The Medusa Touch
Theatrical release poster
Directed by	Jack Gold
Screenplay by	John Briley
Based on	The Medusa Touch by Peter Van Greenaway
Produced by	Anne V. Coates Jack Gold Arnon Milchan
Starring	Richard Burton Lino Ventura Lee Remick Harry Andrews
Cinematography	Arthur Ibbetson
Edited by	Anne V. Coates Ian Crafford
Music by	Michael J. Lewis
Production companies	Coatesgold ITC Entertainment Bulldog Citeca Productions
Distributed by	ITC Entertainment (UK) Warner Bros. (USA/International)
Release dates	7 April 1978 (1978-04-07) (UK) 14 April 1978 (1978-04-14) (New York City)
Running time	109 minutes
Countries	United Kingdom France
Language	English

The Medusa Touch (also known as La Grande Menace) is a 1978 supernatural horror thriller film directed by Jack Gold. It stars Richard Burton, Lino Ventura, Lee Remick and Harry Andrews, and features Alan Badel, Derek Jacobi, Gordon Jackson, Jeremy Brett and Michael Hordern.^[1] The screenplay was by John Briley, based on the 1973 novel The Medusa Touch by Peter Van Greenaway.^[2] The film is a co-production between the United Kingdom and France.

Monsieur Brunel, a French detective on an exchange scheme in London, is assigned to investigate the apparent murder of novelist John Morlar. As they examine the crime scene, Brunel discovers the victim is still alive in spite of his severe head injuries and has him rushed to hospital.

With the help of Morlar's journals and Dr. Zonfeld, a psychiatrist Morlar was consulting, Brunel reconstructs Morlar's life. Seen in flashback, it is filled with seemingly inexplicable catastrophes and the sudden deaths of people he disliked or who grievously offended him. Morlar has become convinced that, consciously or unconsciously, he himself willed the things to happen. He had become even more convinced when a supposed psychic examined his hands, became greatly unsettled at what he foresaw, and refunded Morlar's fee. Dr. Zonfeld scoffs at this explanation, asking Morlar if he seriously believes in palmistry as a means of predicting the future.

As flashbacks continue, it becomes shown that Morlar has powerful psychokinetic abilities. Morlar's earlier legal career is seen to have halted in a courtroom defence speech that reveals his disgust at the world and offends the judge resulting in a lengthy imprisonment for his client. He inadvertently curses the judge, who soon after dies of a heart attack with a look of unaccountable terror. Later, he proves to Dr. Zonfeld that he is the instrument of disaster when, with her watching, he forces a jumbo airliner to crash into a London office tower, killing everyone on board.

Brunel eventually concludes that Zonfeld has attempted to kill Morlar in order to stop him causing more disasters, the most recent, at the time that he was attacked, involving American astronauts on a space mission to the moon that is being widely broadcast in the media. Failing to get him to stop, she had bashed in Morlar's skull with a blunt object and left him for dead. Brunel confronts her and she admits trying to kill Morlar. Brunel does not arrest her right away, partly because he is also becoming convinced of Morlar's telekinetic powers. Later, Brunel returns to Dr. Zonfeld's office, but he discovers she has committed suicide, having left a note apologizing to him for leaving such a mess to deal with. From his hospital bed Morlar manages to bring down a cathedral on the "unworthy heads" of a VIP congregation attending a fundraising event for the crumbling building's restoration. Brunel races to the hospital and tries to kill Morlar to end the destruction, just as Zonfeld had, but he, too, is unsuccessful. Morlar, who is inexplicably still alive, writes on a pad the name of his next target: Windscale nuclear power station. It will be Morlar's most destructive disaster yet.

In addition, Gordon Honeycombe, long-time newscaster on the ITN national news broadcast, appears as the TV Newscaster on televisions being watched by various characters. During coverage of the space mission the voice of James Burke can briefly be heard, apparently in an audio recording from his coverage of the real Apollo 13 mission.

That Morlar is disgusted with the world is cited in Kim Newman's 1988 book Nightmare Movies, wherein Newman describes Morlar's dialogue as "incredibly misanthropic."^[4]

Bristol Cathedral was used as the location for the fictional London place of worship, called Minster Cathedral in the film.^[5]

The St Mary's Church Towers near Reculver were used for the scene where young John and his parents are having a picnic whilst on holiday. John wills the car to move towards his parents, which causes them and the car to fall over the cliff. Herne Bay, also Kent, was used for the scene where a young John Morlar (Adam Bridges) stays with his parents and is out on the seafront. The hotel is now residential properties.^[6]

The Monthly Film Bulletin wrote: "In its early scenes ...The Medusa Touch establishes an intriguing premise on which to build the legend of a modern-day gorgon. ... From here on, however, the script skirts any further dealings with its characters ... and simply opts for an escalating series of increasingly ludicrous disasters. An excessive amount of time is devoted to the unmasking of Zonfeld as the would-be murderer – a revelation which comes as no surprise and which is no substitute for the script's failure to develop her psychiatric relationship with Morlar any further than the occasional offer of a sedative. The film is equally reticent about exploring the implications of its protagonist's malevolent powers, and attempts instead to spin things out with a few red herrings, mainly by suggesting that the many deaths in which Morlar has been implicated would have made him numerous enemies. The acting, inevitably, is as uneven as the film: Lee Remick is gradually reduced to blank, 'meaningful' stares; while Richard Burton, gravely intoning such lines as, 'I am the man with the power to create catastrophe', overacts unforgivably. Jack Gold directs with faceless efficiency ... The film, however, proves to have no truck with nuances and the effect turns out to be no more than a plain, TV-derived device for ploughing through the story."^[7]

A sample from the film (Richard Burton's line "I will bring the whole edifice down on their unworthy heads") was used in the Manic Street Preachers' 1998 song "Ready for Drowning". Their 2005 song "Leviathan" includes the lyric "Baader Meinhof and Medusa Touch".

Footage from the film appears in the music video "The Madness Was Mine" by the artist Sailing Blind.^{[citation needed]}

• Patrick, a 1978 Australian horror film
• Patrick, a 2013 Australian remake of the 1978 film

• The Medusa Touch at IMDb 
• The Medusa Touch at AllMovie
• The Medusa Touch at the TCM Movie Database
• The Medusa Touch at the British Film Institute^{[better source needed]}
• The Medusa Touch at Rotten Tomatoes
• The Medusa Touch at Box Office Mojo
• The Medusa Touch then-and-now location photographs at ReelStreets