Massimo Terzano (23 April 1892 – 18 October 1947) was an Italian cinematographer. Terzano was a leading figure in the Italian film industry, working on over eighty films during the silent, Fascist and post-war eras.^[1] His final film was The Barber of Seville, made shortly before his death.

• Emperor Maciste (1924)
• Saetta Learns to Live (1924)
• Maciste in the Lion's Cage (1926)
• The Giant of the Dolomites (1927)
• The Carnival of Venice (1928)
• Judith and Holofernes (1929)
• The Song of Love (1930)
• When Naples Sings (1930)
• Figaro and His Great Day (1931)
• Lowered Sails (1931)
• Before the Jury (1931)
• Courtyard (1931)
• The Private Secretary (1931)
• What Scoundrels Men Are! (1932)
• The Opera Singer (1932)
• Steel (1933)
• Giallo (1933)
• Fanny (1933)
• Ragazzo (1934)
• Stadium (1934)
• Casta Diva (1935)
• Aldebaran (1935)
• Like the Leaves (1935)
• Those Two (1935)
• The White Squadron (1936)
• But It's Nothing Serious (1936)
• Joe the Red (1936)
• The Great Appeal (1936)
• The Anonymous Roylott (1936)
• The Carnival Is Here Again (1937)
• Mother Song (1937)
• I've Lost My Husband! (1937)
• Doctor Antonio (1937)
• Princess Tarakanova (1938)
• Giuseppe Verdi (1938)
• The Sons of the Marquis Lucera (1939)
• The Silent Partner (1939)
• Our Miss Doctor (1940)
• Boccaccio (1940)
• Captain Tempest (1942)
• Tragic Night (1942)
• The Lion of Damascus (1942)
• Malombra (1942)
• A Pistol Shot (1942)
• Zaza [it] (1944)
• Two Anonymous Letters (1945)
• Days of Glory (1945)
• The Barber of Seville (1947)
• Crime News (1947)

• Moliterno, Gino. The A to Z of Italian Cinema. Scarecrow Press, 2009.

• Massimo Terzano at IMDb