| The convex mirror | |
|---|---|
 | |
| Artist | George Washington Lambert |
| Year | c 1916 |
| Medium | oil with pencil on wood panel |
| Dimensions | 50 cm diameter (20 in) |
| Location | State Library of New South Wales, Sydney |
| Website | http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?embedded=true&toolbar=false&dps_pid=FL3295754 |
The convex mirror is a c 1916 oil with pencil on wood panel painting by Australian artist George Washington Lambert.
The work depicts the interior of Belwethers, a cottage in Cranleigh, a village in Surrey in southern England.[1]
Lambert was influenced in the creation of this work by the late-Renaissance artist Parmigianino's 1520s painting Self-portrait in a Convex Mirror.[1]
It is a jewel-like piece of painting, with the lustre of a looking-glass, in which Lambert explored the distinction between how things appear in the picture or in a mirror, or how they are in life itself. He placed the artist within the painting on a separate plane from the other people within the scene, and showed him ignoring them and looking out to the viewer – observing the entire scene through a convex mirror. His hand thrusts forward, without a brush, spread wide as it would when distorted in a mirror.
— Anne Grey, [1]
Lambert's friend, artist Thea Proctor said The convex mirror "has the exquisite finish of the Dutch Masters, and shows that a present-day artist could also paint small things in a large manner."[1]
The painting was acquired by the State Library of New South Wales in 2012 as part of a bequest from art collector Helen Selle.[2]
References[edit]
- ^ a b c d Grey, Anne. "The convex mirror c.1916". George W Lambert Retrospective. National Gallery of Australia. Retrieved 22 March 2021.
- ^ Holden, Robert (2020). "A fully rounded masterpiece". State Library of New South Wales. Retrieved 23 March 2021.