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THE VISUAL ARTS PORTAL

Introduction

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.

Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions painting has been seen as relying to the highest degree on the imagination of the artist, and the furthest removed from manual labour – in Chinese painting the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Architecture at Vkhutemas, book cover by El Lissitzky, 1927

Vkhutemas (Russian: Вхутемас, IPA: [fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерские Vysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas.

The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. It was a center for three major movements in avant garde art and architecture: constructivism, rationalism, and suprematism. In the workshops, the faculty and students transformed attitudes to art and reality with the use of precise geometry with an emphasis on space, in one of the great revolutions in the history of art. In 1926, the school was reorganized under a new rector and its name was changed from "Studios" to "Institute" (Вхутеин, Высший художественно-технический институт, Vkhutein, Vysshiy Khudozhestvenno-Tekhnicheskii Institut), or Vkhutein. It was dissolved in 1930, following political and internal pressures throughout its ten-year existence. The school's faculty, students, and legacy were dispersed into as many as six other schools. (Full article...)
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The Tetons and the Snake River by Ansel Adams
The Tetons and the Snake River by Ansel Adams
Credit: National Archives and Records Administration
Ansel Adams, whose The Tetons and the Snake River (1942, Grand Teton National Park, Wyoming) is pictured here, is best known for his black and white photographs of California's Yosemite Valley.

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Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.
Salvador Dalí, People (September 27, 1976)


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Portrait by William Aikman, 1727

William Adam (1689 – 24 June 1748) was a Scottish architect, mason, and entrepreneur. He was the foremost architect of his time in Scotland, designing and building numerous country houses and public buildings, and often acting as contractor as well as architect. Among his best known works are Hopetoun House near Edinburgh, and Duff House in Banff. His individual, exuberant style built on the Palladian style, but with Baroque details inspired by Vanbrugh and Continental architecture.

In the 18th century, Adam was considered Scotland's "Universal Architect". However, since the early 20th century, architectural critics have taken a more measured view, Colin McWilliam, for instance, finding the quality of his work "varied to an extreme degree". As well as being an architect, Adam was involved in several industrial ventures and improvement schemes, including coal mining, salt panning, stone quarries and mills. In 1731 he began to build up his own estate in Kinross-shire, which he named Blair Adam. He was the father of three architects; John, Robert and James, the last two were the developers of the "Adam style". (Full article...)

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Prometheus (1930)
Prometheus (1930)

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