Philip Perkis (born 1935) is an American photographer and educator. He has received a Guggenheim Fellowship[1] and his work is held in the collections of the Art Institute of Chicago,[2] Carnegie Museum of Art,[3] J. Paul Getty Museum,[4] Metropolitan Museum of Art,[5] Museum of Contemporary Art, Los Angeles,[6] and Museum of Fine Arts, Boston.[7]
Life and work[edit]
Perkis was born in Boston, Massachusetts.[4] He studied painting at San Francisco Art Institute.[8]
He took up photography while in the Air Force in 1957.[9] Later he made half his living doing commercial assignments and printing for other photographers, and the other half teaching—at Pratt Institute in Brooklyn, New York and at the School of Visual Arts in New York City.[8]
Around 1992, Perkis made photographs in Mexico on a Guggenheim Fellowship, resulting in the 2019 book Mexico.[10]
Personal life[edit]
Perkis is married to the artist Cyrilla Mozenter.[11]
Publications[edit]
Books of photography by Perkis[edit]
- Warwick Mountain Series: Photographs. Atlanta, GA: Nexus, 1978. ISBN 9780932526014.
- The Sadness of Men. New York City: Quantuck Lane, 2008. ISBN 978-1593720346. With a foreword by Alan Klotz, an introduction by Max Kozloff and a transcrpt of an interview between Perkis and John Braverman Levine.
- In a Box Upon the Sea = 바다로 떠나는 상자 속에서 = Pada ro ttŏnanŭn sangja sok esŏ. Seoul, South Korea: Anmoc, 2016. Photographs and anecdotes by Perkis. In English and Korean.[9]
- Mexico. Seoul, South Korea: Anmoc, 2019. ISBN 9788998043155. In English and Korean.[10]
Other books by Perkis[edit]
- Teaching Photography: Notes Assembled. Rochester, NY: OB; RIT Cary Graphic Arts. 2001, ISBN 9781933360706; 2005, ISBN 978-0-9759651-1-5.
- A Single Photography, Twenty Days, Twenty Comments. ISBN 9788998043100. With an introduction by Owen Butler.
Films[edit]
- Just to See – A Mystery: a Film Portrait of Philip Perkis (2015) – 1 h 20 m; documentary directed by Jin Ju Lee
Exhibitions[edit]
Solo exhibitions[edit]
- Philip Perkis: Fifty Years of Photographs, Jepson Center for the Arts, Savannah, Georgia, 2010[12]
Group exhibitions[edit]
- Spirit of Mexico: Photographs by Bravo, Levitt and Perkis, Telfair Academy, Savannah, Georgia, 2006. With work by Perkins, Manuel Alvarez Bravo and Helen Levitt.[13]
Awards[edit]
- 1991: Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation for photography[1]
Collections[edit]
Perkis' work is held in the following permanent collections:
- Art Institute of Chicago: 8 prints (as of 27 October 2022)[2]
- Carnegie Museum of Art: 6 prints (as of 27 October 2022)[3]
- J. Paul Getty Museum: 2 prints (as of 27 October 2022)[4]
- Metropolitan Museum of Art: 8 prints (as of 27 October 2022)[5]
- Museum of Contemporary Art, Los Angeles: 4 prints (as of 27 October 2022)[6]
- Museum of Fine Arts, Boston: 5 prints (as of 27 October 2022)[7]
References[edit]
- ^ a b "Philip Perkis". John Simon Guggenheim Memorial Foundation. Retrieved 2022-10-03.
- ^ a b "Philip Perkis". The Art Institute of Chicago.
- ^ a b "CMOA Collection". collection.cmoa.org.
- ^ a b c "Philip Perkis (The J. Paul Getty Museum Collection)". The J. Paul Getty Museum Collection.
- ^ a b https://www.metmuseum.org/art/collection/search?q=Philip+Perkis&sortBy=Relevance&pageSize=0
- ^ a b "Philip Perkis". www.moca.org.
- ^ a b https://collections.mfa.org/advancedsearch/Objects/peopleSearch%3APhilip%20Perkis;jsessionid=910CB927457756744167E79FAAE1435B
- ^ a b "Quiet Images; The Photography Of Philip Perkis". Shutterbug. 1 February 2009. Retrieved 2022-10-28.
- ^ a b Andrews, Blake. "Book Review: In a Box Upon the Sea". Retrieved 2022-10-28.
- ^ a b "photo-eye Bookstore - Mexico by Philip Perkis - photobook". www.photoeye.com. Retrieved 2022-10-28.
- ^ Andrews, Blake (25 October 2016). "B: Fifteen Questions for Philip Perkis". Retrieved 2022-10-28.
- ^ Dawers, Bill. "Man About Town: Major photo retrospective opening at Jepson Center". Savannah Morning News. Retrieved 2022-10-28.
- ^ Hersh, Allison. "The many faces of Mexico". Savannah Morning News. Retrieved 2022-10-28.
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