Jane Fine at Pierogi", Painters' Table, October 3, 2018
  • Ann Wood, "Jane Fine Pours Herself Into Her Work", Provincetown Banner, March 15, 2018, p. 27
  • D. Eric Bookhardt, "Review: Works by Chris Guarisco, James Esber and Jane Fine", Best of New Orleans, March 19, 2013
  • Will Corwin, "Jane Fine", Art Papers, 34, no. 1 (January/February 2010), p. 64
  • Stephen Maine, "Jane Fine/Pierogi", Art in America, 97, no. 11 (December 2009), p. 140
  • Jim Supanick, "Makin’ Whopee: A Conversation with J. Fiber, James Esber and Jane Fine with Jim Supanick", The Brooklyn Rail, April 2008, pp. 29–33
  • Benjamin Genocchio, "What Is War Good For?", New York Times, January 9, 2005
  • Gregory Volk, "Big Brash Borough", Art in America, no. 8 (September 2004), pp. 93-97, 142
  • Ken Johnson, "Art in Review", New York Times, April 2, 2004
  • Stephen Maine, "Dateline Brooklyn", artnet.com, April 2004
  • "My Mother’s An Artist", New Yorker, May 26, 2003
  • Holland Cotter, "Art Guide", New York Times, March 1, 2002
  • Holland Cotter, "For Hikers Seeking Art, Brooklyn is a Left Bank", The New York Times, December 15, 2000
  • "Galleries: Jane Fine", New Yorker, November 27, 2000
  • Cathy Curtis, '"A Bridge to Brooklyn", Los Angeles Times, November 18, 1997
  • Roberta Smith, "Art in Review", New York Times, April 14, 1995
  • Stuart Servetar, "Jane Fine", New York Press, April 12, 1995
  • Roberta Smith, "Shades of a Rebirth for Painting", New York Times, June 18, 1993
source: https://en.wikipedia.org/w/index.php?title=&oldid=1234716883

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