Rithy Panh | |
---|---|
![]() Rithy at the 72nd Berlin International Film Festival, 2022 | |
Born | Panh Rithy April 18, 1964 |
Citizenship | Cambodia • France |
Education | Institut des hautes études cinématographiques |
Occupation | Film director |
Years active | 1989–present |
Awards | Un Certain Regard[1] Albert Londres Prize Joseph Kessel Prize |
Website | Bophana: Audio Visual Resource Center – Cambodia |
Rithy Panh (Khmer: ប៉ាន់ រិទ្ធី; born April 18, 1964) is a Cambodian documentary film director and screenwriter.
The French-schooled director's films focus on the aftermath of the genocidal Khmer Rouge regime in Cambodia. His works are from an authoritative viewpoint, because his family were expelled from Phnom Penh in 1975 by the Khmer Rouge. One after another, his father, mother, sisters and nephews died of starvation or exhaustion, as they were held in a remote labor camp in rural Cambodia.
Biography
[edit]Early life
[edit]Rithy was born in Phnom Penh. His father was a long time undersecretary at the Ministry of Education, a senator, a school teacher and inspector of primary schools.[2][3]
His family and other residents were expelled from the Cambodian capital in 1975 by the Khmer Rouge. Rithy's family suffered under the regime of Democratic Kampuchea, and after he saw his parents, siblings and other relatives die of overwork or malnutrition in the Cambodian genocide, he managed to escape to Thailand in 1979,[4] where he lived for a time in a refugee camp at Mairut.[3]
Eventually, he made his way to Paris, France. It was while he was attending vocational school to learn carpentry that he was handed a video camera during a party that he became interested in film-making.[5] He went on to graduate from the Institut des hautes études cinématographiques (Institute for the Advanced Cinematographic Studies). He returned to Cambodia in 1990, while still using Paris as a home base.
Career as director
[edit]His first documentary feature film, Site 2, about a family of Cambodian refugees in a camp on the Thai-Cambodian border in the 1980s, was awarded "Grand Prix du Documentaire" at the Festival of Amiens.
His 1994 film, Rice People, is told in a docudrama style, about a rural family struggling with life in post-Khmer Rouge Cambodia. It was in competition at the 1994 Cannes Film Festival,[6] and was submitted to the 67th Academy Awards for Best Foreign Language Film, the first time a Cambodian film had been submitted for an Oscar.
The 2000 documentary, The Land of the Wandering Souls, also told of a family's struggle, as well as showing a Cambodia entering the modern age, chronicling the hardships of workers digging a cross-country trench for Cambodia's first optical fiber cable.
His 2003 documentary, S-21: The Khmer Rouge Killing Machine, about the Khmer Rouge's Tuol Sleng prison, reunited former prisoners, including the artist Vann Nath, and their former captors, for a chilling, confrontational review of Cambodia's violent history.
More post-Khmer Rouge events are documented in the 2005 drama, The Burnt Theatre, which focuses on a theater troupe that inhabits the burned-out remains of Phnom Penh's Suramet Theatre, which caught fire in 1994 but has never been rebuilt.
His 2007 documentary, Paper Cannot Wrap Up Embers, delves into the lives of prostitutes in Phnom Penh.
The 2011 movie "Gibier d'élevage" (in French, "The Catch" in English), is based on a 1957 novel by the Japanese Nobel Prize writer Kenzaburō Ōe about the villagers' behavior when a black US Airforce pilot's plane is shot down and crashes over Japan (Cambodia in the movie).
The 2012 documentary, Duch, Master of the Forges of Hell, is about interviews with Kang Guek Eav, a former leader in the Khmer Rouge, also known as Duch, tried by the Extraordinary Chambers in the Courts of Cambodia and sentenced to 30 years of prison, but appealing against the conviction. However, he was finally sentenced to life imprisonment after the appeal.
His 2013 documentary film The Missing Picture was screened in the Un Certain Regard section at the 2013 Cannes Film Festival[7][8] where it won the top prize [9] and later nominated for a Academy Award for Best Foreign Language Film at the 86th Academy Awards,[10][11] but lost out to The Great Beauty of that year.
Bophana Center
[edit]Rithy, along with director Ieu Pannakar, has developed the Bophana Center in Phnom Penh, Cambodia, with an aim towards preserving the country's film, photographic and audio history. The center's namesake is the subject of one of his early docudramas, Bophana: A Cambodian Tragedy, about a young woman who was tortured and killed at S-21 prison.[12]
Political views
[edit]In December 2023, alongside 50 other filmmakers, Rithy signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[13][14][15]
Filmography
[edit]- Site 2 (1989)
- Cinéma de notre temps: Souleymane Cissé (French television) (1990)
- Cambodia: Between War and Peace (1991)
- Rice People (Neak Sre) (1994)
- Bophana: A Cambodian Tragedy (1996)
- One Evening After the War (1998)
- The Land of the Wandering Souls (2000)
- Que la barque se brise, que la jonque s'entrouvre ("Let the boat break its back, Let the junk break open") (French television) (2001)
- S-21: The Khmer Rouge Killing Machine (2003)
- The People of Angkor (2003)
- The Burnt Theatre (2005)
- Paper Cannot Wrap Up Embers (2007)
- The Sea Wall (2008)
- Gibier d'élevage (2011)
- Duch, Master of the Forges of Hell (2012)
- The Missing Picture (2013)
- La France est notre patrie (2015)
- Exile (2016)
- First They Killed My Father (2017) - Only producer
- Graves Without a Name (2018)
- Irradiated (2020)
See also
[edit]References
[edit]- ^ Rosa Ellen (31 May 2013). "Rithy Panh: the director on Cannes glory and haunted life". The Phnom Penh Post. Retrieved 4 May 2014.
- ^ Panh, Rithy; Bataille, Christophe (2014). The Elimination: A Survivor of the Khmer Rouge Confronts His Past and the Commandant of the Killing Fields. ISBN 978-1590516751.
- ^ a b Panh, Rithy (1999). "Cambodia: a wound that will not heal". UNESCO Courier. Archived from the original on 2007-07-05. Retrieved 2007-07-14.
- ^ Shankar, Lekha (2006-02-03). "Cambodian director talks about his work and the 'nuclear bomb' that struck his homeland". ThaiDay. Retrieved 2007-07-14.
- ^ Turnbull, Robert (2007-04-05). "Staring down the horrors of the Khmer Rouge". International Herald Tribune. Retrieved 2007-07-15.
- ^ "Rithy Panh". Cannes Film Festival. Archived from the original on 2007-09-29. Retrieved 2007-07-13.
- ^ "2013 Official Selection". Cannes. 23 May 2013. Retrieved 23 May 2013.
- ^ "The Missing Picture (L'Image manquante): Cannes Review". Hollywood Reporter. 23 May 2013. Retrieved 23 May 2013.
- ^ "Cannes: 'The Missing Picture' Wins Un Certain Regard Prize". Hollywood Reporter. 26 May 2013. Retrieved 26 May 2013.
- ^ "France's Lumiere Awards: 'Mustang' Takes Top Honors". The Hollywood Reporter. 8 February 2016.
- ^ "'Golden Years,' 'Marguerite,' 'Dheepan,' 'Mustang' Lead Cesar Nominations". Variety.
- ^ Rosenberg, Scott (2006-12-26). "Exclusive interview: Cambodian film director Rithy Panh – "Angelina Jolie, come visit the Audiovisual Center Bophana!"". Monsters and Critics. Archived from the original on 2007-09-29. Retrieved 2007-07-14.
- ^ "Gaza : des cinéastes du monde entier demandent un cessez-le-feu immédiat". Libération (in French). 28 December 2023. Retrieved 24 January 2024.
- ^ Newman, Nick (29 December 2023). "Claire Denis, Ryusuke Hamaguchi, Kiyoshi Kurosawa, Christian Petzold, Apichatpong Weerasethakul & More Sign Demand for Ceasefire in Gaza". The Film Stage. Retrieved 24 January 2024.
- ^ "Directors of cinema sign petition for immediate ceasefire". The Jerusalem Post. 31 December 2023. Retrieved 24 January 2024.
Well, that’s interesting to know that Psilotum nudum are known as whisk ferns. Psilotum nudum is the commoner species of the two. While the P. flaccidum is a rare species and is found in the tropical islands. Both the species are usually epiphytic in habit and grow upon tree ferns. These species may also be terrestrial and grow in humus or in the crevices of the rocks.
View the detailed Guide of Psilotum nudum: Detailed Study Of Psilotum Nudum (Whisk Fern), Classification, Anatomy, Reproduction