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'''Beth Diane Armstrong''' (born 1985) is a [[South Africa]]n [[Sculpture|sculptor]]. Armstrong is represented in Cape Town by BRUNDYN + GONSALVES <ref>{{cite web|url=http://www.brundyngonsalves.com/artists/beth-armstrong/ |title=Brundyn + Gonsalves &#124; Beth Diane Armstrong |publisher=Brundyngonsalves.com |date= |accessdate=2012-07-05}}</ref>
'''Beth Diane Armstrong''' (born 1985) is a [[South Africa]]n [[Sculpture|sculptor]]. Armstrong is represented in Cape Town by EVERARD READ GALLERY <ref> http://www.everard-read-capetown.co.za/artist/BETH%20DIANE_ARMSTRONG/biography/



==Biography==
==Biography==

Revision as of 13:41, 12 September 2016

Beth Diane Armstrong
Born1985
Nationality South African
EducationRhodes University
Known forSculpture

Beth Diane Armstrong (born 1985) is a South African sculptor. Armstrong is represented in Cape Town by EVERARD READ GALLERY Cite error: A <ref> tag is missing the closing </ref> (see the help page). Her most recent solo exhibitions at iArt Gallery (now BRUNDYN + GONSALVES), To skip the last step [1] and Towards an architecture of loss,[2] operate in conjunction to explore the concept of traversal and surmounting of loss. Armstrong currently lives and works in Johannesburg.

Recent developments

Armstrong was selected to create sculptures for a major 2011 campaign by investment management firm Prescient.[3]

Armstrong was one of 33 artists selected for Worldforall's 'Not All is Black and White: Wisdom from the African Zebra' campaign, which ran concurrently to the 2010 FIFA World Cup.[4]

Reception

Grace O’Malley noted in a review for Artthrob, that Armstrong’s work “offered a multifaceted intellectual examination of human psychology through line and space”.[5] Ashraf Jamal, in a piece on Armstrong for Art South Africa’s “Bright Young Things”, states that “Armstrong’s warping of the sculpture paradigm makes way for new applications and new figurations in a genre caught in the tedious warp of thingness”; later stating that Armstrong introduces not only a new philosophy of making and meaning, but its solution”.[6]

References

  1. ^ "BRUNDYN + GONSALVES | BETH ARMSTRONG To skip the last step". Brundyngonsalves.com. Retrieved 2012-07-05.
  2. ^ "BRUNDYN + GONSALVES | BETH ARMSTRONG Towards an architecture of loss". Brundyngonsalves.com. Retrieved 2012-07-05.
  3. ^ "Prescient". Prescient. Retrieved 2012-07-05.
  4. ^ "Worldforall". Worldforall. Retrieved 2013-07-25.
  5. ^ "Grace OMalley reviews The Fine Black Line by Beth Armstrong at Brundyn Gonsalves". Artthrob. Retrieved 2012-07-05.
  6. ^ Jamal, A. 2009. "Breaking the Barrier of Objecthood" in Art South Africa 8(2). 30-31.

External links

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