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'''Beth Diane Armstrong''' (born 1985) is a [[South Africa]]n [[Sculpture|sculptor]]. Armstrong is represented in Cape Town by |
'''Beth Diane Armstrong''' (born 1985) is a [[South Africa]]n [[Sculpture|sculptor]]. Armstrong is represented in Cape Town by EVERARD READ GALLERY <ref> http://www.everard-read-capetown.co.za/artist/BETH%20DIANE_ARMSTRONG/biography/ |
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==Biography== |
==Biography== |
Revision as of 13:41, 12 September 2016
Beth Diane Armstrong | |
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Born | 1985 |
Nationality | ![]() |
Education | Rhodes University |
Known for | Sculpture |
Beth Diane Armstrong (born 1985) is a South African sculptor. Armstrong is represented in Cape Town by EVERARD READ GALLERY Cite error: A <ref>
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(see the help page). Her most recent solo exhibitions at iArt Gallery (now BRUNDYN + GONSALVES), To skip the last step [1] and Towards an architecture of loss,[2] operate in conjunction to explore the concept of traversal and surmounting of loss. Armstrong currently lives and works in Johannesburg.
Recent developments
Armstrong was selected to create sculptures for a major 2011 campaign by investment management firm Prescient.[3]
Armstrong was one of 33 artists selected for Worldforall's 'Not All is Black and White: Wisdom from the African Zebra' campaign, which ran concurrently to the 2010 FIFA World Cup.[4]
Reception
Grace O’Malley noted in a review for Artthrob, that Armstrong’s work “offered a multifaceted intellectual examination of human psychology through line and space”.[5] Ashraf Jamal, in a piece on Armstrong for Art South Africa’s “Bright Young Things”, states that “Armstrong’s warping of the sculpture paradigm makes way for new applications and new figurations in a genre caught in the tedious warp of thingness”; later stating that Armstrong introduces not only a new philosophy of making and meaning, but its solution”.[6]
References
- ^ "BRUNDYN + GONSALVES | BETH ARMSTRONG To skip the last step". Brundyngonsalves.com. Retrieved 2012-07-05.
- ^ "BRUNDYN + GONSALVES | BETH ARMSTRONG Towards an architecture of loss". Brundyngonsalves.com. Retrieved 2012-07-05.
- ^ "Prescient". Prescient. Retrieved 2012-07-05.
- ^ "Worldforall". Worldforall. Retrieved 2013-07-25.
- ^ "Grace OMalley reviews The Fine Black Line by Beth Armstrong at Brundyn Gonsalves". Artthrob. Retrieved 2012-07-05.
- ^ Jamal, A. 2009. "Breaking the Barrier of Objecthood" in Art South Africa 8(2). 30-31.