Burkhard Stangl | |
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![]() John Butcher and Burkhard Stangl | |
Background information | |
Birth name | Burkhard Stangl |
Genres | Free improvisation, Electro-acoustic Improvisation |
Instrument(s) | Guitar, Electronics |
Years active | 1985-current |
Labels | Erstwhile Records |
Burkhard Stangl (born 6 November 1960 in Eggenburg, Lower Austria) is a composer and musician, currently residing in Vienna, Austria. Playing primarily guitar and electronics, he is a prolific performer in the world of electro-acoustic improvisation, having participated in over 50 recordings.[1] One of his most noted recordings is schnee, a duet with Cristof Kurzmann, inspired by four films and a quote from writer Robert Walser.[2] It has been recorded live, as schnee_live,[3] and has spawned a similarly themed "meta-song suite," neuschnee.[4] His 1997 opera Der Venusmond was recorded partially on the observation deck of the Empire State Building.[5]
Partial discography
[edit]- Recital (Durian, 1999)
- Schnee - with Cristof Kurmann, (Erstwhile, 2000)
- Venusmond - with Oswald Eggers, (Quell, 2000)
- An Old Fashioned Duet - with Taku Sugimoto, (Slub, 2002)
- Eh - with Dieb13, (Erstwhile, 2002)
- Neuschnee - with Cristof Kurzmann (Erstpop, 2009)
- Musik - Ein Porträt in Sehnsucht - with Kai Fagaschinski, (Erstwhile, 2009)
- Scuba - with Angélica Castelló, Billy Roisz and Dieb13, (Mikroton, 2014)
- Sqid - with Angélica Castelló, Mario De Vega and Attila Faravelli (Mikroton, 2015)
- Jardin Des Bruits - with Dieb13, (Mikroton, 2019)
With Steve Lacy
- Itinerary (hat ART, 1991)
- With Franz Koglmann
- L'Heure Bleue (HatART, 1991)
- We Thought About Duke (HatART, 1994) with Lee Konitz
External links
[edit]References
[edit]- ^ "Burkhard Stangl » About".
- ^ "Erstwhile Records". www.erstwhilerecords.com. Archived from the original on 2005-03-17.
- ^ "Erstwhile Records". www.erstwhilerecords.com. Archived from the original on 2006-02-07.
- ^ "Erstwhile Records". www.erstwhilerecords.com. Archived from the original on 2009-03-02.
- ^ Allmusic.com Record Review of Der Venusmond