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[[Image:PeszkaJozef.PortretFranciszkaSmuglewicza.jpg|thumb|250px|right|Franciszek Smuglewicz by [[Józef Peszka]], his student.]] |
[[Image:PeszkaJozef.PortretFranciszkaSmuglewicza.jpg|thumb|250px|right|Franciszek Smuglewicz by [[Józef Peszka]], his student.]] |
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'''Franciszek Smuglewicz''' |
'''Franciszek Smuglewicz''' ({{lang-lt|Pranciškus Smuglevičius}}<ref name=BALTIC>{{cite book | last = Rosenfeld | first = Alla | authorlink = | coauthors = Norton T. Dodge | title = Art of the Baltics | publisher = Rutgers University Press | date = 2001 | location = | pages = 290 | url = | doi = | id = | isbn = 0813530423 }}</ref>, October 6, 1745 – September 18, 1807) was a [[Polish-Lithuanian Commonwealth|Polish-Lithuanian]] draughtsman and painter. Smuglewicz is considered a progenitor of [[Culture of Lithuania|Lithuanian art]] in the modern era. Some consider him as a spiritual father of [[Jan Matejko]]'s school of painting.{{fact|date=April 2009}}. His brother was Antoni Smuglewicz. |
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==Biography== |
==Biography== |
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Smuglewicz was born in [[Warsaw]] into a Polish-[[Lithuanians|Lithuanian family]]. |
Smuglewicz was born in [[Warsaw]] into a Polish-[[Lithuanians|Lithuanian family]]. His father, Łukasz Smuglewicz, also a painter, had moved to Warsaw from the Lithuanian province of [[Duchy of Samogitia|Samogitia]]. In 1763 Franciszek journeyed to Rome, where he began the study of fine arts under the tutorship of [[Anton von Maron]]. He stayed in Rome for 21 years, where he embraced the [[Neoclassicism|Neo-Classical]] style. |
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In 1765 he received a royal scholarship from |
In 1765 he received a royal scholarship from King [[Stanisław August Poniatowski]] and was admitted into the Saint Lucas Academy. As a colleague of [[Vincenzo Brenna]] he participated in cataloging artifacts from [[Nero]]'s ''[[Domus Aurea]]''. In 1784 he returned to Warsaw, where he founded his own school of fine arts, one of the predecessors of the modern [[Academy of Fine Arts in Warsaw|Academy of Fine Arts]]. |
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A [[neoclassicism|classicist]], but under strong influence of the [[Polish baroque]],{{fact|date=April 2009}} Smuglewicz became a notable representative of historical paintings, a genre that dominated the fine arts of Poland throughout the 19th century. Around 1790 he started working on a series of sketches and [[Lithography|lithographies]] inspired by [[Adam Naruszewicz]]'s ''History of the Polish Nation''. Although never finished, this series gained him much popularity. |
A [[neoclassicism|classicist]], but under strong influence of the [[Polish baroque]],{{fact|date=April 2009}} Smuglewicz became a notable representative of historical paintings, a genre that dominated the fine arts of Poland throughout the 19th century. Around 1790 he started working on a series of sketches and [[Lithography|lithographies]] inspired by [[Adam Naruszewicz]]'s ''History of the Polish Nation''. Although never finished, this series gained him much popularity. |
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Revision as of 06:23, 3 July 2009
Franciszek Smuglewicz (Lithuanian: Pranciškus Smuglevičius[1], October 6, 1745 – September 18, 1807) was a Polish-Lithuanian draughtsman and painter. Smuglewicz is considered a progenitor of Lithuanian art in the modern era. Some consider him as a spiritual father of Jan Matejko's school of painting.[citation needed]. His brother was Antoni Smuglewicz.
Biography
Smuglewicz was born in Warsaw into a Polish-Lithuanian family. His father, Łukasz Smuglewicz, also a painter, had moved to Warsaw from the Lithuanian province of Samogitia. In 1763 Franciszek journeyed to Rome, where he began the study of fine arts under the tutorship of Anton von Maron. He stayed in Rome for 21 years, where he embraced the Neo-Classical style.
In 1765 he received a royal scholarship from King Stanisław August Poniatowski and was admitted into the Saint Lucas Academy. As a colleague of Vincenzo Brenna he participated in cataloging artifacts from Nero's Domus Aurea. In 1784 he returned to Warsaw, where he founded his own school of fine arts, one of the predecessors of the modern Academy of Fine Arts.
A classicist, but under strong influence of the Polish baroque,[citation needed] Smuglewicz became a notable representative of historical paintings, a genre that dominated the fine arts of Poland throughout the 19th century. Around 1790 he started working on a series of sketches and lithographies inspired by Adam Naruszewicz's History of the Polish Nation. Although never finished, this series gained him much popularity.
In 1797 he moved to Vilnius, where he became the founder and the first deacon of the Institute of Sketch and Painting at the Academy of Vilnius. A tutor of generations of Polish-Lithuanian painters, Smuglewicz devoted himself to historical paintings in the latter years of his life. He brought to Lithuania classical ideas and views of enlightened classicism. He painted everyday life, and the architecture of Vilnius in a realistic manner. His works helped with the ongoing reconstruction of the Royal Palace of Lithuania in Vilnius.
Among the notable surviving works of that period are A Meeting of the Four Years' Sejm (1793) and Kościuszko's Oath at Kraków's Old Town Market (1797), Lithuanian Peasants, Freeing Peasants from Serfdom in Merkinė.[1] Among his works of the period are views of the city walls and city gates that were demolished during the 19th century.
He was buried in Vilnius at the Rasos Cemetery, the exact location is not known.
References
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Scythians meeting with Darius, 1785 -
Portrait of the Prozor Family, 1789, National Museum in Warsaw -
"Tadeusz Kościuszko taking the oath", 1797
