The 1980s (pronounced "nineteen-eighties", shortened to "the '80s") was a decade of the Gregorian calendar that began on January 1, 1980, and ended on December 31, 1989.
As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 39 million people (). Global warming became well known to the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc and desire for democracy in communist-led socialist states combined with economic recession resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with Western firms. After newly heated tension for most of the decade, by 1988 relations between the West and East had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985 the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The 1980s was also an era of tremendous population growth around the world, surpassing even the 1970s and 1990s, thus arguably being the largest in human history. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually.
The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The global Internet took shape in academia by the second half of the 1980s as well as many other computer networks of both academic and commercial use such as USENET, Fidonet and the Bulletin Board System. By 1989 the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most rich countries. Based on earlier work from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989 and performed its earliest demonstrations in December 1990 and 1991. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
The decade was great socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism.
The 1980s was an era of tremendous population growth around the world, surpassing even the 1970s and 1990s, thus arguably being the largest in human history. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually.
The AIDS epidemic became recognized in the 1980s and has since killed an estimated 39 million people (as of 2013[update]).[1]Global warming became well known to the scientific and political community in the 1980s.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985 the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment[2] which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis.[3]Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.[4]
The global Internet took shape in academia by the second half of the 1980s as well as many other computer networks of both academic and commercial use such as USENET, Fidonet and the Bulletin Board System. By 1989 the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most rich countries.[5] Based on earlier work from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989 and performed its earliest demonstrations in December 1990 and 1991. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.[6]
The Iran–Iraq War (Persian: جنگ ایران و عراق; Arabic: الحرب الإيرانية العراقية) was a protracted armed conflict that began on 22 September 1980 with a full-scale invasion of Iran by neighbouring Iraq. The war lasted for almost eight years, and ended in a stalemate on 20 August 1988, when Iran accepted Resolution 598 of the United Nations Security Council. Iraq's primary rationale for the invasion was to cripple Iran and prevent Ruhollah Khomeini from exporting the 1979 Iranian Revolution movement to Shia-majority Iraq and internally exploit religious tensions that would threaten the Sunni-dominated Ba'athist leadership led by Saddam Hussein. Iraq also wished to replace Iran as the dominant state in the Persian Gulf, which, prior to the Iranian Revolution, was not seen as an achievable objective by the Iraqi leadership due to pre-revolutionary Iran's colossal economic and military power as well as its close alliances with the United States, a superpower, and Israel, a major player in the Middle East. The war followed a long-running history of bilateral border disputes between the two states, as a result of which Iraq planned to retake the eastern bank of the Shatt al-Arab ceded in 1975. Iraq supported Arab separatists in the oil-rich territory of Khuzestan seeking an Arab state known as "Arabistan" who had started an insurgency in 1979 with support from Iraq. Iraq sought to seize control of and sever Khuzestan from Iran. Saddam Hussein publicly stated in November 1980 that Iraq was not seeking annexation of Khuzestan into Iraq; rather, it is believed that Iraq sought to establish a suzerainty over the territory.
While the Iraqi leadership had hoped to take advantage of Iran's post-revolutionary chaos and expected a decisive victory in the face of a severely weakened Iran, the Iraqi military only made progress for three months, and by December 1980, the Iraqi invasion of Iran had stalled. As fierce fighting broke out between the two sides, the Iranian military began to gain momentum against the Iraqis and regained virtually all of its lost territory by June 1982. After pushing Iraqi forces back to the pre-war border lines, Iran invaded Iraq and went on the offensive for the next five years until the latter took back the initiative in mid-1988 and launched a series of major counter-offensives that ultimately led to the conclusion of the war in a stalemate. There were a number of proxy forces operating for both countries—most notably the People's Mujahedin of Iran, which had sided with Iraq, and the Iraqi Kurdish militias of the KDP and PUK, which had sided with Iran. The United States, United Kingdom, Soviet Union, France, and many Arab countries provided an abundance of financial, political and logistical support for Iraq. While Iran was comparatively isolated to a large degree, it received various forms of support, with its most notable sources of aid being Syria, Libya, China, North Korea, Israel, Pakistan and South Yemen. (Full article...)
Edward Regan Murphy (born April 3, 1961) is an American actor, comedian, writer, producer, and singer. He rose to fame on the sketch comedy show Saturday Night Live, for which he was a regular cast member from 1980 to 1984. Murphy has also worked as a stand-up comedian and was ranked No. 10 on Comedy Central's list of the 100 Greatest Stand-ups of All Time.
Image 4Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 9The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 14The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Following publication of the novel, Hjortsberg began developing the screenplay for a film adaptation, but found that no major studio was willing to produce his script. The project resurfaced in 1985, when producer Elliott Kastner brought the book to Parker's attention. Parker began work on a new script and in doing so made several changes from Hjortsberg's novel. He also met with Mario Kassar and Andrew G. Vajna, who agreed to finance the $18 million production through their independent film studio Carolco Pictures. Filming took place on location in New York and New Orleans, with principal photography lasting from March 1986 to June of that year. (Full article...)
The screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film Dune, Lynch made attempts at developing a more "personal story", somewhat characteristic of the surrealist style displayed in his first film Eraserhead (1977). The independent studio De Laurentiis Entertainment Group, owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film. (Full article...)
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The Evil Dead is a 1981 American supernatural horror film written and directed by Sam Raimi, produced by Robert Tapert and executive produced by Raimi, Tapert, and Bruce Campbell, who also starred alongside Ellen Sandweiss, Richard DeManicor, Betsy Baker and Theresa Tilly. The film focuses on five college students vacationing in an isolated cabin in a remote wooded area. After they find an audio tape that, when played, releases a legion of demons and spirits, four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Tapert, Campbell and their friends produced the short filmWithin the Woods as a proof of concept to build the interest of potential investors, which secured US$90,000 to begin work on The Evil Dead. Principal photography took place on location in a remote cabin located in Morristown, Tennessee, in a difficult filming process that proved extremely uncomfortable for the cast and crew; the film's extensive prosthetic makeup effects and stop-motion animations were created by artist Tom Sullivan. The completed film attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which resulted in New Line Cinema acquiring its distribution rights. (Full article...)
Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumna Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winston and Gene Warren Jr. (Full article...)
Sean Connery played the role of Bond for the seventh and final time, marking his return to the character 12 years after Diamonds Are Forever. The film's title is a reference to Connery's reported declaration in 1971 that he would "never" play that role again. As Connery was 52 at the time of filming, although nearly three years younger than incumbent Bond Roger Moore, the storyline features an aging Bond who is brought back into action to investigate the theft of two nuclear weapons by SPECTRE. Filming locations included France, Spain, the Bahamas and Elstree Studios in the United Kingdom. (Full article...)
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White Dog is a 1982 American dramahorror film, which Samuel Fuller directed from a screenplay he and Curtis Hanson had dramatized, which, in turn, they based on Romain Gary's 1970 novel of the same name. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken, and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on the prominent British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role. (Full article...)
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Lupo the Butcher is a 1987 animatedshortcomedy film directed and written by Danny Antonucci. The short follows the story of a butcher who has a huge temper and swears at his meat when the smallest things go wrong. Produced by Marv Newland's International Rocketship Limited, Lupo the Butcher was a successful short and has earned itself a cult following. (Full article...)
Filmed on location in and around New Orleans in late 1980 with assistance from the Louisiana Film Commission, additional photography took place at De Paolis Studios in Rome. Released theatrically in Italy in the spring of 1981, The Beyond did not see a North American release until late 1983 through Aquarius Releasing, who released an alternate version of the film titled 7 Doors of Death; this version featured an entirely different musical score and ran several minutes shorter than Fulci's original cut, which was branded a "video nasty" upon its release in the United Kingdom. The original version of the film saw its first United States release in September 1998 through a distribution partnership between Rolling Thunder Pictures, Grindhouse Releasing and Cowboy Booking International. (Full article...)
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Inseminoid (titled Horror Planet in the United States) is a 1981 British science fictionhorror film directed by Norman J. Warren. It stars Judy Geeson, Robin Clarke and Stephanie Beacham, along with Victoria Tennant in one of her early film roles. The plot concerns a group of archaeologists and scientists who are excavating the ruins of an ancient civilisation on a distant planet. After one of the women in the team, Sandy (Geeson), is impregnated by a monstrous alien creature, she develops psychosis and begins killing her colleagues one by one, mutilating them and eating their flesh.
Inseminoid was written by Nick and Gloria Maley, a married couple who had been part of the special effects team on Warren's earlier film Satan's Slave. Filmed between May and June 1980 on a budget of £1 million, half of which was supplied by the Shaw Brothers, it was shot mostly on location at Chislehurst Caves in Kent as well as on Gozo, Malta, combined with a week's filming at Lee International Studios in London. Composer John Scott completed the electronic musical score over recording sessions that lasted many hours. (Full article...)
Producer Martin Bregman acquired the film rights to the book in 1976 and hired Stone, also a Vietnam veteran, to co-write the screenplay with Kovic, who would be played by Al Pacino. When Stone optioned the book in 1978, the film adaptation became mired in development hell after Pacino and Bregman left, which resulted in him and Kovic putting the film on hold. After the release of Platoon, the project was revived at Universal Pictures, with Stone attached to direct. Shot on locations in the Philippines, Texas and Inglewood, California, principal photography took place from October 1988 to December, lasting 65 days of filming. The film went over its initial $14 million production budget, and ended up costing $17.8 million after reshoots. (Full article...)
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Royal Space Force: The Wings of Honnêamise (Japanese: 王立宇宙軍~オネアミスの翼, Hepburn: Ōritsu Uchūgun: Oneamisu no Tsubasa) is a 1987 Japanese animatedscience fiction film written and directed by Hiroyuki Yamaga, co-produced by Hiroaki Inoue and Hiroyuki Sueyoshi, and planned by Toshio Okada and Shigeru Watanabe. Ryuichi Sakamoto, later to share the Academy Award for the soundtrack to The Last Emperor, served as music director. The film's story takes place on an alternate world where a disengaged young man, Shirotsugh, inspired by an idealistic woman named Riquinni, volunteers to become the first astronaut, a decision that draws them into both public and personal conflict. The film was the debut work of anime studio Gainax, whose later television and movie series Neon Genesis Evangelion would achieve international recognition, and was the first anime produced by toy and game manufacturer Bandai, eventually to become one of Japan's top anime video companies.
Yamaga and Okada had become known through making amateur fan-oriented short films, particularly the Daicon III and IV Opening Animations, but their pitch for Royal Space Force argued that growing the anime industry required a shift away from works that pleased fans on a surface level but reinforced their isolation, advocating instead for a different type of anime that attempted to engage with fans as human beings who shared in the alienation issues of a larger society. The making of Royal Space Force involved a collaborative year-long design process using many creators, including some from outside the anime industry, to construct an elaborately detailed alternate world described as neither utopian nor dystopian, but "an attempt to approve existence". Science fiction author Ted Chiang, whose work was the basis for the Academy Award-nominated film Arrival, would later describe Royal Space Force as the single most impressive example of world building in books or film. (Full article...)
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Aliens is a 1986 science fictionaction film written and directed by James Cameron. It is the sequel to the 1979 science fiction horror film Alien, and the second film in the Alien franchise. Set in the far future, the film stars Sigourney Weaver as Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon on which her crew first encountered the alien creatures, Ripley agrees to return to the site with a troop of Colonial Marines to investigate. Aliens features Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn in supporting roles.
Despite the success of Alien, its sequel took years to develop; it was delayed by lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated changes in management. Based on his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985), Cameron was hired to write a story for Aliens in 1983. The project stalled again until new Fox executive Lawrence Gordon pursued a sequel. Although relatively inexperienced, Cameron was given the director role based on his success directing The Terminator. On an approximately $18.5million budget, Aliens began principal photography in September 1985. Like its development, filming was tumultuous and rife with conflicts between Cameron and the British crew at Pinewood Studios. James Horner composed the film's score. The difficult shoot also affected Horner, who was given little time to record the music. (Full article...)
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^Singhal, Arvind; Doshi, J.K.; Rogers, Everett M.; Rahman, S. Adnan. "The Diffusion of Television in India"(PDF). Media Asia. 15 (4): 222–229. Retrieved 2015-04-18.
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