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[[Image:Diablada de La Tirana.jpg|thumb|''Diablada'' during the [[Fiesta de la Tirana]] in Chile.]] |
[[Image:Diablada de La Tirana.jpg|thumb|''Diablada'' during the [[Fiesta de la Tirana]] in Chile.]] |
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The '''Diablada''' or '''Danza de Diablos''' ({{lang-en|Dance of Devils}}) is a traditional [[South American]] [[dance]] that was created in the Andean [[Altiplano]] |
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Julia Elena Fortun explain that it is a synthesis of two ancient Catalan dances: ''Ball des diables'' and ''Els sets Pecats capitals'' that merged with the andean theogonies like Tiwo, Wari, and Supay, the lord of the interior highlands. <ref name="Fortun">{{es icon}}{{cite book |title=La danza de los diablos: danzas populares bolivianas|last=Fortún|first=Julia Elena|authorlink= |coauthors= |year=1961|publisher=LibrosEnRed|location=|isbn=|page=3|pages= |url=http://books.google.com.bo/books?ei=dkyfSs-GMYn4zAT01vDcBg&id=lcVYAAAAMAAJ&dq=La+danza+de+los+diablos+%3A+danzas+populares+bolivianas|accessdate=2009-08-01}}</ref><ref name="Nicomedes">{{es icon}}{{cite book |title=Obras Completas II. Investigación (1958-1991)|last=Santa Cruz|first=Nicomedes|authorlink= |coauthors= |year=2004|publisher=LibrosEnRed|location=|isbn=1597540145, 9781597540148|page=285|pages=540 |url=http://books.google.com/books?id=Ysqz9XsfczYC&source=gbs_navlinks_s|accessdate=2009-09-27}}</ref>. The dance is practised throughout the [[Andes|Andean region]]. |
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| ⚫ | There are two versions regarding the first records of the place where the Spanish traditions and the native Andean beliefs mixed to form what is called ''Diablada'' today. According to the anthropologist Freddy Arancibia Andrade, this took place after the year [[1538]] in the miner region of [[Aullagas]] located in northern [[Potosí]] now [[Bolivia]] where the natives adopted the figures of the [[Devil]] and the [[Michael (archangel)|archangel Michael]] and blended them with the steps of rebellion and combat of the ancient tradition of the [[Tinku]]. From there first passed to the city of [[Oruro]] and now is performed in over 250 other locations in Bolivia, Peru and Chile.<ref name="Potosi">{{es icon}}{{cite web | title=Investigador afirma que la diablada surgió en Potosí| publisher=La Razon.com| url=http://www.la-razon.com/versiones/20090820_006825/nota_253_864270.htm| accessdate=2009-10-02}}</ref><ref name="Nicomedes" /> |
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| ⚫ | According to the [[UNESCO]] in its declaration as [[Masterpieces of the Oral and Intangible Heritage of Humanity|Masterpiece of the Oral and Intangible Heritage of Humanity]] of the [[Carnaval de Oruro]] this dance has [[Uros|Uru]] roots from "Itu Festivity" and it's traditional in [[Bolivia]];<ref name="UNESCO">{{cite web | title=UNESCO Culture Sector - Intangible Heritage| publisher=UNESCO| url=http://www.unesco.org/culture/ich/index.php?cp=BO| accessdate=2009-10-03}}</ref> nevertheless it's also considered by [[Peru]] as part of its patrimony where it's danced during the [[Fiesta de la Candelaria (Puno)|Fiesta de la Candelaria]]<ref name="Pasacalle">{{es icon}}{{cite web | title=Realizarán gran pasacalle en defensa de la diablada en Puno| publisher=Peru.com| url=http://www.peru.com/espectaculos/PORTADA20090818/50589/Realizaran-gran-pasacalle-en-defensa-de-la-diablada-en-Puno| accessdate=2009-09-27}}</ref> and also in [[Chile]] during the [[Fiesta de la Tirana]]. |
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| ⚫ | On the other hand a similar event was recorded in [[1576]] on [[Juli]], [[Puno]], in the area of present-day Peru;<ref name="Pasacalle" /> from where other trend of historians consider that it spread to other parts of the Spanish domain in the Americas.<ref name="Manzana"/> In the XVI century, Spanish [[Jesuit]] missionaries spread the ''[[Autos Sacramentales]]'', a dramatic representation of the mystery of the [[Eucharist]], in the [[Viceroyalty of Peru]], beginning in the city of [[Juli]].<ref name="Manzana">{{es icon}}{{cite web | title=La diablada, manzana de la discordia en el altiplano | publisher=Correoperu.com| url=http://www.correoperu.com.pe/correo/nota.php?txtEdi_id=18&txtSecci_id=72&txtSecci_parent=&txtNota_id=106612| accessdate=2009-09-27}}</ref> During the evangelism of the native [[Lupaka]]s people of Juli, also known as the "[[Aymara]]n Rome," the missionaries instilled the paradigm of good and evil by teaching the natives their theatrical dance which was a representation of the [[seven deadly sins]] that concluded with the victory of the [[angel]]s over the [[demon]]s (which is how the costumes of angels and demons became associated with the dance). The result was a fusion between Spanish and Aymaran culture in the altiplano as the original dance taught by the Jesuit missionaries adopted Andean elements.<ref>{{es icon}}{{cite web | title=Origen de la Diablada| publisher=Punomagico.com| url=http://www.punomagico.com/expresion%20origen%20de%20la%20diablada.html| accessdate=2009-09-27}}</ref><ref name="Potosi">{{es icon}}{{cite web | title=Investigador afirma que la diablada surgió en Potosí| publisher=La Razon.com| url=http://www.la-razon.com/versiones/20090820_006825/nota_253_864270.htm| accessdate=2009-10-02}}</ref> |
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The ''Diablada'''s spiritual value as a mixture between two cultures goes as far back as [[1538]], where in the mines of [[Aullagas]] (located in northern [[Potosí]], in present-day [[Bolivia]]) the natives adopted [[Christian]] religious figures and adapted them to their indigenous religious visions.<ref name="Potosi"/> The dance eventually became part of a series of Christian religious festivities, most prominently during the celebrations to the [[Virgin of Candelaria]] (also known as the [[Virgin of Socavón]]).<ref name="Potosi"/> These [[Christian]] rituals replaced the old [[Inca mythology|Andean beliefs and mythology]], and the festivities changed from honoring what were considered "pagan" gods to that of honoring Christian [[saint]]s and [[God in Christianity|God]]. Over the years, the ''Diablada'' has developed uniquely in various regions of South America, which has led to variations such as the [[Afro-Peruvian]] [[Son de Los Diablos]] and the [[Diablada Puneña]] of Peru, and the [[Diablada de Oruro]] of Bolivia.<ref>{{es icon}}{{cite book |title=La diablada puneña|last=Pineda|first=Ignacio Frisancho|authorlink= |coauthors= |year=1999|publisher=I. Frisancho Pineda|location=|isbn=|page=38|pages=67|url=http://books.google.com/books?id=XXMTAQAAIAAJ&source=gbs_navlinks_s|accessdate=2009-09-27}}</ref> |
The ''Diablada'''s spiritual value as a mixture between two cultures goes as far back as [[1538]], where in the mines of [[Aullagas]] (located in northern [[Potosí]], in present-day [[Bolivia]]) the natives adopted [[Christian]] religious figures and adapted them to their indigenous religious visions.<ref name="Potosi"/> The dance eventually became part of a series of Christian religious festivities, most prominently during the celebrations to the [[Virgin of Candelaria]] (also known as the [[Virgin of Socavón]]).<ref name="Potosi"/> These [[Christian]] rituals replaced the old [[Inca mythology|Andean beliefs and mythology]], and the festivities changed from honoring what were considered "pagan" gods to that of honoring Christian [[saint]]s and [[God in Christianity|God]]. Over the years, the ''Diablada'' has developed uniquely in various regions of South America, which has led to variations such as the [[Afro-Peruvian]] [[Son de Los Diablos]] and the [[Diablada Puneña]] of Peru, and the [[Diablada de Oruro]] of Bolivia.<ref>{{es icon}}{{cite book |title=La diablada puneña|last=Pineda|first=Ignacio Frisancho|authorlink= |coauthors= |year=1999|publisher=I. Frisancho Pineda|location=|isbn=|page=38|pages=67|url=http://books.google.com/books?id=XXMTAQAAIAAJ&source=gbs_navlinks_s|accessdate=2009-09-27}}</ref> |
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==History== |
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== Native influence == |
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== Spanish influence == |
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[[Image:Danzan san miguel 7 diablos.jpg|thumb|1776 drawing of a ''Diablada''. Drawn by the orders of the Bishop of Trujillo in [[Peru]]. It depicts [[Saint Michael]] and seven demons.]] |
[[Image:Danzan san miguel 7 diablos.jpg|thumb|1776 drawing of a ''Diablada''. Drawn by the orders of the Bishop of Trujillo in [[Peru]]. It depicts [[Saint Michael]] and seven demons.]] |
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The ''Diablada'' has its roots in the medieval ''[[Auto Sacramental]]'' dances of ''El Balls des Diables'' and ''Els Sets Pecats Capitals'', which originated in the region of [[Catalonia]] in [[Spain]].<ref name="Nicomedes"/> During the [[Spanish colonization of the Americas]], more especifically in the years after the [[Spanish conquest of the Inca Empire]] and during the establishment of the [[Viceroyalty of Peru]], the first ''Diablada'' is recorded to have taken place in [[1576]] on [[Juli]], [[Puno]], in the area of present-day [[Peru]], as a result of Spanish [[Jesuit]] missionaries presenting the [[Autos Sacramentales]] to the native [[Lupakas]] population of the area.<ref name="Pasacalle"/><ref name="Manzana"/> |
The ''Diablada'' has its roots in the medieval ''[[Auto Sacramental]]'' dances of ''El Balls des Diables'' and ''Els Sets Pecats Capitals'', which originated in the region of [[Catalonia]] in [[Spain]].<ref name="Nicomedes"/> During the [[Spanish colonization of the Americas]], more especifically in the years after the [[Spanish conquest of the Inca Empire]] and during the establishment of the [[Viceroyalty of Peru]], the first ''Diablada'' is recorded to have taken place in [[1576]] on [[Juli]], [[Puno]], in the area of present-day [[Peru]], as a result of Spanish [[Jesuit]] missionaries presenting the [[Autos Sacramentales]] to the native [[Lupakas]] population of the area.<ref name="Pasacalle"/><ref name="Manzana"/> |
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== Fusion == |
|||
| ⚫ | There are two versions regarding the first records of the place where the Spanish traditions and the native Andean beliefs mixed to form what is called ''Diablada'' today. According to the anthropologist Freddy Arancibia Andrade, this took place after the year [[1538]] in the miner region of [[Aullagas]] located in northern [[Potosí]] now [[Bolivia]] where the natives adopted the figures of the [[Devil]] and the [[Michael (archangel)|archangel Michael]] and blended them with the steps of rebellion and combat of the ancient tradition of the [[Tinku]]. From there first passed to the city of [[Oruro]] and now is performed in over 250 other locations in Bolivia, Peru and Chile.<ref name="Potosi">{{es icon}}{{cite web | title=Investigador afirma que la diablada surgió en Potosí| publisher=La Razon.com| url=http://www.la-razon.com/versiones/20090820_006825/nota_253_864270.htm| accessdate=2009-10-02}}</ref><ref name="Nicomedes" /> |
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| ⚫ | On the other hand a similar event was recorded in [[1576]] on [[Juli]], [[Puno]], in the area of present-day Peru;<ref name="Pasacalle" /> from where other trend of historians consider that it spread to other parts of the Spanish domain in the Americas.<ref name="Manzana"/> In the XVI century, Spanish [[Jesuit]] missionaries spread the ''[[Autos Sacramentales]]'', a dramatic representation of the mystery of the [[Eucharist]], in the [[Viceroyalty of Peru]], beginning in the city of [[Juli]].<ref name="Manzana">{{es icon}}{{cite web | title=La diablada, manzana de la discordia en el altiplano | publisher=Correoperu.com| url=http://www.correoperu.com.pe/correo/nota.php?txtEdi_id=18&txtSecci_id=72&txtSecci_parent=&txtNota_id=106612| accessdate=2009-09-27}}</ref> During the evangelism of the native [[Lupaka]]s people of Juli, also known as the "[[Aymara]]n Rome," the missionaries instilled the paradigm of good and evil by teaching the natives their theatrical dance which was a representation of the [[seven deadly sins]] that concluded with the victory of the [[angel]]s over the [[demon]]s (which is how the costumes of angels and demons became associated with the dance). The result was a fusion between Spanish and Aymaran culture in the altiplano as the original dance taught by the Jesuit missionaries adopted Andean elements.<ref>{{es icon}}{{cite web | title=Origen de la Diablada| publisher=Punomagico.com| url=http://www.punomagico.com/expresion%20origen%20de%20la%20diablada.html| accessdate=2009-09-27}}</ref><ref name="Potosi">{{es icon}}{{cite web | title=Investigador afirma que la diablada surgió en Potosí| publisher=La Razon.com| url=http://www.la-razon.com/versiones/20090820_006825/nota_253_864270.htm| accessdate=2009-10-02}}</ref> |
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== Expansion == |
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The success of this method resulted in the expansion of the ''Diablada'' to other areas of the [[Altiplano]], including [[Oruro]] in Bolivia.<ref name="Manzana"/> However, the ''Diablada'' would not formally take role in any major celebration until [[1892]] when the [[Sicuris]] of the ''Barrio Mañazo'' officialized the dance as part of the devotion practices for the [[Virgin of Candelaria]].<ref name="Manzana"/> According to Bolivian historian [[Elena Fortun]], in [[1904]] the ''Diablada'' was formalized in [[Oruro]] as part of its festivities in the [[Carnaval de Oruro]].<ref name="Manzana"/> |
The success of this method resulted in the expansion of the ''Diablada'' to other areas of the [[Altiplano]], including [[Oruro]] in Bolivia.<ref name="Manzana"/> However, the ''Diablada'' would not formally take role in any major celebration until [[1892]] when the [[Sicuris]] of the ''Barrio Mañazo'' officialized the dance as part of the devotion practices for the [[Virgin of Candelaria]].<ref name="Manzana"/> According to Bolivian historian [[Elena Fortun]], in [[1904]] the ''Diablada'' was formalized in [[Oruro]] as part of its festivities in the [[Carnaval de Oruro]].<ref name="Manzana"/> |
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Revision as of 16:14, 3 October 2009
The Diablada or Danza de Diablos (English: Dance of Devils) is a traditional South American dance that was created in the Andean Altiplano
Julia Elena Fortun explain that it is a synthesis of two ancient Catalan dances: Ball des diables and Els sets Pecats capitals that merged with the andean theogonies like Tiwo, Wari, and Supay, the lord of the interior highlands. [1][2]. The dance is practised throughout the Andean region.
According to the UNESCO in its declaration as Masterpiece of the Oral and Intangible Heritage of Humanity of the Carnaval de Oruro this dance has Uru roots from "Itu Festivity" and it's traditional in Bolivia;[3] nevertheless it's also considered by Peru as part of its patrimony where it's danced during the Fiesta de la Candelaria[4] and also in Chile during the Fiesta de la Tirana.
The Diablada's spiritual value as a mixture between two cultures goes as far back as 1538, where in the mines of Aullagas (located in northern Potosí, in present-day Bolivia) the natives adopted Christian religious figures and adapted them to their indigenous religious visions.[5] The dance eventually became part of a series of Christian religious festivities, most prominently during the celebrations to the Virgin of Candelaria (also known as the Virgin of Socavón).[5] These Christian rituals replaced the old Andean beliefs and mythology, and the festivities changed from honoring what were considered "pagan" gods to that of honoring Christian saints and God. Over the years, the Diablada has developed uniquely in various regions of South America, which has led to variations such as the Afro-Peruvian Son de Los Diablos and the Diablada Puneña of Peru, and the Diablada de Oruro of Bolivia.[6]
Native influence
Spanish influence
The Diablada has its roots in the medieval Auto Sacramental dances of El Balls des Diables and Els Sets Pecats Capitals, which originated in the region of Catalonia in Spain.[2] During the Spanish colonization of the Americas, more especifically in the years after the Spanish conquest of the Inca Empire and during the establishment of the Viceroyalty of Peru, the first Diablada is recorded to have taken place in 1576 on Juli, Puno, in the area of present-day Peru, as a result of Spanish Jesuit missionaries presenting the Autos Sacramentales to the native Lupakas population of the area.[4][7]
Fusion
There are two versions regarding the first records of the place where the Spanish traditions and the native Andean beliefs mixed to form what is called Diablada today. According to the anthropologist Freddy Arancibia Andrade, this took place after the year 1538 in the miner region of Aullagas located in northern Potosí now Bolivia where the natives adopted the figures of the Devil and the archangel Michael and blended them with the steps of rebellion and combat of the ancient tradition of the Tinku. From there first passed to the city of Oruro and now is performed in over 250 other locations in Bolivia, Peru and Chile.[5][2]
On the other hand a similar event was recorded in 1576 on Juli, Puno, in the area of present-day Peru;[4] from where other trend of historians consider that it spread to other parts of the Spanish domain in the Americas.[7] In the XVI century, Spanish Jesuit missionaries spread the Autos Sacramentales, a dramatic representation of the mystery of the Eucharist, in the Viceroyalty of Peru, beginning in the city of Juli.[7] During the evangelism of the native Lupakas people of Juli, also known as the "Aymaran Rome," the missionaries instilled the paradigm of good and evil by teaching the natives their theatrical dance which was a representation of the seven deadly sins that concluded with the victory of the angels over the demons (which is how the costumes of angels and demons became associated with the dance). The result was a fusion between Spanish and Aymaran culture in the altiplano as the original dance taught by the Jesuit missionaries adopted Andean elements.[8][5]
Expansion
The success of this method resulted in the expansion of the Diablada to other areas of the Altiplano, including Oruro in Bolivia.[7] However, the Diablada would not formally take role in any major celebration until 1892 when the Sicuris of the Barrio Mañazo officialized the dance as part of the devotion practices for the Virgin of Candelaria.[7] According to Bolivian historian Elena Fortun, in 1904 the Diablada was formalized in Oruro as part of its festivities in the Carnaval de Oruro.[7]
In 2009, Bolivia claimed sole ownership of the dance and all its elements, but this claim has been a matter of dispute with Peru which claims the dance to be of the cultural heritage of all nations who hold Aymara culture.[9]
Regional Variations
Cajamarca
La Tirana
Lima
Oruro
Piura
Puno
In popular culture
Miss universe dispute
In August 1 of 2009 Bolivian officials stated that it could present a legal appeal to the organizers of Miss Universe due to the planned use of a typical Diablada wear by the Peruvian candidate Karen Schwarz. Pablo Groux, Bolivian minister of Culture, said that any use of the wear by Scharwz in the content would be an unlawful appropriation of Bolivian heritage and have menaced to bring the case to the International Court of Justice. El Comercio, a Peruvian newspaper, have mentioned that this is not the first time the diablada wear is shown in the contest and that it was María Josefa Isensee, a Chilean, that first used it in the Miss Universe contest. Peruvian foreign minister José Antonio García Belaúnde said that since the Diablada dress is of indigenous Aymara origin it can not be considered an exclusive of any of the particular countries where the Aymara live.[9][10]
Bolivia's demand
In 2009, Bolivia began a propaganda campaign in order to show the world that the Diablada was a Bolivian dance native to Oruro. This campaign was carried out through television stations such as CNN and Telesur.[11] Bolivia claims that UNESCO recognizes the Diablada as a Bolivian dance.[12] After the event of Miss Universe, the Bolivian ambassador in France gathered with the UNESCO assistant director Marcio Barbossa; after the reunion the Bolivian ambassador was satisfied because according to her the assistant director expressed his solidarity with Bolivia on this issue;[13] in response, the Permanent Delegation of Peru to the UNESCO sent a communicate expressing their inconformity.[14]
See also
References
- ^ Template:Es iconFortún, Julia Elena (1961). La danza de los diablos: danzas populares bolivianas. LibrosEnRed. p. 3. Retrieved 2009-08-01.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b c Template:Es iconSanta Cruz, Nicomedes (2004). Obras Completas II. Investigación (1958-1991). LibrosEnRed. p. 285. ISBN 1597540145, 9781597540148. Retrieved 2009-09-27.
{{cite book}}: Check|isbn=value: invalid character (help); Cite has empty unknown parameter:|coauthors=(help); More than one of|pages=and|page=specified (help) - ^ "UNESCO Culture Sector - Intangible Heritage". UNESCO. Retrieved 2009-10-03.
- ^ a b c Template:Es icon"Realizarán gran pasacalle en defensa de la diablada en Puno". Peru.com. Retrieved 2009-09-27.
- ^ a b c d Template:Es icon"Investigador afirma que la diablada surgió en Potosí". La Razon.com. Retrieved 2009-10-02.
- ^ Template:Es iconPineda, Ignacio Frisancho (1999). La diablada puneña. I. Frisancho Pineda. p. 38. Retrieved 2009-09-27.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help); More than one of|pages=and|page=specified (help) - ^ a b c d e f Template:Es icon"La diablada, manzana de la discordia en el altiplano". Correoperu.com. Retrieved 2009-09-27.
- ^ Template:Es icon"Origen de la Diablada". Punomagico.com. Retrieved 2009-09-27.
- ^ a b Perú y Bolivia incluyen a Chile en disputa por traje de Diablada El Mercurio
- ^ Bolivia rechaza que representante peruana en Miss Universo use traje de la "Diablada" El Mercurio
- ^ Template:Es icon"Reivindican el origen boliviano de La Diablada". Jornada.unam.mx. Retrieved 2009-09-28.
- ^ Template:Es icon"Bolivia reivindica La Diablada tras controversia en Miss Universo". Eluniversal.com.mx. Retrieved 2009-09-28.
- ^ Template:Es icon"UNESCO se solidarizó con Bolivia por disputas con Perú sobre La Diablada". Tiempos del Mundo. Retrieved 2009-09-29.
- ^ Template:Es icon"La Diablada es de Perú y Bolivia, y punto". Losandes.com.pe. Retrieved 2009-09-28.
External links