The Novels Portal
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A novel is an extended work of narrative fiction usually written in prose and published as a book. The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story (of something new)", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird. Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love.
Murasaki Shikibu's Tale of Genji, an early 11th-century Japanese text, has sometimes been described as the world's first novel, because of its early use of the experience of intimacy in a narrative form. There is considerable debate over this, however, as there were certainly long fictional prose works that preceded it. The spread of printed books in China led to the appearance of classical Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century.
Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels. While these comic book versions of works of fiction have their origins in the 19th century, they have only become popular recently. (Full article...)
La Peau de chagrin is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine. Although the novel uses fantastic elements, its main focus is a realistic portrayal of the excesses of bourgeois materialism. The book's central theme is the conflict between desire and longevity. The magic skin represents the owner's life force, which is depleted through every expression of will, especially when it is employed for the acquisition of power. Ignoring a caution from the shopkeeper who offers the skin to him, the protagonist greedily surrounds himself with wealth, only to find himself miserable and decrepit at the story's end. La Peau de chagrin firmly established Balzac as a writer of significance in France and abroad. His social circle widened significantly, and he was sought eagerly by publishers for future projects. It inspired Giselher Klebe's opera Die tödlichen Wünsche and may have influenced Oscar Wilde's novel The Picture of Dorian Gray.
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- Religion is a solace to many people and it is even conceivable that some religion, somewhere, really is Ultimate Truth. But in many cases, being religious is merely a form of conceit. The Bible Belt faith in which I was brought up encouraged me to think that I was better than the rest of the world; I was 'saved' and they were 'damned' — we were in a state of grace and the rest of the world were 'heathens' and by 'heathen' they meant such people as our brother Mahmoud. It meant that an ignorant, stupid lout who seldom bathed and planted his corn by the phase of the Moon could claim to know the final answers of the Universe. That entitled him to look down his nose at everybody else. Our hymn book was loaded with such arrogance — mindless, conceited, self-congratulation on how cozy we were with the Almighty and what a high opinion he had of us and us alone, and what hell everybody else was going to catch come Judgment Day.
Did you know...
- ...that Michael Moorcock wrote the book The City in the Autumn Stars in tandem with The Laughter of Carthage, one during the day, and the other at night?
- ...that Po-on and the rest of the Rosales Saga novel series by F. Sionil José resemble the story-telling tradition found in the U.S.A. trilogy by John Dos Passos?
- ...that the names of the two main characters of Nicholas Sparks' 2002 novel Nights in Rodanthe are a Christmas present to his in-laws?
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