Cannabaceae

Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence).[1] If there is only one character talking aloud, it is a monologue.

Identifiers[edit]

"This breakfast is making me sick," George said.

George said is the identifier.

The identifier has also been called an attributive,[2] a speaker attribution,[3] a speech attribution,[4] a dialogue tag,[5] and a tag line.[6]

Said is the verb most writers use because reader familiarity with said prevents it from drawing attention to itself. Although other verbs such as ask, shout, or reply are acceptable, some identifiers get in the reader's way. For example:

"Hello," he croaked nervously, "my name's Horace."
"What's yours?" he asked with as much aplomb as he could muster.[7]

Stephen King, in his book On Writing, expresses his belief that said is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims has mastered the art of well-written dialogue.[8]

Substitutes are known as said-bookisms. For example, in the sentence "What do you mean?" he smiled, the word smiled is a said-bookism.[citation needed]

Punctuation[edit]

The first line of each paragraph should be indented.[9]

Dialogue should be enclosed in quotation marks.[10][11][12][13]

If a single speaker speaks more than one paragraph, each paragraph should begin with an opening quotation mark, but only the final paragraph should end in a closing quotation mark.[14]

A dash should be used to mark the interruption of a sentence of dialogue.[15]

Ellipses should be used in dialogue to indicate incomplete or interrupted statements or thoughts.[16]

Ending punctuation should always be placed inside the closing quotation mark.[17][18]

A new paragraph should be used to introduce each new speaker; that is, only one speaker per paragraph.[19][20][21][22]

The identifier, if not at the beginning or end of a sentence, should be placed where the first natural break would come in speech; that is, where the speaker would pause for emphasis, or take a breath.[23][24]

See also[edit]

Notes[edit]

  1. ^ Bell, Terena (2021-01-28). "Fiction Writing Lessons from Jane Austen's Pride and Prejudice". Medium. Retrieved 2021-02-02.
  2. ^ Strunk & White (1979, pp. 75–6)
  3. ^ Browne & King (1993, p. 53)
  4. ^ Gerke (2010, p. 114)
  5. ^ Kempton (2004, p. 180)
  6. ^ Lamb (2008, p. 187)
  7. ^ Turco (1989, p. 16)
  8. ^ King (2000, p. 127)
  9. ^ Shunn, p. 3)
  10. ^ Chicago Manual of Style (1982, p. 290)
  11. ^ Crews (1977, p. 349)
  12. ^ Hacker (1991, p. 365)
  13. ^ Shunn, p. 4)
  14. ^ Hacker (1991, p. 366)
  15. ^ Crews (1977, p. 344)
  16. ^ Crews (1977, p. 348)
  17. ^ Crews (1977, p. 352)
  18. ^ Sebranek et al. (2006, p. 468)
  19. ^ Steele (2003, p. 133)
  20. ^ Chicago Manual of Style (1982, p. 290)
  21. ^ Hacker (1991, p. 365)
  22. ^ Shunn, p. 4)
  23. ^ Strunk & White (1979, p. 76)
  24. ^ Browne & King (1993, p. 54)

References[edit]

  • Browne, Renni; King, Dave (1993), Self-Editing for Fiction Writers, New York: Harper Perennial, ISBN 0-06-272046-5
  • Crews, Frederick (1977), The Random House Handbook (2nd ed.), New York: Random House, ISBN 0-394-31211-2
  • Gerke, Jeff (2010), Plot versus Character: A Balanced Approach to Writing Great Fiction, Cincinnati: Writer's Digest Books, ISBN 978-1-58297-992-2
  • Hacker, Diana (1991), The Bedford Handbook for Writers (3rd ed.), Boston: Bedford Books, ISBN 0-312-05599-4
  • Lamb, Nancy (2008), The Art and Craft of Storytelling: A Comprehensive Guide to Classic Writing Techniques, Cincinnati: Writer's Digest Books, ISBN 978-1-58297-559-7
  • Sebranek, Patrick; Kemper, Dave; Meyer, Verne (2006), Writers Inc.: A Student Handbook for Writing and Learning, Wilmington: Houghton Mifflin Company, ISBN 978-0-669-52994-4
  • Steele, Alexander, ed. (2003). Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School. New York: Bloomsbury. ISBN 1-58234-330-6.

External links[edit]

One thought on “Cannabaceae

  1. Well, that’s interesting to know that Psilotum nudum are known as whisk ferns. Psilotum nudum is the commoner species of the two. While the P. flaccidum is a rare species and is found in the tropical islands. Both the species are usually epiphytic in habit and grow upon tree ferns. These species may also be terrestrial and grow in humus or in the crevices of the rocks.
    View the detailed Guide of Psilotum nudum: Detailed Study Of Psilotum Nudum (Whisk Fern), Classification, Anatomy, Reproduction

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