 | ||||||
| Music of India | ||||||
| Genres | ||||||
|---|---|---|---|---|---|---|
|
Traditional
Modern |
||||||
| Media and performance | ||||||
|
||||||
| Nationalistic and patriotic songs | ||||||
|
||||||
| Regional music | ||||||
|
||||||
| Part of a series on the |
| Culture of Assam |
|---|
 |
The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand.
A basic characteristic of the indigenous ethnic music of Assam is its descending scale similar to East Asian music which distinguishes it from the Mode-based or folk music (Raaga-based) forms from the rest of India.
The tunes are structured in a pyramid and are always in pentatonic scale similar to other traditional music of Asia like China, Mongolia etc and dissimilar from the seven-scaled Indian music, (in contrast to the music of rest of India which is Meend based),[4] such as the Bihu songs, (common in South-East Asia and East Asia) besides languorous music of other forms.
The legend of Princess Usha of Sonitpur and her cohort Chitralekha also enlighten us on the musical expertise of the Assamese women.[citation needed] The connoisseurs however, have divided the classical Assamese music into two parts – Borgeet and Ojapali. The composers of Borgeets, Sankardev and his disciple Madhavdev added versatility to Assamese music.
Musical genres[edit]
Devotional[edit]
Indigenous Traditional Folk[edit]
Popular[edit]
Musical instruments[edit]
- Banhi
- Sifung
- Bihu or Uja Dhul
- Tokari
- Dotara
- Gogona
- Khol
- Mridongo
- Nagara
- Pepa
- Taal
- Xutuli
- Doba
- Xinga
- Bor Tal
- Bin
- Paat
- Toka
- Kham
- Kham
- Muri
- Pati Dhul
- Joi Dhul
- Bor Dhul
- Dhepa Dhul
- Kahlia
- Toka
- Xinga
- Bortaal
- Huluxi
- Hutuli
Early contributors to Assamese music[edit]
- Ambikagiri Raichoudhury
- Anima Choudhury
- Bishnuprasad Rabha
- Bhupen Hazarika
- Dipali Barthakur
- Jayanta Hazarika
- Jyoti Prasad Agarwala
- Khagen Mahanta
- Madhavdeva
- Parvati Prasad Baruva
- Pratima Baruah
- Rameshwar Pathak
- Sankardev
- Moghai Oja
- Tarulota Bori Mili
Other notable composers, musicians and singers[edit]
- Angaraag Mahanta
- Anurag Saikia
- Axl Hazarika
- Beauty Sharma Barua
- Dhrubajyoti Phukan
- Dipak Sarma
- Jim Ankan Deka
- Jitul Sonowal
- Joi Barua
- Kalpana Patowary
- Mayukh Hazarika
- Nirmalendu Choudhury
- Queen Hazarika
- Rameshwar Pathak
- Rudra Baruah
- Tarali Sarma
- Ayaan Anisur
- Zubeen Garg
Ayaan Anisur
References[edit]
- ^ "639 Identifier Documentation: aho – ISO 639-3". SIL International (formerly known as the Summer Institute of Linguistics). SIL International. Retrieved 2019-06-29.
Ahom [aho]
- ^ "Population by Religious Communities". Census India – 2001. Ministry of Home Affairs, Government of India. Retrieved 2019-07-01.
Census Data Finder/C Series/Population by Religious Communities
- ^ "Population by religion community – 2011". Census of India, 2011. The Registrar General & Census Commissioner, India. Archived from the original on 25 August 2015.
2011census/C-01/DDW00C-01 MDDS.XLS
- ^ "ITC Sangeet Research Academy". www.itcsra.org. Retrieved 2019-10-15.
- Phukan, Mitra (2003) Musical Identity and being an Assamese, [1], October 2003.
- Assam Portal
Well, that’s interesting to know that Psilotum nudum are known as whisk ferns. Psilotum nudum is the commoner species of the two. While the P. flaccidum is a rare species and is found in the tropical islands. Both the species are usually epiphytic in habit and grow upon tree ferns. These species may also be terrestrial and grow in humus or in the crevices of the rocks.
View the detailed Guide of Psilotum nudum: Detailed Study Of Psilotum Nudum (Whisk Fern), Classification, Anatomy, Reproduction