Hancock
Promotional Poster
Directed by	Peter Berg
Written by	Vince Gilligan Vincent Ngo
Produced by	Akiva Goldsman James Lassiter Michael Mann Will Smith
Starring	Will Smith Charlize Theron Jason Bateman Johnny Galecki
Edited by	Paul Rubell
Music by	John Powell
Distributed by	Columbia Pictures
Release date	July 2 2008
Running time	92 min.[1]
Country	United States
Language	English
Budget	$150 million

Hancock is an upcoming comedy superhero film directed by Peter Berg and starring Will Smith, Jason Bateman, and Charlize Theron. The story was originally written by Vincent Ngo in 1996 and had languished in Hollywood for some time. The project has had various directors attached, including Tony Scott, Michael Mann, Jonathan Mostow, and Gabriele Muccino. Hancock was originally intended to be filmed before I Am Legend, also starring Will Smith. Hancock was filmed in Los Angeles. In the United States, the film was rated PG-13 by the Motion Picture Association of America after cuts were made at the organization's behest to avoid a "restricted" (R) rating, which it had received twice previously. The film is scheduled for release on July 2, 2008.

Plot

John Hancock, a local alcoholic superhero is despised by the public for his dangerous "super" powers. At the beginning, Hancock is awoken by a small boy, who draws his attention to a high pursuit chase. After being called an "A" Hole by the boy, he flies away. On his way, he ruins a large amount of public property and destroys most of the cop cars in pursuit. Hancock lands in the back of the criminals vehicle and is shot at by three men in the front, who speak Vietnamese.

Premise

Will Smith portrays an alcoholic superhero named Hancock who is despised by the public. When he saves the life of PR executive Ray Embrey (Jason Bateman), the latter helps rehabilitate Hancock. He begins to develop feelings for Ray's wife Mary (Charlize Theron).^[2]

Cast

• Will Smith as John Hancock, an alcoholic, down-and-out, incredibly sarcastic superhero.^[3] He is invulnerable, possesses superhuman strength, and the power of supersonic flight.^[4] To give a realistic appearance of superhero flight, Smith was often suspended by wires 60 feet above the ground and propelled at 50 miles per hour.^[5]
• Jason Bateman as Ray Embrey, a corporate public relations consultant whose life Hancock saves. Bateman said, "[It] was a fun thing to play, a very idealistic guy that's trying to build up this suicidal, homeless alcoholic that then ends up hitting on my wife. It was a fun thing. To play the victim is funny."^[6]
• Charlize Theron as Mary Embrey, Ray's wife. She has powers similar to Hancock.
• Johnny Galecki as Jeremy, Ray's co-worker.^[7]

Production

Screenwriter Vincent Ngo wrote the spec script Tonight, He Comes in 1996. The draft, about a troubled 12-year-old and a fallen superhero, was initially picked up by director Tony Scott as a potential project.^[8] Producer Akiva Goldsman came across the script, which he had considered a favourite,^[9] and encouraged Richard Saperstein, then president of development and production at Artisan Entertainment, to acquire it in 2002.^[8] Director Michael Mann was initially attached to direct Tonight, He Comes, but he instead opted to direct Miami Vice (2006).^[9] Eventually, Artisan placed the project in turnaround, and it was acquired by Goldsman.^[10]

Screenwriters Vince Gilligan and John August performed rewrites of Ngo's script,^[11] and Jonathan Mostow was attached to direct the film. Under Mostow's supervision, a 10-page treatment was written to be pitched to actor Will Smith to portray the lead role in the film, since both had worked together on Hitch (2005). Both Mostow and Smith were not yet committed to make the project an active priority at the time. Several studios pursued the opportunity to finance the film, and Columbia Pictures succeeded in acquiring the prospect in February 2005. A second draft was scripted by Gilligan following the finalization of the deal with Columbia. The film was initially slated for a holiday 2006 release.^[10]

In November 2005, Mostow and Smith committed to Tonight, He Comes, with production slated to begin in Los Angeles in summer 2006.^[9] Smith had set up a pay or play contract to film I Am Legend (2007) under Warner Bros. after completion of Tonight, He Comes.^[12] Mostow eventually departed from the project due to creative differences.^[13] Italian director Gabriele Muccino filled Mostow's vacancy in May 2006. Since Muccino was busy editing The Pursuit of Happyness starring Smith, which Muccino had directed, Smith switched projects to film I Am Legend first for its December 2007 release, and then film Tonight, He Comes afterward.^[14] Later in the month, Muccino left the project because of an incompatibility with filming the story. Since Muccino was preparing The Pursuit of Happyness, the studio had delayed the production start for Tonight, He Comes to summer 2007, enabling Warner Bros. to begin production of I Am Legend with Smith.^[13]

In October 2006, Peter Berg was attached to direct Tonight, He Comes with production slated to begin in May 2007 in Los Angeles, the story's setting.^[15] Before filming began, Tonight, He Comes was retitled John Hancock.^[3] The film title was eventually shortened to Hancock.^[16] Filming began on Hancock on July 3 2007 in Los Angeles,^[17] having a production budget of $150 million.^[11] Locations like Hollywood Boulevard were designed to look damaged, having rubble, overturned vehicles, and fires.^[5] Smith's character is also an alcoholic, so for scenes in liquor stores, the art department designed fake labels such as Pap Smear Vodka for the bottles because "brown-bag brands" like Thunderbird and Night Train refused to lend their names.^[18]

Release

Marketing

The New York Times noted that Hancock's original story and controversial subject matter present a stark contrast to "a summerful of sequels and animated sure shots" and represent a gamble for "an increasingly corporate entertainment industry". Hancock had been reviewed by the Motion Picture Association of America twice and has both times received an R rating instead of the makers' preferred PG-13 rating to target broader audiences. Questionable elements for the MPAA included Smith's character drinking in front of a 17-year-old and the character flying under the influence of alcohol. One element that was removed from the film to appeal to the MPAA was statutory rape. With such elements, studio executives only became comfortable with Hancock when the marketing approach focused on action and humor. Berg noted, "The ad campaign for this movie is much friendlier than the film."^[11] The MPAA ultimately gave the film a PG-13 rating, citing "some intense sequences of sci-fi action and violence and language".^[4]

Marketing consultants attempted to persuade Sony Pictures to again change the title Hancock because it was too vague for audiences, suggesting alternatives like Heroes Never Die, Unlikely Hero, and Less Than Hero. Despite the advice, Sony stayed with Hancock and anticipated marketing on the popularity of the film's star, Will Smith.^[19]

Reception

It has an average score of 59.9% from 10 film critics according to Movie Tab.^[20]

Hancock had its world premiere as the opener at the 30th Moscow International Film Festival on June 19 2008.^[21] To avoid copyright infringement, organizers undertook "unprecedented" steps to prevent illegal reproduction of the film.^[22] The film is scheduled to be commercially released on July 2 2008.^[23]

The New York magazine reported that the early reviews for Hancock were "not very good".^[24] Todd McCarthy of Variety said of the film, "An intriguing high concept is undermined by low-grade dramaturgy." McCarthy thought that the "vulgar goofiness" did not mesh well with the "rough-and-ready realism of Berg's raw visuals", believing that the film took an "illogical" downturn after an "amusing and plausible enough" first half.^[25] Stephen Farber of The Hollywood Reporter had praise for the cast, but believed that extended development of the film had reduced its quality, writing, "Somewhere along the way, a sharp black comedy lost its bite." Farber thought the film unraveled partway through, noting, "It veers from comedy to romantic tragedy and introduces an elaborate backstory that never makes much sense." He concluded, "The visual effects are stellar, but the true star is Smith, who again demonstrates acting chops as well as effortless charisma in a vehicle that's only occasionally worthy of his superhuman skills."^[26]

References

External links

• Official site and trailer
• Hancock at IMDb