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Dark Buildings (A Crack in the Wall)
SpanishLas grietas de Jara
Based onLas grietas de Jara
by Claudia Piñeiro
Starring
CinematographySol Lopatín
Edited byAlberto Ponce
Music byNicolás Sorín
Production
companies
  • MyS Producción
  • Gaman Cine
  • Telefe
  • Cindy Teperman
  • Benteveo Producciones Audiovisuales
  • DK Group
  • Royal Cinema Group
  • Non Stop Digital
  • Bowfinger International Pictures
Distributed by
Release dates
  • 18 January 2018 (2018-01-18) (Argentina)
  • 13 July 2018 (2018-07-13) (Spain)
Countries
  • Argentina
  • Spain
LanguageSpanish

Dark Buildings (A Crack in the Wall)[1] (Spanish: Las grietas de Jara) is a 2018 Argentine-Spanish thriller film directed by Nicolás Gil Lavedra [es] based on the novel of Claudia Piñeiro. Its stars Oscar Martínez, Joaquín Furriel, and Soledad Villamil along with Sara Sálamo, Laura Novoa, and Santiago Segura.

Plot[edit]

The plot follows architect Pablo Simó, working alongside Marta Horvath for Mario Borla in an architecture studio. Private individual Nelson Jara files a complaint and asks for a compensation because of a crack on a building, paving the way for an escalating and protracted conflict.[2]

Cast[edit]

Claudia Piñeiro makes a cameo.[6]

Production[edit]

The film was produced by MyS Producción, Cindy Teperman, Telefé, DK Group, Benteveo Producciones Audiovisuales, Royal Cinema, Non Stop, and Gaman Cine alongside Bowfinger International Pictures.[7] Shooting locations included Buenos Aires.[7]

Release[edit]

Distributed by Buena Vista International,[8] the film opened in Argentine theatres on 18 January 2018.[9] Distributed by 39 Escalones,[10] it was released theatrically in Spain on 13 July 2018.

Reception[edit]

Diego Batlle of La Nación gave the film a 'good' rating, writing that when it explores "certain intimate zones, it gains in subtleties and nuances, reaching an emotional dimension" otherwise lacking in other parts.[3]

Horacio Bernades of Página|12 rated the film with 7 points, writing that it "is sustained by the careful—though perhaps somewhat lax—plot and the performances, all of them precise.[2]

Sergio F. Pinilla of Cinemanía rated the film 3 out of 5 stars, deeming it to be a film "with shoring defects".[10]

See also[edit]

References[edit]

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