Year |
Title |
Production co. |
Cast |
Notes
|
Silent films
|
1916 |
Little Lady Eileen |
Paramount |
Marguerite Clark, Vernon Steele |
co-written with Betty T. Fitzgerald
|
1916 |
The Quest of Life |
Paramount |
Florence Walton, Julian L'Estrange |
Based on one of his plays
|
1917 |
The Silent Partner |
Paramount |
Blanche Sweet, Thomas Meighan |
Screenwriter
|
1918 |
The Ordeal of Rosetta |
Select |
Alice Brady, Crauford Kent |
Screenwriter
|
1919 |
The Imp |
Selznick |
Elsie Janis, Joe King |
Screenwriter
|
1919 |
The Perfect Lover |
Selznick |
Eugene O'Brien, Marguerite Courtot |
Screenwriter
|
1919 |
The Glorious Lady |
Selznick |
Olive Thomas, Evelyn Brent |
Screenwriter
|
1919 |
A Regular Girl |
Selznick |
Elsie Janis, Matt Moore |
Screenwriter
|
1919 |
Sealed Hearts |
Selznick |
Eugene O'Brien, Robert Edeson |
Screenwriter
|
1920 |
A Daughter of Two Worlds |
First National |
Norma Talmadge, Frank Sheridan |
Screenwriter
|
1920 |
Madonnas and Men |
Independent |
Anders Randolf, Edmund Lowe, Gustav von Seyffertitz |
Screenwriter
|
1920 |
The Dangerous Paradise |
Selznick |
Louise Huff, Harry Benham |
Screenwriter
|
1920 |
The Sin That Was His |
Selznick |
William Faversham, Lucy Cotton |
Screenwriter
|
1921 |
The Devil |
Pathé Exchange |
George Arliss, Lucy Cotton |
Screenwriter
|
1921 |
Dangerous Toys |
Independent |
Marguerite Clayton, William Desmond |
Screenwriter
|
1921 |
A Man of Stone |
Selznick |
Conway Tearle, Martha Mansfield |
Screenwriter
|
1921 |
Tol'able David |
First National |
Richard Barthelmess, Gladys Hulette, Ernest Torrence |
Screenwriter
|
1922 |
Peacock Alley |
Metro |
Mae Murray, Edmund Lowe |
Screenwriter
|
1922 |
Three Live Ghosts |
Paramount |
Norman Kerry, Anna Q. Nilsson |
Actor
|
1922 |
Till We Meet Again |
Independent |
Mae Marsh, Walter Miller |
Screenwriter
|
1922 |
The Seventh Day |
First National |
Richard Barthelmess, Anne Cornwall |
Screenwriter
|
1922 |
Fascination |
Metro |
Mae Murray, Creighton Hale |
Screenwriter
|
1922 |
Broadway Rose |
Metro |
Mae Murray, Monte Blue, Ward Crane |
Screenwriter
|
1922 |
Heroes of the Street |
Warner Bros. |
Marie Prevost, Jack Mulhall |
Screenwriter
|
1923 |
Fury |
First National |
Richard Barthelmess, Dorothy Gish |
Screenwriter
|
1923 |
Dark Secrets |
Paramount |
Dorothy Dalton, Robert Ellis |
Screenwriter
|
1923 |
Bright Lights of Broadway |
Independent |
Doris Kenyon, Harrison Ford, Edmund Breese, Lowell Sherman |
Screenwriter
|
1923 |
Jazzmania |
Metro |
Mae Murray, Rod La Rocque, Jean Hersholt |
Screenwriter
|
1923 |
Tiger Rose |
Warner Bros. |
Lenore Ulric, Forrest Stanley, Theodore von Eltz |
Screenwriter
|
1923 |
The Bright Shawl |
First National |
Richard Barthelmess, Dorothy Gish, Jean Hersholt |
Screenwriter
|
1924 |
The Man Who Came Back |
Fox Film |
George O'Brien, Dorothy Mackaill |
Screenwriter
|
1924 |
Dante's Inferno |
Fox Film |
Pauline Starke, Ralph Lewis |
Screenwriter
|
1924 |
Gerald Cranston's Lady |
Fox Film |
Alma Rubens, Walter McGrail |
Screenwriter
|
1925 |
The Dancers |
Fox Film |
George O'Brien, Alma Rubens |
Screenwriter
|
1925 |
The Scarlet Honeymoon |
Fox Film |
Shirley Mason, Pierre Gendron |
Screenwriter
|
1925 |
The Fool |
Fox Film |
Edmund Lowe, Raymond Bloomer |
Screenwriter
|
1925 |
Havoc |
Fox Film |
Madge Bellamy, George O'Brien, Walter McGrail |
Screenwriter
|
1925 |
Sun-Up |
MGM |
Lucille La Verne, Conrad Nagel, Pauline Starke |
Director, screenwriter
|
1925 |
The Beautiful City |
First National |
Richard Barthelmess, Dorothy Gish, William Powell |
Screenwriter
|
1925 |
Sally, Irene and Mary |
MGM |
Constance Bennett, Joan Crawford, Sally O'Neil |
Director, screenwriter
|
1926 |
Dancing Mothers |
Paramount Pictures |
Conway Tearle, Alice Joyce, Clara Bow |
Based on one of his plays
|
1926 |
Paris |
MGM |
Charles Ray, Joan Crawford, Rose Dione |
Director, screenwriter
|
1927 |
Women Love Diamonds |
MGM |
Pauline Starke, Owen Moore, Lionel Barrymore |
Director, screenwriter
|
1927 |
Love |
MGM |
John Gilbert, Greta Garbo |
Director, producer
|
1928 |
A Certain Young Man |
MGM |
Ramón Novarro / Marceline Day |
Uncredited Director. Lost film.
|
1928 |
Happiness Ahead |
First National |
Colleen Moore, Edmund Lowe |
Screenwriter
|
1928 |
A Lady of Chance |
MGM |
Norma Shearer, Lowell Sherman |
Screenwriter
|
1929 |
Queen Kelly |
United Artists |
Gloria Swanson, Walter Byron |
Hired by Swanson to help complete and edit the film
|
Sound films
|
1929 |
The Trespasser |
United Artists |
Gloria Swanson, Robert Ames |
Director, screenwriter
|
1929 |
The Broadway Melody |
MGM |
Anita Page, Bessie Love |
Screenwriter
|
1930 |
Paramount on Parade |
Paramount Pictures |
Paramount Star Revue |
A musical revue using 11 directors and starring various Paramount stars / Some Technicolor sequences
|
1930 |
The Devil's Holiday |
Paramount Pictures |
Nancy Carroll, Phillips Holmes |
Director, screenwriter
|
1930 |
Hell's Angels |
The Caddo Company |
Ben Lyon, James Hall, Jean Harlow |
Hired by Howard Hughes to direct the silent scenes used in the final film
|
1930 |
Reaching for the Moon |
United Artists |
Douglas Fairbanks, Bebe Daniels |
Director, screenwriter
|
1930 |
The Grand Parade |
Pathé Exchange |
Helen Twelvetrees, Richard Carle |
Screenwriter, producer
|
1931 |
The Night Angel |
Paramount Pictures |
Fredric March, Nancy Carroll |
Director, screenwriter
|
1932 |
Grand Hotel |
MGM |
Greta Garbo, John Barrymore, Joan Crawford |
Director, winner of the Academy Award for Best Picture
|
1932 |
Flesh |
MGM |
Wallace Beery, Ricardo Cortez, Karen Morley |
Screenwriter
|
1932 |
No Man of Her Own |
MGM |
Clark Gable, Carole Lombard, Dorothy Mackaill |
Screenwriter
|
1932 |
Blondie of the Follies |
MGM |
Marion Davies, Robert Montgomery, Billie Dove |
Director
|
1934 |
Riptide |
MGM |
Norma Shearer, Robert Montgomery, Herbert Marshall |
Director, screenwriter
|
1934 |
Hollywood Party |
MGM |
Hollywood Revue |
In an attempt to salvage the film, MGM producer Harry Rapf hired Goulding and eight other directors to direct sequences for the film.
|
1935 |
The Flame Within |
MGM |
Maureen O'Sullivan, Ann Harding, Herbert Marshall |
Director, screenwriter, producer
|
1935 |
A Night at the Opera |
MGM |
Marx Brothers |
Directed a few scenes
|
1937 |
That Certain Woman |
Warner Bros., First National Pictures |
Bette Davis, Henry Fonda |
Director, screenwriter
|
1938 |
White Banners |
Warner Bros., Cosmopolitan Pictures |
Fay Bainter, Claude Rains, Jackie Cooper |
Director
|
1938 |
The Dawn Patrol |
Warner Bros. |
Errol Flynn, Basil Rathbone, David Niven |
Director
|
1939 |
Dark Victory |
Warner Bros., First National Pictures |
Bette Davis, George Brent, Humphrey Bogart |
Director
|
1939 |
The Old Maid |
Warner Bros. |
Bette Davis, Miriam Hopkins, George Brent |
Director
|
1939 |
We Are Not Alone |
Warner Bros., First National Pictures |
Paul Muni, Jane Bryan |
Director
|
1940 |
'Til We Meet Again |
Warner Bros. |
Merle Oberon, George Brent |
Director. Goulding shot 70% of the film around bouts of pneumonia.
|
1940 |
Two Girls on Broadway |
MGM |
Lana Turner, Joan Blondell |
Screenplay
|
1941 |
The Great Lie |
Warner Bros. |
Bette Davis, George Brent, Mary Astor |
Director
|
1943 |
Forever and a Day |
RKO Radio Pictures |
Ensemble cast |
Director, producer. Goulding directed a segment for the film.
|
1943 |
Old Acquaintance |
Warner Bros. |
Bette Davis, Miriam Hopkins |
Screenwriter
|
1943 |
The Constant Nymph |
Warner Bros. |
Charles Boyer, Joan Fontaine, Alexis Smith |
Director
|
1943 |
Claudia |
20th Century Fox |
Dorothy McGuire, Robert Young |
Director
|
1944 |
Of Human Bondage |
Warner Bros. |
Paul Henreid, Eleanor Parker |
Director
|
1945 |
Flight from Folly |
Warner Bros. |
Pat Kirkwood, Tamara Desni |
Screenwriter
|
1946 |
The Razor's Edge |
20th Century Fox |
Tyrone Power, Gene Tierney, John Payne |
Director
|
1947 |
The Shocking Miss Pilgrim |
20th Century Fox |
Betty Grable, Dick Haymes |
Director. Goulding filled in for George Seaton while he was ill during production / Technicolor film
|
1947 |
Nightmare Alley |
20th Century Fox |
Tyrone Power, Joan Blondell, Coleen Gray |
Director
|
1949 |
Everybody Does It |
20th Century Fox |
Paul Douglas, Linda Darnell, Celeste Holm |
Director
|
1950 |
Mister 880 |
20th Century Fox |
Burt Lancaster, Dorothy McGuire, Edmund Gwenn |
Director
|
1952 |
We're Not Married! |
20th Century Fox |
Ensemble cast |
Director
|
1953 |
Down Among the Sheltering Palms |
20th Century Fox |
William Lundigan, Mitzi Gaynor, Jane Greer |
Director. Technicolor film.
|
1956 |
Teenage Rebel |
20th Century Fox |
Ginger Rogers, Betty Lou Keim |
Director, screenwriter
|
1958 |
Mardi Gras |
20th Century Fox |
Pat Boone, Christine Carère |
Director
|
Well, that’s interesting to know that Psilotum nudum are known as whisk ferns. Psilotum nudum is the commoner species of the two. While the P. flaccidum is a rare species and is found in the tropical islands. Both the species are usually epiphytic in habit and grow upon tree ferns. These species may also be terrestrial and grow in humus or in the crevices of the rocks.
View the detailed Guide of Psilotum nudum: Detailed Study Of Psilotum Nudum (Whisk Fern), Classification, Anatomy, Reproduction