Trishtubh (Sanskrit: त्रिष्टुभ्, IPA: [tɽɪˈʂʈʊbʱ], IAST: Triṣṭubh) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses.

The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break, followed by either three or two short syllables. The final four syllables form a trochaic cadence. For example RV 2.3.1:

sámiddho agnír níhitaḥ pṛthivyâm

pratyáṅ víśvāni bhúvanān_iy asthāt

hótā pāvakáḥ pradívaḥ sumedhâ

devó devân yajat_uv agnír árhan

"Agni is set upon the earth well kindled

he standeth in the presence of all beings.

Wise, ancient, God, the Priest and Purifier

let Agni serve the Gods for he is worthy."

(trans. Griffith; the translator attempts to imitate the meter in English)

This is to be read metrically as follows, with , marking the caesura and separating the cadence:

∪ – – – – , ∪ ∪ | – ∪ – x

– – – – ∪ , ∪ ∪ | – ∪ – x

– – – ∪ – , ∪ ∪ | – ∪ – x

– – – – , ∪ ∪ ∪ | – ∪ – x

The Avesta has a parallel stanza of 4x11 syllables with a caesura after the fourth syllable.

Trishtubh verses are also used in later literature, its archaic associations used to press home a "Vedic" character of the poetry. The Bhagavad Gita, while mostly composed in shloka (developed from the Vedic anushtubh^[1]) is interspersed with Trishtubhs. A particularly long section of Trishtubhs is chapter 11, verses 15-50.

Notes[edit]

References[edit]

• E. V. Arnold, Vedic Metre in its Historical Development, 1905
• E. W. Hopkins, The Great Epic of India, 1901

See also[edit]

• Anustubh
• Vedic meter