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He was one of the initiators of, and a participant in, the [[First Exhibition of Lithuanian Art]] that took place in 1907 in [[Vileišis Palace]], [[Vilnius]]. Soon after this event the ''Lithuanian Union of Arts'' was founded, and Čiurlionis was one of its 19 founding members.
He was one of the initiators of, and a participant in, the [[First Exhibition of Lithuanian Art]] that took place in 1907 in [[Vileišis Palace]], [[Vilnius]]. Soon after this event the ''Lithuanian Union of Arts'' was founded, and Čiurlionis was one of its 19 founding members.


In 1907 he became acquainted with Sofija Kymantaitė (1886–1958), an [[art critic]]. Through this association Čiurlionis learned to speak better Lithuanian. Early in 1909 he married Sofija. At the end of that year he traveled to [[St. Petersburg]], where he exhibited some of his paintings. On Christmas Eve Čiurlionis fell into a profound depression and at the beginning of 1910 was hospitalized in a [[psychiatric hospital]] "Czerwony Dwór" (Red Manor) in [[Marki|Pustelnik]],<ref name="Dziębowska"/> northeast of [[Warsaw]]. While a patient there he died of pneumonia in 1911 at 35 years of age. He was buried at the [[Rasos Cemetery]] in [[Vilnius]]. He never saw his daughter Danutė (1910–1995).
In 1907 he became acquainted with Sofija Kymantaitė (1886–1958), an [[art critic]]. Through this association Čiurlionis learned to speak better Lithuanian. Early in 1909 he married Sofija. At the end of that year he traveled to [[St. Petersburg]], where he exhibited some of his paintings. On Christmas Eve Čiurlionis fell into a profound depression and at the beginning of 1910 was hospitalized in a [[psychiatric hospital]] "Czerwony Dwór" (Red Manor) in Marki, Poland (now incorporated into [[Pustelnik]]), northeast of [[Warsaw]]. While a patient there he died of pneumonia in 1911 at 35 years of age. He was buried at the [[Rasos Cemetery]] in [[Vilnius]]. He never saw his daughter Danutė (1910–1995).


Čiurlionis felt that he was a [[Synesthesia in art|synesthete]]; that is, he perceived colors and music simultaneously. Many of his paintings bear the names of musical pieces: [[sonata]]s, [[fugue]]s, and [[Prelude (music)|prelude]]s.
Čiurlionis felt that he was a [[Synesthesia in art|synesthete]]; that is, he perceived colors and music simultaneously. Many of his paintings bear the names of musical pieces: [[sonata]]s, [[fugue]]s, and [[Prelude (music)|prelude]]s.

Revision as of 18:09, 7 April 2014

Mikalojus Konstantinas Čiurlionis
Born
Mikalojus Konstantinas Čiurlionis

(1875-09-22)22 September 1875
Died10 April 1911(1911-04-10) (aged 35)
NationalityLithuanian
EducationWarsaw Conservatory, Leipzig Conservatory, Warsaw School of Fine Arts
Known forPainting, musical composition
Notable workSpring Sonata, In the Forest
MovementSymbolism; Art nouveau
The Zodiac cycle. Sagittarius (1907)

Mikalojus Konstantinas Čiurlionis (22 September [O.S. 10 September] 1875 –10 April [O.S. 28 March] 1911) was a Lithuanian painter and composer. Čiurlionis contributed to symbolism and art nouveau and was representative of the fin de siècle epoch. He has been considered one of the pioneers of abstract art in Europe.[1] During his short life he composed about 400 pieces of music and created about 300 paintings. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture. The asteroid 2420 Čiurlionis is named after him.

Biography

Mikalojus Konstantinas Čiurlionis was born in Senoji Varėna,Lithuania the oldest of nine children of his father, Konstantinas, and his mother, Adelė. Like many educated Lithuanians of the time, Čiurlionis's family spoke Polish, and he began learning Lithuanian only after meeting his fiancée in 1907.[2] In 1878 his family moved to Druskininkai, where his father went on to be the town organist. Čiurlionis was a musical prodigy: he could play by ear at age three and could sight-read music freely by age seven. Three years out of primary school, he went to study at the musical school of Prince Michał Ogiński in Plungė where he learned to play several orchestral instruments, in particular the flute, from 1889 to 1893. Supported by Prince Ogiński's 'scholarship' Čiurlionis studied piano and composition at Warsaw Conservatory from 1894 to 1899.[3] For his graduation, in 1899, he wrote a cantata for mixed chorus and symphonic orchestra titled De Profundis, with the guidance of the composer Zygmunt Noskowski. Later he attended composition lectures at the Leipzig Conservatory from 1901 to 1902. He returned to Warsaw in 1902 and studied drawing at the Warsaw School of Fine Arts from 1904 to 1906[3] and became a friend with a Polish composer and painter Eugeniusz Morawski-Dąbrowa. After the 1905 Russian Revolution, which resulted in the loosening of cultural restrictions on the Empire's minorities, he began to identify himself as a Lithuanian.[2]

He was one of the initiators of, and a participant in, the First Exhibition of Lithuanian Art that took place in 1907 in Vileišis Palace, Vilnius. Soon after this event the Lithuanian Union of Arts was founded, and Čiurlionis was one of its 19 founding members.

In 1907 he became acquainted with Sofija Kymantaitė (1886–1958), an art critic. Through this association Čiurlionis learned to speak better Lithuanian. Early in 1909 he married Sofija. At the end of that year he traveled to St. Petersburg, where he exhibited some of his paintings. On Christmas Eve Čiurlionis fell into a profound depression and at the beginning of 1910 was hospitalized in a psychiatric hospital "Czerwony Dwór" (Red Manor) in Marki, Poland (now incorporated into Pustelnik), northeast of Warsaw. While a patient there he died of pneumonia in 1911 at 35 years of age. He was buried at the Rasos Cemetery in Vilnius. He never saw his daughter Danutė (1910–1995).

Čiurlionis felt that he was a synesthete; that is, he perceived colors and music simultaneously. Many of his paintings bear the names of musical pieces: sonatas, fugues, and preludes.

Posthumous recognition

Commemorative plaque on the site where Mikalojus Konstantinas Čiurlionis died in Marki, Poland.

In 1911 the first posthumous exhibition of Mikalojus Konstantinas Čiurlionis's art was held in Vilnius and Kaunas. During the same year an exhibition of his art was held in Moscow, and in 1912 his works were exhibited in St. Petersburg. In 1957 the Lithuanian community in Chicago opened the Čiurlionis Art Gallery, hosting collections of his works. In 1963 the Čiurlionis Memorial Museum was opened in Druskininkai, in the house where Čiurlionis and his family lived. This museum holds biographical documents as well as photographs and reproductions of the artist's works. The National M. K. Čiurlionis School of Art in Vilnius was named after him in 1965.[4]

Čiurlionis inspired the Lithuanian composer Osvaldas Balakauskas' work Sonata of the Mountains (1975), and every four years junior musical performers from Lithuania and neighbouring countries take part in the Čiurlionis Competition. Čiurlionis's name has been given to cliffs in Franz Josef Land, a peak in the Pamir Mountains, and to asteroid #2420, discovered by the Crimean astrophysicist Nikolaj Cernych.

Čiurlionis's works have been displayed at international exhibitions in Japan, Germany, Spain, and elsewhere. His paintings were featured at "Visual Music" fest, an homage to synesthesia that included the works of Wassily Kandinsky, James McNeill Whistler, and Paul Klee, at the Museum of Contemporary Art, Los Angeles in 2005.[5]

A commemorative plaque has been placed on the building of the former hospital in Marki, Poland where Mikalojus Konstantinas Čiurlionis died in 1911.

Čiurlionis's life was depicted in the biographical feature film 'Letters to Sofija' directed by Robert Mullan in 2012. .[6]

Sonata of the Sea. Finale (1908)
Creation of the World X (1906-1907)
Building where Čiurlionis died in Marki, Poland.

Musical works

The precise number of Čiurlionis musical compositions is not known – substantial part of his manuscripts did not survive, while others, assumingly, perished in the fire during the war, or were lost. From the ones available for us today are sketches, rough drafts, and fragments of his musical ideas. The nature of the archive determined the fact that Čiurlionis’ works were finally published only hundred years after the composer’s death. Today, the archive amounts to almost 400 music compositions major part of which are works for piano, but also significant opuses for symphony orchestra (symphonic poems In the Forest and The Sea, overture, cantata for choir and orchestra), string quartet, works for various choirs (original compositions and Lithuanian folk song arrangements), as well as works for organ.

Some of his most-performed musical works include:

Paintings

The most famous Mikalojus Konstantinas Čiurlionis paintings include:

  • Cycle Winter (1906–1907)
  • Cycle The Zodiac (1907)
  • Sonatas (1907–1908)
  • Cycle Fairy-Tale (1909)
  • Creation of the World
  • Sonata of the Spring (1907)
  • Sonata of the Summer (1908)
  • Sonata of the Sun (1907)
  • Sonata of the Sea (1908)
  • Sonata of the Pyramids (1908)
  • Sonata of the Stars (1908)
  • Sonata of the Serpent (1908)
  • Diptych "Prelude and Fugue" (1908)
  • Triptych "Fantasy" (1908)
  • Other Preludes and Fugues
    • Winter - Cycle of Eight Pictures (1906-7)
    • Spring - Four Pictures (1907-8)
    • Summer - Cycle of Three Pictures (1907-8)

Gallery

See also

Notes

References

  • Stasys Goštautas (editor), Čiurlionis: Painter and Composer, Vaga, Vilnius, 1994

External links


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