Rescuing orphaned refs ("Sputnikmusic" from rev 1094203496) Tag: Reverted |
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[[File:Janick Gers @ Bluesfest July 6 2010.jpg|thumb|165px|left|Guitarist [[Janick Gers]] replaced [[Adrian Smith]] during the album's preproduction stages.]] |
[[File:Janick Gers @ Bluesfest July 6 2010.jpg|thumb|165px|left|Guitarist [[Janick Gers]] replaced [[Adrian Smith]] during the album's preproduction stages.]] |
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The album departed from the keyboard- and synthesiser-saturated [[progressive rock]] direction of the band's two previous studio outings (1986's ''[[Somewhere in Time (Iron Maiden album)|Somewhere in Time]]'' and 1988's ''[[Seventh Son of a Seventh Son]]'') in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material,<ref name="Wall 283">{{cite book |author=Wall, Mick |author-link=Mick Wall |title=Iron Maiden: Run to the Hills, the Authorised Biography | edition = 3rd |publisher=Sanctuary Publishing |year=2004 |isbn=1-86074-542-3 |page=283}}</ref> which ushered in a change of vocal style for [[Bruce Dickinson]] from the operatic sound of the 1980s to a raspier way of singing.<ref name= "Sputnikmusic" |
The album departed from the keyboard- and synthesiser-saturated [[progressive rock]] direction of the band's two previous studio outings (1986's ''[[Somewhere in Time (Iron Maiden album)|Somewhere in Time]]'' and 1988's ''[[Seventh Son of a Seventh Son]]'') in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material,<ref name="Wall 283">{{cite book |author=Wall, Mick |author-link=Mick Wall |title=Iron Maiden: Run to the Hills, the Authorised Biography | edition = 3rd |publisher=Sanctuary Publishing |year=2004 |isbn=1-86074-542-3 |page=283}}</ref> which ushered in a change of vocal style for [[Bruce Dickinson]] from the operatic sound of the 1980s to a raspier way of singing.<ref name= "Sputnikmusic"/> In addition, Michael Kenney, who had played keyboards on tour for the band, played keyboards on the album, replacing Harris and [[Adrian Smith]] from previous albums. The idea to make a more "street level" release also inspired the band to record in a barn on bassist [[Steve Harris (musician)|Steve Harris']]s property in [[Essex]], using the [[Rolling Stones Mobile Studio]].<ref name="Wall 283"/> This means it is the first Iron Maiden album to be recorded in their home country since 1982's ''[[The Number of the Beast (album)|The Number of the Beast]].'' Dickinson states that this idea was a mistake, commenting that "It was shit! It was a shit-sounding record, and I wished we hadn't done it that way. At the time, I was as guilty as anyone else in going, 'Oh great! Look, we're all covered in straw! What a larf!'"<ref name= "CR 2000">{{cite journal |title=The Wicked Man |last=Berelian |first=Essi |journal=[[Classic Rock (magazine)|Classic Rock]] |date=June 2000 |issue=15 |pages=36–43}}</ref> |
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The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation (such as in the record's first single, "[[Holy Smoke (song)|Holy Smoke]]") and social concerns ("Public Enema Number One").<ref name="Wall 286">{{cite book |author=Wall, Mick |author-link=Mick Wall |title=Iron Maiden: Run to the Hills, the Authorised Biography | edition = 3rd |publisher=Sanctuary Publishing |year=2004 |isbn=1-86074-542-3 |page=286}}</ref> ''No Prayer for the Dying'' is the only Iron Maiden studio album to date without a song exceeding six minutes in length and the second one to contain profanity in the lyrics, the debut album being the first to do so. It was also the band's first release with [[Epic Records]] in the US, after the band left [[Capitol Records]], but was sold through [[EMI]] for all territories outside the US. Despite charting well in most countries, particularly in the UK where it debuted at No. 2,<ref name="Wall 286"/> it would be the band's last album to receive gold certification in the US.<ref name= "Allmusic"/> |
The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation (such as in the record's first single, "[[Holy Smoke (song)|Holy Smoke]]") and social concerns ("Public Enema Number One").<ref name="Wall 286">{{cite book |author=Wall, Mick |author-link=Mick Wall |title=Iron Maiden: Run to the Hills, the Authorised Biography | edition = 3rd |publisher=Sanctuary Publishing |year=2004 |isbn=1-86074-542-3 |page=286}}</ref> ''No Prayer for the Dying'' is the only Iron Maiden studio album to date without a song exceeding six minutes in length and the second one to contain profanity in the lyrics, the debut album being the first to do so. It was also the band's first release with [[Epic Records]] in the US, after the band left [[Capitol Records]], but was sold through [[EMI]] for all territories outside the US. Despite charting well in most countries, particularly in the UK where it debuted at No. 2,<ref name="Wall 286"/> it would be the band's last album to receive gold certification in the US.<ref name= "Allmusic"/> |
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|rev1score = {{Rating|2|5}}<ref name= "Allmusic">{{AllMusic|class=album|id=r9919|first=Greg|last=Prato|access-date=26 June 2011|title=Iron Maiden – ''No Prayer for the Dying''}}</ref> |
|rev1score = {{Rating|2|5}}<ref name= "Allmusic">{{AllMusic|class=album|id=r9919|first=Greg|last=Prato|access-date=26 June 2011|title=Iron Maiden – ''No Prayer for the Dying''}}</ref> |
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| rev2 =''[[Martin Popoff|Collector's Guide to Heavy Metal]]'' |
| rev2 =''[[Martin Popoff|Collector's Guide to Heavy Metal]]'' |
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| |
| rev2Score = 7/10<ref name="martin" >{{cite book | last1 = Popoff | first1 = Martin | author-link1 = Martin Popoff | title = The Collector's Guide to Heavy Metal: Volume 3: The Nineties | publisher = [[Collector's Guide Publishing]] | date = 1 August 2007 | location = [[Burlington, Ontario]], Canada | page=211|isbn = 978-1-894959-62-9}}</ref> |
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|rev3 = ''[[Entertainment Weekly]]'' |
|rev3 = ''[[Entertainment Weekly]]'' |
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|rev3score = C+<ref name="EW">{{cite journal |url=http://www.ew.com/ew/article/0,,20195897,00.html |title=''No Prayer for the Dying'' Review |journal=[[Entertainment Weekly]] |first=Bob |last=Mack |date=26 October 1990 |access-date=1 August 2012 |issue=37 |
|rev3score = C+<ref name="EW">{{cite journal |url=http://www.ew.com/ew/article/0,,20195897,00.html |title=''No Prayer for the Dying'' Review |journal=[[Entertainment Weekly]] |first=Bob |last=Mack |date=26 October 1990 |access-date=1 August 2012 |issue=37}}</ref> |
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|rev4 = [[Sputnikmusic]] |
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}}</ref> |
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|rev4score = 2.0/5<ref name= "Sputnikmusic">{{cite web |url=https://www.sputnikmusic.com/review/26769/Iron-Maiden-No-Prayer-For-The-Dying/ |last=Stagno |first=Mike |date=18 August 2008 |title=Iron Maiden – ''No Prayer for the Dying'' |access-date=26 June 2011 |website=[[Sputnikmusic]]}}</ref> |
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}} |
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The album received generally mixed to negative reviews, with [[AllMusic]] commenting that "the songwriting wasn't up to snuff when compared to such classics as ''[[Killers (Iron Maiden album)|Killers]]'' or ''[[The Number of the Beast (album)|Number of the Beast]]''" and "as a whole doesn't measure up to the hits."<ref name= "Allmusic"/> [[Sputnikmusic]] were equally negative, stating that "''No Prayer for the Dying'' is a plain, listless record that never really gets itself going."<ref name= "Sputnikmusic"/> |
The album received generally mixed to negative reviews, with [[AllMusic]] commenting that "the songwriting wasn't up to snuff when compared to such classics as ''[[Killers (Iron Maiden album)|Killers]]'' or ''[[The Number of the Beast (album)|Number of the Beast]]''" and "as a whole doesn't measure up to the hits."<ref name= "Allmusic"/> [[Sputnikmusic]] were equally negative, stating that "''No Prayer for the Dying'' is a plain, listless record that never really gets itself going."<ref name= "Sputnikmusic"/> |
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Revision as of 02:00, 10 August 2022
| No Prayer for the Dying | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1 October 1990 | |||
| Recorded | June–September 1990 | |||
| Studio | Barnyard (Essex, England) | |||
| Genre | Heavy metal | |||
| Length | 43:42 | |||
| Label | EMI | |||
| Producer | Martin Birch | |||
| Iron Maiden studio albums chronology | ||||
| ||||
| Alternative cover | ||||
 1998 remastered edition | ||||
| Singles from No Prayer for the Dying | ||||
| ||||
No Prayer for the Dying is the eighth studio album by English heavy metal band Iron Maiden. It is their first album to feature Janick Gers on guitar, who replaced Adrian Smith. This marks their first line-up change since 1982; Smith left the band during the pre-production phase, unhappy with the musical direction it was taking,[1] and only having contributed to one song, "Hooks in You".[2] Gers previously worked with singer Bruce Dickinson on his first solo album, Tattooed Millionaire,[3] and had also worked with Ian Gillan,[4] former Marillion singer Fish,[4] and new wave of British heavy metal band, White Spirit.[5]
Although it received generally mixed to negative reviews, the album peaked at No. 2 in the UK Albums Chart and contains the band's only UK Singles Chart No. 1, "Bring Your Daughter... to the Slaughter".
Background
The album departed from the keyboard- and synthesiser-saturated progressive rock direction of the band's two previous studio outings (1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son) in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material,[1] which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing.[6] In addition, Michael Kenney, who had played keyboards on tour for the band, played keyboards on the album, replacing Harris and Adrian Smith from previous albums. The idea to make a more "street level" release also inspired the band to record in a barn on bassist Steve Harris's property in Essex, using the Rolling Stones Mobile Studio.[1] This means it is the first Iron Maiden album to be recorded in their home country since 1982's The Number of the Beast. Dickinson states that this idea was a mistake, commenting that "It was shit! It was a shit-sounding record, and I wished we hadn't done it that way. At the time, I was as guilty as anyone else in going, 'Oh great! Look, we're all covered in straw! What a larf!'"[7]
The album also departed from literary and historical lyrical themes in favour of more political content, with songs focusing on religious exploitation (such as in the record's first single, "Holy Smoke") and social concerns ("Public Enema Number One").[2] No Prayer for the Dying is the only Iron Maiden studio album to date without a song exceeding six minutes in length and the second one to contain profanity in the lyrics, the debut album being the first to do so. It was also the band's first release with Epic Records in the US, after the band left Capitol Records, but was sold through EMI for all territories outside the US. Despite charting well in most countries, particularly in the UK where it debuted at No. 2,[2] it would be the band's last album to receive gold certification in the US.[4]
No Prayer for the Dying includes the hit song "Bring Your Daughter... to the Slaughter", which, in spite of a ban by the BBC, remains Iron Maiden's only UK No. 1 single to date.[2] A tongue-in-cheek song written by Dickinson and originally recorded with his solo band for the A Nightmare on Elm Street 5: The Dream Child film soundtrack, Harris decided that the song would be "great for Maiden" and had the band re-record it.[8]
Following Dickinson's departure from Iron Maiden in 1993, songs from No Prayer for the Dying have been largely ignored at live performances. "Bring Your Daughter... to the Slaughter" was the only song played on a post-1993 setlist, appearing on the band's 2003 summer tour.
No Prayer on the Road was the tour in support of the album.
Album cover
No Prayer for the Dying does not follow the continuity of previous album covers, as Eddie no longer exhibits either his lobotomy or cyborg enhancements.[9]
Three versions of the cover exist. The original 1990 version has Eddie bursting from his grave and grabbing a gravedigger (with the likeness of the band's manager, Rod Smallwood) by the neck. However, Smallwood disliked the figure and asked artist Derek Riggs to remove him from the cover for the 1998 re-release,[10] although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words,[11] and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again." The picture disc LP shows Eddie firing a weapon made of four machine guns (a reference to the album's opening track, "Tailgunner"). It has the original cover on side two.
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| Collector's Guide to Heavy Metal | 7/10[12] |
| Entertainment Weekly | C+[13] |
| Sputnikmusic | 2.0/5[6] |
The album received generally mixed to negative reviews, with AllMusic commenting that "the songwriting wasn't up to snuff when compared to such classics as Killers or Number of the Beast" and "as a whole doesn't measure up to the hits."[4] Sputnikmusic were equally negative, stating that "No Prayer for the Dying is a plain, listless record that never really gets itself going."[6]
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Tailgunner" | 4:13 | |
| 2. | "Holy Smoke" |
| 3:47 |
| 3. | "No Prayer for the Dying" | Harris | 4:22 |
| 4. | "Public Enema Number One" |
| 4:03 |
| 5. | "Fates Warning" |
| 4:09 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 6. | "The Assassin" | Harris | 4:16 |
| 7. | "Run Silent Run Deep" |
| 4:34 |
| 8. | "Hooks in You" |
| 4:06 |
| 9. | "Bring Your Daughter... to the Slaughter" | Dickinson | 4:42 |
| 10. | "Mother Russia" | Harris | 5:30 |
| Total length: | 43:42 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "All in Your Mind" (Stray cover) | Del Bromham | 4:30 |
| 2. | "Kill Me Ce Soir" (Golden Earring cover) |
| 6:17 |
| 3. | "I'm a Mover" (Free cover) | 3:29 | |
| 4. | "Communication Breakdown" (Led Zeppelin cover) | 2:41 | |
| Total length: | 16:57 | ||
Personnel
Production list acquired from AllMusic[14] and from the album liner notes.[15][16]
Iron Maiden
- Bruce Dickinson – vocals
- Dave Murray – guitar
- Janick Gers – guitar
- Steve Harris – bass
- Nicko McBrain – drums
Additional musicians
- Michael Kenney – keyboards
Production
- Martin "The Bishop" Birch – producer, engineer, mixing
- Mick McKenna – assistant engineer
- Les Kingham – assistant engineer
- Chris Marshall – assistant engineer, mixing engineer
- Derek Riggs – cover illustration
- Ross Halfin – photography
- Rod Smallwood – management
- Andy Taylor – management
- Hugh Gilmour – art direction, design (1998 edition)
- Sarah Polglase – project manager (1998 edition)
Chart performance
Album
Certifications
References
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