Head VI is an oil-on-canvas painting by Irish-born figurative artist Francis Bacon, the last of six panels making up his "1949 Head" series. It shows a bust view of a single figure, modeled on Diego Velázquez's Portrait of Innocent X. Bacon applies forceful, expressive brush strokes, and places the figure within a glass cage structure, behind curtain-like drapery. This gives the effect of a man trapped and suffocated by his surroundings, screaming into an airless void. But with an inverted pathos is derived from the ambiguity of the pope's horrifying expression—whose distorted face either screams of untethered hatred towards the viewer or pleads for help from the glass cage—the question of what he is screaming about is left to the audience.

Head VI was the first of Bacon's paintings to reference Velázquez, whose portrait of Pope Innocent X haunted him throughout his career and inspired his series of "screaming popes", a loose series of which there are around 45 surviving individual works. Head VI contains many motifs that were to reappear in Bacon's work. The hanging object, which may be a light switch or curtain tassel, can be found even in his late paintings. The geometric cage is a motif that appears as late as his 1985–86 masterpiece Study for a Self-Portrait—Triptych. (Full article...)

“	Many are willing to suffer for their art. Few are willing to learn to draw.	”
	— Simon Munnery, Attention Scum!

Herbert James Maryon OBE FSA FIIC (9 March 1874 – 14 July 1965) was an English sculptor, conservator, goldsmith, archaeologist and authority on ancient metalwork. Maryon practiced and taught sculpture until retiring in 1939, then worked as a conservator with the British Museum from 1944 to 1961. He is best known for his work on the Sutton Hoo ship-burial, which led to his appointment as an Officer of the Order of the British Empire.

By the time of his mid-twenties Maryon attended three art schools, apprenticed in silversmithing with C. R. Ashbee, and worked in Henry Wilson's workshop. From 1900 to 1904 he served as the director of the Keswick School of Industrial Art, where he designed numerous Arts and Crafts works. After moving to the University of Reading and then Durham University, he taught sculpture, metalwork, modelling, casting, and anatomy until 1939. He also designed the University of Reading War Memorial, among other commissions. Maryon published two books while teaching, including Metalwork and Enamelling, and many articles. He frequently led archaeological digs, and in 1935 discovered one of the oldest gold ornaments known in Britain while excavating the Kirkhaugh cairns. (Full article...)

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