Claire Bloom | |
---|---|
![]() Bloom in 1958 | |
Born | Patricia Claire Blume 15 February 1931 |
Education | Guildhall School of Music and Drama Central School of Speech and Drama |
Occupation | Actress |
Years active | 1946–present |
Spouses | |
Children | Anna Steiger |
Relatives | John Bloom (brother) |
Patricia Claire Bloom CBE (born 15 February 1931) is an English actress. She is known for leading roles on stage and screen and has received two BAFTA Awards and a Drama Desk Award as well as nominations for a Primetime Emmy Award, a Grammy Award and a Tony Award. She was appointed Commander of the Order of the British Empire (CBE) in the 2013 Birthday Honours for services to drama.
After a childhood spent in various places in England and Florida, Bloom studied drama in London. She debuted on the London stage when she was sixteen and took roles in various Shakespeare plays. They included Hamlet, in which she played Ophelia alongside Richard Burton. She rose to prominence playing leading roles in stage productions of A Streetcar Named Desire, A Doll's House, and Long Day's Journey into Night. She made her Broadway debut in the play Richard II (1956). She received a Tony Award for Best Featured Actress in a Play nomination for her role in Electra (1999).
Bloom made her film debut in The Blind Goddess (1948). Her breakthrough came with a leading role acting opposite Charlie Chaplin in Limelight (1952) where she was nominated for the BAFTA Award for Most Promising Newcomer. She went on to act in films such as Richard III (1955), Alexander the Great (1956), The Brothers Karamazov (1958), The Haunting (1963), The Spy Who Came In from the Cold (1965), Charly (1968), A Doll's House (1973), Clash of the Titans (1981), and Shadowlands (1985). She later acted in the Woody Allen films Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995), and portrayed Queen Mary in historical drama The King's Speech (2010).
During her film career, she has starred alongside numerous major actors, including Richard Burton, Laurence Olivier, John Gielgud, Paul Scofield, Ralph Richardson, Yul Brynner, George C. Scott, James Mason, Paul Newman, Julie Harris, Anthony Hopkins, Rod Steiger and Jerry Lewis.
Early life and education
[edit]![](Https://upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Claire_Bloom_-_Karamazov-1.jpg/170px-Claire_Bloom_-_Karamazov-1.jpg)
Bloom was born on 15 February 1931 as Patricia Claire Blume in Finchley,[1] then part of Middlesex (now a suburb of North London), the daughter of Elizabeth (née Grew) and Edward Max Blume, a "not very successful" salesman.[2] Her paternal grandparents, originally named Blumenthal, as well as her maternal grandparents, originally named Gravitzky, were Jewish emigrants from Byten in the Grodno region of Russia, now in Belarus, Eastern Europe.[3]: 1–2 [4] She is Russian British and practises Judaism.
Bloom's education was "somewhat haphazard"; she was sent to the independent Badminton School in Bristol, but when her father encountered financial difficulties the family relocated to Cornwall, where she attended the local village school. She later studied stage acting at the Guildhall School of Music and Drama, London,[5] and continued her studies under Elsie Fogerty at the Central School of Speech and Drama, then based in the Royal Albert Hall, London.[6]
After the Luftwaffe began bombing London during the Blitz in 1940, her family had a number of narrow escapes as bombs dropped close to their home. While their father remained in England, she and her brother John went with their mother to the United States, where she spent a year living in Florida with a paternal uncle's family; during this time her mother worked for her aunt's dress shop, "but she proved to be a dreadful saleswoman".[7][2][8] She recalls, "It was 1941; I was ten, John was nearly six. We were to sail from Glasgow in a convoy, on a ship that was evacuating children."[9]: 26 During her year stay in Florida, she was asked by the British War Relief Society to help raise money by entertaining at various benefits, which she then did for a number of weeks. "Thus I broke into show business singing", she writes.[9]: 30 Bloom, along with her mother and brother, next lived in New York with their mother's cousin for another eighteen months before returning to England. It was in New York that she decided to become an actress, after her mother took her to see the Broadway play Three Sisters for her twelfth birthday:
From then on I thought only of going into the theatre and playing in Chekhov. ... Chekhov was moving. That's what I was looking for—something more moving even than my own plight as a little English girl driven from my home by the Gods of War.[9]: 36
They returned to England in 1943, and due to her father's improved business lived in Mayfair, but her parents' marriage ended shortly afterward – so her father could marry his girlfriend – and she had no contact with him for many years.[7][2]
Acting career
[edit]1946–1969: Early roles and breakthrough
[edit]![](Https://upload.wikimedia.org/wikipedia/en/thumb/f/ff/Claire_Bloom_-_Juliet_-_1957.jpg/220px-Claire_Bloom_-_Juliet_-_1957.jpg)
Bloom made her debut on BBC radio programmes. She made her stage debut in 1946 when she was 15 with the Oxford Repertory Theatre. Bloom debuted aged 16 at the Shakespeare Memorial Theatre as Ophelia to Paul Scofield's Hamlet; Robert Helpmann alternated playing the prince. Bloom has written that during the production she had a crush on Scofield. As Scofield was married and the father of a son, Bloom hoped only, "to be flirted with and taken some notice of". She later recalled, "I could never make up my mind which of my two Hamlets I found the more devastating: the openly homosexual, charismatic Helpmann, or the charming, shy young man from Sussex."[3]: 43 When asked about Bloom years later, Scofield recalled, "Sixteen years old I think—so very young and necessarily inexperienced, she looked lovely, she acted with a daunting assurance which belied entirely her inexperience of almost timid reticence. She was a very good Ophelia."[10]
Her London stage debut was in 1947 in the Christopher Fry play The Lady's Not For Burning, which starred Sir John Gielgud and Pamela Brown and featured a young Richard Burton. It also played on Broadway in New York City. It was during the rehearsals for the play that Burton and Bloom began a long love affair. The following year, she received acclaim for her portrayal of Ophelia in Hamlet starring Burton. Although Burton was at that time married to Sybil Christopher, fellow actor and friend of Burton, Stanley Baker, seeing how attracted he was to Bloom, commented that he "thought that this might be the time when Rich actually left Sybil."[11] In his later years, Burton told his biographer, Michael Munn, "'I only ever loved two women before Elizabeth,' Sybil was one, Claire Bloom the other."[11]: 52, 85 For her Juliet in Romeo and Juliet (1957), critic Kenneth Tynan stated it was "the best Juliet I've ever seen". After she starred as Blanche DuBois in A Streetcar Named Desire, its playwright, Tennessee Williams, stated, "I declare myself absolutely wild about Claire Bloom".
![](Https://upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Chaplin_-_Bloom_-_1952-1.jpg/170px-Chaplin_-_Bloom_-_1952-1.jpg)
Bloom's first film role was in the 1948 film The Blind Goddess.[12] She trained at the Rank Organisation's charm school[5] but did not stay with that company for long. Her international screen debut came in the 1952 film Limelight, when she was chosen by Charlie Chaplin, who also directed, to co-star alongside him. The film catapulted Bloom to stardom.[12] Biographer Dan Kamin states that Limelight is a similar story to Chaplin's City Lights, made twenty years earlier, in which Chaplin also helps a heroine overcome a physical handicap. In this film, Bloom plays a suicidal ballerina who "suffers from hysterical paralysis".[13]
The film had personal meaning for Chaplin as it contained numerous references to his life and family: the theatre where he and Bloom performed in the film was the same theatre where his mother gave her last performance;[citation needed] Bloom was directed by Chaplin to wear dresses similar to those his mother used to wear; Chaplin's sons and his half-brother all had parts.[14] Bloom states that she felt one of the reasons she got the part was because she closely resembled his young wife, Oona O'Neill.[15][16][12] In his autobiography, Chaplin writes that he had no doubt the film would be a success: "I had fewer qualms about its success than any picture I had ever made."[13] Chaplin explains his decision to make Bloom co-star despite this being her first film:
In casting the girl's part I wanted the impossible: beauty, talent, and a great emotional range. After months of searching and testing with disappointing results, I eventually had the good fortune to sign up Claire Bloom, who was recommended by my friend Arthur Laurents.[17][18]
![](Https://upload.wikimedia.org/wikipedia/commons/thumb/a/ad/Claire_Bloom_Richard_Burton_Alexander_the_Great.jpg/220px-Claire_Bloom_Richard_Burton_Alexander_the_Great.jpg)
She was subsequently featured in a number of "costume" roles in films such as Alexander the Great (1956),[5] The Brothers Karamazov (1958),[19] The Buccaneer (1958),[20] and The Wonderful World of the Brothers Grimm (1962).[21] Bloom also appeared in Laurence Olivier's film version of Richard III (1955), in which she played Lady Anne,[12] Ibsen's A Doll's House (1973) for which she won Best Actress award at Taormina International Film Festival,[citation needed] The Outrage (1964) with Paul Newman and Laurence Harvey,[22] as well as the films Look Back in Anger (1959) and The Spy Who Came in from the Cold (1965), both with Richard Burton.[12] Of Bloom's character in Spy, novelist David Plante writes that "Claire's refined beauty appears to be one with the refinement of a culture she represents as an actress."[23] In a 2002 interview with Michael Shelden, Bloom said of Burton, "He had it all: intelligence, physical beauty, an incredible voice. There was no one else like him. When we were at the Old Vic, he proved that a working-class actor could make it, and I was proud of him. I thought he set a great example in a society that was, and still is, so preoccupied with class and accent."[20]
1970–1989: Theatre roles and acclaim
[edit]![](Https://upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Claire_Bloom_-_1971.jpg/170px-Claire_Bloom_-_1971.jpg)
Bloom has appeared in a number of plays and theatrical works in both London and New York. Those works include Look Back in Anger; Rashomon; 'Duel of Angels' (by Jean Giraudoux), co-starring with Vivien Leigh, in 1958;[24] and Bloom's favourite role, that of Blanche DuBois, in a revival of the Tennessee Williams play, A Streetcar Named Desire, which played in London in 1974. Critic Clive Barnes described the play as a "notable example of what the classic revival should be – well groomed, but thoughtful, expressive, illuminating."[25] Another critic writes that Bloom's portrayal of Blanche featured "remarkable layers of vitality and tenderness", and playwright Williams stated, "I declare myself absolutely wild about Claire Bloom."[25] Bloom has also performed in one-woman shows that included monologues from several of her stage performances.[26][27] She also starred in the 1976 Broadway revival of The Innocents.[28] In the 1960s she began to play more contemporary roles, including an unhinged housewife in The Chapman Report,[12] a psychologist opposite Cliff Robertson's Oscar-winning role in Charly,[29] and Theodora in The Haunting.[2] She played Hera in Clash of the Titans, reuniting her with Olivier who played Zeus.
Bloom has appeared in numerous roles on television such as her portrayal of Lady Marchmain in Brideshead Revisited (1981).[12] In 1996, she wrote, "I still find it puzzling when I am told I played a manipulative and heartless woman; that is not how I saw her. Lady Marchmain is deeply religious, and her dilemma includes trying to raise a wilful brood of children on her own, while instilling them with her rigid observance of the Catholic code. Sebastian is both an alcoholic and a homosexual, and from her point of view, he lives in a state of mortal sin. She has to fight for his soul by any means in her power, with the knowledge that her efforts may lead to his destruction. A born crusader, the Marchioness confronts her difficult choices head on; her rigidity of purpose, which I don't in any way share, is understandable in context. The aspect that rings most true is her sense of being an outsider, a Catholic in Protestant England. Not such a leap from being a Jew in Protestant England as one would imagine."[3]: 162
Other work includes two prominent BBC Television productions for director Rudolph Cartier: co-starring with Sean Connery in Anna Karenina (1961),[30] and playing Cathy in Wuthering Heights with Keith Michell as Heathcliff (1962).[31] She also appeared as First Lady Edith Wilson in Backstairs at the White House (1979);[32] as Joy Gresham, the wife of C.S. Lewis in Shadowlands for which she received the BAFTA Award as Best Actress (1985).[33]
1990–present: Television work and later roles
[edit]![](Https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/GuyPearceClaireBloomJan11.jpg/220px-GuyPearceClaireBloomJan11.jpg)
She also appeared in the Woody Allen films Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995).[27] She appeared in the Sylvester Stallone film Daylight (1996).[34] Later appearances in films included her portrayal of Queen Mary in the 2010 Oscar winning British film The King's Speech and her portrayal of Eva Rose opposite Jerry Lewis in the 2016 film Max Rose.[7][17] In television she acted in The Mirror Crack'd, the last of the BBC Miss Marple adaptations in 1992;[35] and as the older Sophy in the serial The Camomile Lawn (1992) on Britain's Channel 4.[36] Recent mini-series work includes The Ten Commandments (2006) and Summer of Rockets.[7] On continuing television series, she has appeared on the New York-based Law & Order: Criminal Intent. From 1994 to 1995, she portrayed villainess Orlena Grimaldi on the daytime drama As the World Turns.[17] She also had major roles in several of the BBC Television Shakespeare presentations[37][38][39] and has led workshops on Shakespearean performance practices.[27]
In 2003, Bloom did a stage reading of Milton's Samson Agonistes along with actor John Neville at Bryn Mawr College at the behest of poet Karl Kirchwey.[40] In December 2006, she appeared on the London stage in Arthur Allan Seidelman's production of Six Dance Lessons in Six Weeks by Richard Alfieri, a two-hander in which she co-starred with Billy Zane.[41] In October 2007, she appeared opposite Peter Bowles in Love Letters at the Théâtre Princesse Grace, Monte Carlo, directed by Marc Sinden, as part of his British Theatre Season, Monaco. In 2008, she guest starred in New Tricks as actress Helen Brownlow. The story concerned the murder of Brownlow's husband whilst they were in a play together.[42]
In December 2009 and January 2010, she appeared in the two-part Doctor Who story "The End of Time" as a mysterious Time Lord credited only as "The Woman". Series executive producer Russell T Davies revealed in his 2010 book The Writer's Tale that the character is supposed to be the Doctor's mother. In 2010, she guest starred as Jill Peters in The Bill in the episode "Taking a Stand" and played Queen Mary in The King's Speech.[43][7] In September 2012, she appeared in concert at the Joseph Meyerhoff Symphony Hall, Baltimore, Maryland, as the narrator in a performance of Leonard Bernstein's Kaddish, with the Baltimore Symphony Orchestra conducted by Marin Alsop.[44] In 2013, Bloom appeared in the sixth series of ITV's Doc Martin as the estranged mother of the title character. In 2015 she appeared as Matilda Stowe in ITV's Midsomer Murders episode 17.4, "A Vintage Murder". In 2019, she appeared as Aunt Mary in the Stephen Poliakoff BBC TV mini-series, Summer of Rockets. In 2022, she appeared as Margaret Ellingham (deceased mother of Dr. Martin Ellingham) in the last episode (10.9) of the ITV series Doc Martin.
Personal life
[edit]Marriages
[edit]Bloom has married three times.[2] Her first marriage, in 1959, was to actor Rod Steiger, whom she met when they both performed in the play Rashomon.[45] Their daughter is opera singer Anna Steiger.[45][28] Steiger and Bloom divorced in 1969.[28] In that same year, Bloom married producer Hillard Elkins.[46] The marriage lasted three years and the couple divorced in 1972.[citation needed] Bloom's third marriage on 29 April 1990, was to writer Philip Roth, her longtime companion.[47] They divorced in 1995.[5]
Memoir
[edit]Bloom has written two memoirs about her life and career. The first, Limelight and After: The Education of an Actress, was published in 1982 and was an in-depth look at her career and the film and stage roles she had portrayed.[28] Her second book, Leaving a Doll's House: A Memoir, published in 1996, went into greater details about her personal life; she discussed not only her marriages but also her affairs with Richard Burton, Laurence Olivier, and Yul Brynner.[48] The book created a stir when Bloom described her former marriage to Roth. Soon after, Roth wrote a "revenge novel" I Married a Communist (1998), in which the character of Eve Frame appeared to represent Bloom.[49][50]
Acting credits
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
1948 | The Blind Goddess | Mary Dearing | |
1952 | The King and the Mockingbird | The Shepherdess | Voice English version |
Limelight | Thereza | ||
1953 | Innocents in Paris | Susan | |
The Man Between | Susanne Mallison | ||
1955 | Richard III | Lady Anne | |
1956 | Alexander the Great | Barsine | |
1958 | The Brothers Karamazov | Katya | |
The Buccaneer | Bonnie Brown | ||
1959 | Look Back in Anger | Helena Charles | |
1960 | Brainwashed | Irene Andreny | |
1962 | The Wonderful World of the Brothers Grimm | Dorothea Grimm | |
The Chapman Report | Naomi Shields | ||
1963 | 80,000 Suspects | Julie Monks | |
The Haunting | Theodora | ||
Il maestro di Vigevano | Ada | ||
1964 | Alta infedeltà | Laura | |
The Outrage | Wife | ||
1965 | The Spy Who Came in from the Cold | Nan Perry | |
1968 | Charly | Alice Kinnian | |
1969 | The Illustrated Man | Felicia | |
Three into Two Won't Go | Frances Howard | ||
1971 | A Severed Head | Honor Klein | |
Red Sky at Morning | Ann Arnold | ||
1973 | A Doll's House | Nora Helmer | |
1977 | Islands in the Stream[17] | Audrey | |
1981 | Clash of the Titans[17] | Hera | |
1985 | Déjà Vu | Eleanor Harvey | |
1987 | Sammy and Rosie Get Laid | Alice | |
1989 | Crimes and Misdemeanors | Miriam Rosenthal | |
1991 | The Princess and the Goblin | Great Great Grandmother Irene | Voice |
1995 | Mad Dogs and Englishmen | Liz Stringer | |
Mighty Aphrodite | Mrs. Sloan | ||
1996 | Daylight | Eleanor Trilling | |
1998 | Wrestling WIth Alligators | Lulu Fraker | |
2002 | The Book of Eve | Eva Smallwood | |
2003 | The Republic of Love | Onion | |
Charlie: The Life and Art of Charles Chaplin | Herself | ||
Imagining Argentina | Sara Sternberg | ||
2004 | Daniel And The Superdogs | Claire Martin | |
2006 | Kalamazoo? | Eleanor | |
2010 | The King's Speech | Queen Mary | |
2012 | And While We Were Here | Grandma Eves | |
2013 | Max Rose | Eva Rose | |
2018 | Miss Dalí | Maggie |
Television
[edit]Year | Title | Role | Notes |
---|---|---|---|
1952 | BBC Sunday Night Theatre | Martine | Season 3 episode 19: Martine |
1957 | Goodyear Television Playhouse | Rose | Season 6 episode 8: "First Love" |
Robert Montgomery Presents | Queen Victoria | Season 8 episode 31: Victoria Regina | |
1958 | Shirley Temple's Storybook | Beauty | Season 1 episode 1: "Beauty and the Beast" |
1959 | Playhouse 90 | Hypatia | Season 4 episode 3: "Misalliance" |
1961 | Anna Karenina | Anna Karenina | TV movie |
1979 | Backstairs at the White House | Edith Bolling Galt Wilson | TV mini-series |
1980 | Hamlet | Gertrude | TV movie |
1981 | Brideshead Revisited | Lady Marchmain | 6 episodes |
1983 | Separate Tables | Miss Cooper | TV movie |
1984 | Ellis Island | Rebecca Weiller | 3 episodes |
1985 | Ann and Debbie | Debbie | TV movie |
Shadowlands | Joy Davidman | TV movie | |
Promises to Keep | Sally | TV movie | |
Time and the Conways | Mrs Conway | TV movie | |
1986 | Oedipus the King | Jocasta | |
1987 | Queenie | Vicky Kelly | 2 episodes |
Intimate Contact | Ruth Gregory | 4 episodes | |
1988 | The Lady and the Highwayman | Lady Emma Darlington | TV movie |
Beryl Markham: A Shadow on the Sun | Lady Delamere | TV movie | |
1991 | The Camomile Lawn | Older Sophy | Mini-series |
1992 | It's Nothing Personal | Evelyn Whitloff | TV movie |
Miss Marple: The Mirror Crack'd from Side to Side | Marina Gregg | TV movie | |
1994 | Remember | Anne Devereaux Rawlings | TV movie |
A Village Affair | Cecily Jordan | TV movie | |
As The World Turns | Orlena Grimaldi | Soap opera | |
1996 | Family Money | Fran Pye | Mini series |
1997 | What the Deaf Man Heard | Mrs. Tynan | TV movie |
2000 | Yesterday's Children | Maggie | TV movie |
Love and Murder | Nina Love | TV movie | |
2004 | Law & Order: Criminal Intent | Marion Whitney | Season 3 episode 12: "Unrequited" |
2005–2022 | Doc Martin | Margaret Ellingham | 5 episodes |
2006 | Agatha Christie's Marple | Aunt Ada | Season 2 episode 3: "By the Pricking of My Thumbs" |
2008 | New Tricks | Helen Brownlow | Season 5 episode 2: "Final Curtain" |
2009–2010 | "Doctor Who: The End of Time" | The Woman | 2 episodes |
2010 | The Bill | Jill Peters | Season 26 episode 25: "Taking a Stand" |
2015 | Midsomer Murders | Matilda Stowe | Season 17 episode 4: A Vintage Murder |
2019 | Summer of Rockets | Aunt Mary | Mini-series |
Theatre
[edit]Year | Title | Role | Venue | Ref. |
---|---|---|---|---|
1950 | Ring Round the Moon | Gielgud Theatre | [51] | |
1956 | Richard II | Queen to King Richard | Winter Garden Theatre, Broadway | [52] |
Romeo and Juliet | Juliet | [53] | ||
1959 | Rashomon | Wife | Music Box Theatre, Broadway | [54] |
1971 | A Doll's House | Norma Helmer | Playhouse Theater, Broadway | [55] |
Hedda Gabler | Hedda Tesman | [56] | ||
1972 | Vivat! Vivat Regina! | Mary Queen of Scots | Broadhurst Theatre, Broadway | [57] |
1976 | The Innocents | Miss Bolton | Morosco Theatre, Broadway | [58] |
1998 | Electra | Clytemnestra | Ethel Barrymore Theatre, Broadway | [59] |
Awards and honours
[edit]Bloom was appointed a Commander of the Order of the British Empire (CBE) in the 2013 Birthday Honours for services to drama.[60][61]
Year | Association | Category | Nominated work | Result | Ref. |
---|---|---|---|---|---|
1952 | BAFTA Award | Most Promising Newcomer | Limelight | Won | [62] |
1982 | Best Actress | Brideshead Revisited | Nominated | [63] | |
1986 | Shadowlands | Won | [64] | ||
1982 | Primetime Emmy Award | Outstanding Supporting Actress in a Limited Series or a Special | Brideshead Revisited | Nominated | [65] |
1979 | Grammy Award | Best Spoken Word Album | Wuthering Heights | Nominated | [66] |
1971 | Drama Desk Award | Outstanding Performance | Hedda Gabler / A Doll's House | Won | [67] |
1999 | Tony Award | Best Featured Actress in a Play | Electra | Nominated |
References
[edit]- ^ "Bloom, Claire (1931–)". Encyclopedia.com. Cengage. Retrieved 26 November 2022.
- ^ a b c d e Frazer, Jenni (6 January 2017). "Interview: Claire Bloom". The Jewish Chronicle. Retrieved 23 April 2023.
- ^ a b c Bloom, Claire (April 1998). Leaving a Doll's House: A Memoir. Back Bay Books. ISBN 978-0316093835.
- ^ Bloom, Nate (21 January 2011). "Jewish Stars 1/21". Cleveland Jewish News.
- ^ a b c d Jeffries, Stuart (23 December 2016). "Screen gods, guilt and glamour: actor Claire Bloom on her life in the limelight". The Guardian. Retrieved 10 July 2023.
- ^ V&A, Theatre and Performance Special Collections, Elsie Fogerty Archive, THM/324
- ^ a b c d e Lehrer, Natasha. "Claire Bloom". Jewish Women's Archive. Updated by JWA Staff. Retrieved 11 July 2023.
- ^ Hubbard, Kim (28 October 1996). "Life with Portnoy: Claire Bloom Has a Few Complaints of Her Own". People. 46 (18). Contributed to by Nina Biddle. Retrieved 28 May 2015.
She and her younger brother John (now 60 and a film editor) were closer to their mother
- ^ a b c Bloom, Claire (1982). Limelight and After: The Education of an Actress. HarperCollins. ISBN 978-0060149260.
- ^ O'Connor, Garry (2002). Paul Scofield: An Actor for All Seasons. Applause Books. p. 76. ISBN 978-1557834997.
- ^ a b Munn, Michael (2008). Richard Burton: Prince of Players. Skyhorse Publishing. ISBN 978-1602393554.
- ^ a b c d e f g Ramon, Alex (15 February 2021). "Claire Bloom at 90: a new interview with the veteran of British stage and screen". Screenonline. Retrieved 9 July 2023.
- ^ a b Kamin, Dan (2011). The Comedy of Charlie Chaplin: Artistry in Motion. Foreword by Scott Eyman. Scarecrow Press. pp. 94, 191. ISBN 978-0810877801.
- ^ Kohn, Ingeborg (2005). Charlie Chaplin, Brightest star of silent films. Portaparole. p. 76. ISBN 9788889421147. Retrieved 26 May 2015.
- ^ Claire Bloom talks about 'Limelight' and Charlie Chaplin (Video). YouTube. 9 October 2012. Retrieved 26 May 2015.
- ^ Tony Earnshaw in conversation with Claire Bloom (Video). YouTube. 25 March 2011. Retrieved 26 May 2015.
- ^ a b c d e Fujishima, Kenji (25 May 2011). "Charlie Chaplin Is the Father Claire Bloom Never Had". Speakeasy. The Wall Street Journal. Retrieved 28 May 2015.
- ^ Chaplin, Charles (1964). Charles Chaplin: My Autobiography. Simon & Schuster. p. 458. ISBN 9780140025507.
- ^ ""The Brothers Karamazov." AFI Catalog". Retrieved 10 July 2023.
- ^ a b Shelden, Michael (18 March 2002). "'There's more to life than men'". The Daily Telegraph. Retrieved 1 July 2017.
- ^ ""The Wonderful World of the Brothers Grimm." AFI Catalog". Retrieved 10 July 2023.
- ^ ""The Outrage." AFI Catalog". Retrieved 10 July 2023.
- ^ Plante, David (2013). Becoming a Londoner: A Diary. Bloomsbury Publishing. p. 491. ISBN 978-1408839751.
- ^ "Vivien Leigh: The Later Years – Theatre, 1950s & 1960s". Dycks.com/vivienleigh. The Vivien Leigh Pages. 2003. Archived from the original on 29 July 2012. Retrieved 2 May 2012.
- ^ a b Kolin, Philip C. (2000). Williams: A Streetcar Named Desire. Cambridge University Press. p. 97. ISBN 9780521626101. Retrieved 26 May 2015.
- ^ "Women Triumphant In Claire Bloom Series". The New York Times. 21 February 1989. Retrieved 11 July 2023.
- ^ a b c Franco, Jose (2 May 2000). "Claire Bloom knows Shakespeare and she's not afraid to act on it". Spartanburg Herald-Journal. Retrieved 10 July 2023.
- ^ a b c d Bailey, Blake (6 April 2021). "Novelist Philip Roth's Unsettled Marriage to Claire Bloom". Vulture. Retrieved 9 July 2023.
- ^ ""Charly." AFI Catalog". Retrieved 10 July 2023.
- ^ "Lost BBC period drama of Anna Karenina found starring Sean Connery". TV and Radio. The Daily Telegraph. 17 August 2010. Archived from the original on 12 January 2022. Retrieved 28 May 2015.
- ^ Wake, Oliver. "Cartier, Rudolph (1904–1994)". Screenonline. British Film Institute. Retrieved 26 May 2015.
- ^ "Lillian Rogers Parks". DC Writers' Homes. 23 August 2017. Retrieved 11 July 2023.
- ^ "BAFTA | Television | Actress in 1986". bafta.org. Retrieved 23 April 2023.
- ^ Nichols, Peter M. (15 December 1996). "Daylight". New York Times. Retrieved 10 July 2023.
- ^ "Swan Song for Miss Marple?". The Independent. 2 December 1992. Retrieved 11 July 2023.
- ^ Angelini, Sergio. "Camomile Lawn, The (1992)". Screenonline. Retrieved 11 July 2023.
- ^ Brooke, Michael. "Henry VIII (1979)". Screenonline. Retrieved 11 July 2023.
- ^ Brooke, Michael. "Hamlet, Prince of Denmark (1980)". Screenonline. Retrieved 11 July 2023.
- ^ Brooke, Michael. "Cymbeline (1983)". Screenonline. Retrieved 11 July 2023.
- ^ Heller, Karen (1 May 2003). "Bryn Mawr shows creative side as it makes way for arts". Chicago Tribune. Retrieved 26 May 2015.
- ^ Billington, Michael (2 December 2006). "Six Dance Lessons in Six Weeks". The Guardian. Retrieved 29 September 2016.
- ^ ""New Tricks: Series 5, Final Curtain." bbc.co.uk". Retrieved 16 July 2023.
- ^ Wilson, Benji (20 July 2010). "What is Claire Bloom doing in The Bill?". The Daily Telegraph. Retrieved 11 July 2023.
- ^ BERNSTEIN, L.: Symphony No. 3, "Kaddish"
- ^ a b Baxter, Brian (10 July 2002). "Obituary: Rod Steiger". The Guardian. Retrieved 9 July 2023.
- ^ "Milestones: Aug. 22, 1969". Time. 22 August 1969. Retrieved 9 July 2023.
- ^ Bailey, Blake (2021). Philip Roth: The Biography. London: Jonathan Cape. pp. 533–535. ISBN 9780224098175.
- ^ Yardley, Jonathan (20 October 1996). "What She Did For Love". The Washington Post. Retrieved 9 July 2023.
- ^ Grant, Linda (3 October 1998). "The Wrath of Roth". Books. The Guardian. Retrieved 26 May 2015.
- ^ Thackray, Rachelle (11 October 1998). "Roth takes novel revenge on ex-wife Claire Bloom". The Independent. Retrieved 26 May 2015.
- ^ "Ring Around the Moon | Encyclopedia.com". www.encyclopedia.com. Retrieved 2 July 2024.
- ^ "King Richard II (Broadway, 1956)". Playbill. Retrieved 14 April 2024.
- ^ "Romeo and Juliet (Broadway, 1956)". Playbill. Retrieved 14 April 2024.
- ^ "Rashomon (Broadway, 1959)". Playbill. Retrieved 14 April 2024.
- ^ "A Doll's House (Broadway, 1971)". Playbill. Retrieved 14 April 2024.
- ^ "Hedda Gabler (Broadway, 1971)". Playbill. Retrieved 14 April 2024.
- ^ "Vivat! Vivat! Regina! (Broadway, 1972)". Playbill. Retrieved 14 April 2024.
- ^ "The Innocents (Broadway, 1976)". Playbill. Retrieved 14 April 2024.
- ^ "Electra (Broadway, 1998)". Playbill. Retrieved 14 April 2024.
- ^ "No. 60534". The London Gazette (Supplement). 15 June 2013. p. 7.
- ^ "Birthday Honours: Adele joins Blackadder stars on list". BBC. 14 June 2013. Retrieved 26 May 2015.
- ^ "Film in 1953". awards.bafta.org. Retrieved 13 April 2024.
- ^ "Television in 1983". awards.bafta.org. Retrieved 13 April 2024.
- ^ "Television in 1987". awards.bafta.org. Retrieved 13 April 2024.
- ^ "Claire Bloom - Emmy Awards, Nominations, and Wins". Emmy Awards. Retrieved 13 April 2024.
- ^ "Claire Bloom Artist". Grammy Awards. Retrieved 13 April 2024.
- ^ "Claire Bloom (Performer)". Playbill. Retrieved 13 April 2024.
External links
[edit]- Claire Bloom at IMDb
- Claire Bloom at the Internet Broadway Database
- Claire Bloom at AllMovie
- Claire Bloom at Discogs
- Claire Bloom discusses her career on YouTube while receiving a Lifetime Acting Award at the Fort Lauderdale International Film Festival, 2010, video 9 min.
- Selected performances in University of Bristol Theatre Archive