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He became fascinated in making films when his father brought a camera home one day and he began to make [[Super 8 mm film|Super 8]] movies with friend [[Bruce Campbell]]. At college, he teamed up with his brother's room-mate [[Robert Tapert]] and Campbell to raise money for a low-budget [[horror film]]. ''[[The Evil Dead]]'' (1983) became a major hit and he began work on his second film ''[[Crimewave]]'' (1985), intended as a live-action [[comic book]] - the film was not successful, due in part to unwanted studio intervention. Raimi returned to the horror genre with the seminal ''[[Evil Dead II]]'' (which toned down the savageness of the original in favour of [[slapstick]], showcasing his love of the [[Three Stooges]]). A long-time comic book buff, he attempted to adapt "[[The Shadow]]" into a movie, but was unable to secure the rights. So he created his own super-hero, ''[[Darkman]]'' (1990). The film was his first major studio picture, and was only moderately successful, but he was still able to secure funding for ''Evil Dead 3: [[Army of Darkness]]'', which turned away almost totally from horror in favour of [[Fantasy film|fantasy]] and [[comedy film|comedy]] elements.
He became fascinated in making films when his father brought a camera home one day and he began to make [[Super 8 mm film|Super 8]] movies with friend [[Bruce Campbell]]. At college, he teamed up with his brother's room-mate [[Robert Tapert]] and Campbell to raise money for a low-budget [[horror film]]. ''[[The Evil Dead]]'' (1983) became a major hit and he began work on his second film ''[[Crimewave]]'' (1985), intended as a live-action [[comic book]] - the film was not successful, due in part to unwanted studio intervention. Raimi returned to the horror genre with the seminal ''[[Evil Dead II]]'' (which toned down the savageness of the original in favour of [[slapstick]], showcasing his love of the [[Three Stooges]]). A long-time comic book buff, he attempted to adapt "[[The Shadow]]" into a movie, but was unable to secure the rights. So he created his own super-hero, ''[[Darkman]]'' (1990). The film was his first major studio picture, and was only moderately successful, but he was still able to secure funding for ''Evil Dead 3: [[Army of Darkness]]'', which turned away almost totally from horror in favour of [[Fantasy film|fantasy]] and [[comedy film|comedy]] elements.


In the 1990s Raimi moved into other genres, directing such films as ''[[A Simple Plan]]'' (1998) (starring [[Bill Paxton]] and [[Billy Bob Thornton]]) and ''[[For Love of the Game]]'' (1999) (starring [[Kevin Costner]]). Raimi achieved great commercial success with the [[blockbuster motion picture|blockbuster]] ''[[Spider-Man (film)|Spider-Man]]'' (2002), which was adapted from the [[comic book]] series of the same name. The movie has grossed over $800 million [[USD]] worldwide, and has spawned a [[Spider-Man_2|sequel]]. Raimi is currently working on ''[[Spider-Man 3]]''.
In the 1990s Raimi moved into other genres, directing such films as ''[[A Simple Plan]]'' (1998) (starring [[Bill Paxton]] and [[Billy Bob Thornton]]) and ''[[For Love of the Game]]'' (1999) (starring [[Kevin Costner]]). Raimi achieved great commercial success with the [[blockbuster motion picture|blockbuster]] ''[[Spider-Man (film)|Spider-Man]]'' (2002), which was adapted from the [[comic book]] series of the same name. The movie has grossed over $800 million [[USD]] worldwide, and has spawned a [[Spider-Man_2|sequel]]. Raimi is currently working on ''[[Spider-Man 3]]''. Prior to directing the [[Spider-Man]] films, Raimi lobbied to direct [[Batman Forever]] when [[Tim Burton]] as ousted from the director's chair, but was rejected in favor of [[Joel Schumacher]], whose reputation at the time outshined Raimi's.


He has also worked in front of the camera with ''[[Miller's Crossing]]'' as an ill-fated gunman, ''[[Stephen King's The Stand]]'' as a dimwitted hitman who pays a fatal price for a mistake, [[John Carpenter]]'s ''[[Body Bags]]'' in an unusual role as a gas station attendant, and ''[[Indian Summer]]'' in what is perhaps his biggest role as a bumbling assistant to [[Alan Arkin]].
He has also worked in front of the camera with ''[[Miller's Crossing]]'' as an ill-fated gunman, ''[[Stephen King's The Stand]]'' as a dimwitted hitman who pays a fatal price for a mistake, [[John Carpenter]]'s ''[[Body Bags]]'' in an unusual role as a gas station attendant, and ''[[Indian Summer]]'' in what is perhaps his biggest role as a bumbling assistant to [[Alan Arkin]].

Revision as of 02:23, 30 May 2006

Samuel Marshall "Sam" Raimi (born October 23, 1959) is an American film director, producer, and writer. He is best known for directing the classic cult-horror film The Evil Dead and the blockbuster Spider-Man films.

Raimi was born in Royal Oak, Michigan to a conservative Jewish family of Polish ancestry; his father was Leonard Ronald Raimi and his mother was Celia Barbara Raimi. His original surname was Rengewrtz, but was shortened Raimi after his grandfather immigrated to the United States. His father's close cousin was Harry Margolis who played for the St. Louis Cardinals in the 1941 season. He attended Michigan State University and majored in English.

Film

He became fascinated in making films when his father brought a camera home one day and he began to make Super 8 movies with friend Bruce Campbell. At college, he teamed up with his brother's room-mate Robert Tapert and Campbell to raise money for a low-budget horror film. The Evil Dead (1983) became a major hit and he began work on his second film Crimewave (1985), intended as a live-action comic book - the film was not successful, due in part to unwanted studio intervention. Raimi returned to the horror genre with the seminal Evil Dead II (which toned down the savageness of the original in favour of slapstick, showcasing his love of the Three Stooges). A long-time comic book buff, he attempted to adapt "The Shadow" into a movie, but was unable to secure the rights. So he created his own super-hero, Darkman (1990). The film was his first major studio picture, and was only moderately successful, but he was still able to secure funding for Evil Dead 3: Army of Darkness, which turned away almost totally from horror in favour of fantasy and comedy elements.

In the 1990s Raimi moved into other genres, directing such films as A Simple Plan (1998) (starring Bill Paxton and Billy Bob Thornton) and For Love of the Game (1999) (starring Kevin Costner). Raimi achieved great commercial success with the blockbuster Spider-Man (2002), which was adapted from the comic book series of the same name. The movie has grossed over $800 million USD worldwide, and has spawned a sequel. Raimi is currently working on Spider-Man 3. Prior to directing the Spider-Man films, Raimi lobbied to direct Batman Forever when Tim Burton as ousted from the director's chair, but was rejected in favor of Joel Schumacher, whose reputation at the time outshined Raimi's.

He has also worked in front of the camera with Miller's Crossing as an ill-fated gunman, Stephen King's The Stand as a dimwitted hitman who pays a fatal price for a mistake, John Carpenter's Body Bags in an unusual role as a gas station attendant, and Indian Summer in what is perhaps his biggest role as a bumbling assistant to Alan Arkin.

Television

In addition to film, Raimi has worked in television, producing such series as Xena: Warrior Princess, featuring his younger brother Ted Raimi and long-time friend Campbell, Hercules: The Legendary Journeys, and Jack of All Trades.

Trademarks

In his film and television projects, Sam Raimi's brother Ted Raimi and his friend Bruce Campbell often appear in on-screen roles, though these appearances are often just short cameos. He has included a 1973 yellow Oldsmobile Delta 88 automobile (nicknamed "The Classic") in most of his films. A bottle of Maker's Mark appears regularly in his movies.

Other director trademarks include: a distinctive type of camera shot where the camera follows a moving object such as an arrow at high speeds in first person or side view; dolly zooms; and shots of smoke or fog in the first few minutes of most of his films. The montage effect he uses (choppy montage-style sequences to cover a lengthy set of actions in a short space of time) can be seen, like Sergei Eisenstein's methods of montage, to be both metric and rhythmic, therefore containing elements of the tonal and overtonal.

Raimi often borrows scenes and ideas from Hong Kong films, especially A Chinese Ghost Story for use in at least one of the Evil Dead movies and in some episodes of Xena. [1][2][3]

Filmography

As director:

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