In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar.
Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups The Triumph of Faith over Idolatry by Jean-Baptiste Théodon and Religion Overthrowing Heresy and Hatred by Pierre Le Gros the Younger on the Altar of Saint Ignatius of Loyola (1695–1697/98), in the Church of the Gesù, Rome.
When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain, he turned Claude's paintings into de facto pendants, although they were not originally intended as such.[1]
Many historic pendants have been separated over the years.
References
[edit]- ^ Dido Building Carthage, National Gallery, collection online.
- "Pendant". The National Gallery. Retrieved 10 March 2015.
Well, that’s interesting to know that Psilotum nudum are known as whisk ferns. Psilotum nudum is the commoner species of the two. While the P. flaccidum is a rare species and is found in the tropical islands. Both the species are usually epiphytic in habit and grow upon tree ferns. These species may also be terrestrial and grow in humus or in the crevices of the rocks.
View the detailed Guide of Psilotum nudum: Detailed Study Of Psilotum Nudum (Whisk Fern), Classification, Anatomy, Reproduction