Cannabis Indica

The Haunting
Theatrical release poster
SpanishNO-DO
Directed byElio Quiroga
Written byElio Quiroga
Starring
  • Ana Torrent
  • Francisco Boira
  • Héctor Colomé
  • Alfonsa Rosso
  • Miriam Cepa
  • Rocío Muñoz
  • Paco Casares
CinematographyJuan Carlos Gómez
Music byAlfons Conde
Production
company
Eqlipse
Release dates
  • March 2009 (2009-03) (Las Palmas)
  • 12 June 2009 (2009-06-12) (Spain)
CountrySpain
LanguageSpanish

The Haunting or The Beckoning (Spanish: NO-DO) is a Spanish supernatural mystery horror film written and directed by Elio Quiroga [es] which stars Ana Torrent.

Plot[edit]

The plot follows the plight of Francesca, a pediatrician coping with the sudden death of her baby who moves to a countryside manor with her husband Pedro to seek solace and recovery from her trauma.[1][2] Once there, she starts to experience disturbing supernatural phenomena instead. The supernatural mystery is connected to the existence of a B-side of "secret" NO-DO newsreels commissioned by the Francoist regime (and hidden by the Catholic Church) recording every miraculous development in Spain and which ended up stumbling upon some dark gods.[3][4][2]

Cast[edit]

Production[edit]

An Eqlipse Producciones Cinematográficas production,[2] the film had the financial support from Canarias Cultura en Red and the collaboration of TVE, ICAA, Cabildo de Gran Canaria and Las Palmas de Gran Canaria International Film Festival.[5]

Release[edit]

The film was presented in March 2009 at Las Palmas Film Festival.[6] It was theatrically released in Spain on 12 June 2009.[4]

Reception[edit]

The review in Fotogramas rated the film 3 out of 5 stars, deeming it to be an "appreciable" new wrinkle to the cinema of Arrebato, Buñuel's catholic anti-clericalism and Don Coscarelli's plot twists, also highlighting the performance by Torrent.[1]

The review in El Mundo rated the film 2 out of 5 stars, writing about a film full of flaws, generally attributable to the screenplay and, above all, to the budget shortcomings, otherwise featuring an "uneven but very entertaining story" and positively highlighting the insertion of a chapter with historical plausibility within a traditional horror story.[7]

Jordi Costa of El País considered that even if there are some predictable twists and a few missteps and the film suffers from budgetary constraints, "this story of martyrs and monstrous gods" "deserves to find its audience".[3]

See also[edit]

References[edit]

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