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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Dirk Bouts, The Entombment (Graflegging in Dutch), probably 1450s. Glue-size tempera on linen, 87.5 × 73.6 cm (34.4 × 29 in). National Gallery, London (NG 664)

The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th-century inventory in Milan, and has been in the National Gallery, London, since its purchase on the Gallery's behalf by Charles Lock Eastlake in 1861.

The painting is an austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. They are, from left to right, Nicodemus, Mary Salome, Mary of Clopas, Mary, the mother of Jesus, John the Evangelist, Mary Magdalene and Joseph of Arimathea. (Full article...)
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Portrait of Wally Neuzil
Portrait of Wally Neuzil
Portrait of Wally Neuzil
Credit: Google Art Project

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Art, like morality, consists in drawing the line somewhere.
G. K. Chesterton, unknown


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The smaller of two pieces making up Han's Seeds (2006), at the National Museum of Singapore

Han Sai Por (Chinese: 韓少芙; born 19 July 1943) is a Singaporean sculptor. A graduate of the Nanyang Academy of Fine Arts (NAFA), East Ham College of Art, Wolverhampton College of Art (now the School of Art and Design of the University of Wolverhampton), and Lincoln University, New Zealand, she worked as a teacher and later as a part-time lecturer at NAFA, the LASALLE-SIA College of the Arts, and the National Institute of Education, Nanyang Technological University, before becoming a full-time artist in 1997.

Han has participated in exhibitions locally and abroad, including events in China, Denmark, Japan, Malaysia, New Zealand, and South Korea. Her first solo exhibition, entitled Four Dimensions, was held at the National Museum Art Gallery in 1993. Her sculptures can be found around the world, in Osaka and Shōdoshima, Kagawa Prefecture, in Japan; Kuala Lumpur and Sarawak in Malaysia; and Washington, D.C. in Singapore, sculptures commissioned from her can be seen at Capital Tower, the Defence Science Organisation National Laboratories, the Esplanade – Theatres on the Bay, the National Museum of Singapore, Revenue House, Singapore Changi Airport Terminal 3, Suntec City Mall, and Woodlands Regional Library. In 2001, Han was the founding President of the Sculpture Society (Singapore) and remains its Honorary President. She was the first artist in residence at the Society's Sculpture Pavilion at Fort Canning Park in 2009, where she worked on sculptures made from the trunks of tembusu trees. (Full article...)
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