Le Couvent, ou les Fruits du caractère et de l'éducation (The Convent, or the Fruits of Character and Education) is a play in one act by Pierre Laujon. It was the first play in the history of French theatre to feature a cast made up entirely of women.^[1] A comedy, the work premiered at the Théâtre de la Nation in Paris on April 16, 1790.^[2]

Le Couvent was the first "convent play"; a popular genre of secular play in France during the French Revolution that was either set inside convents or featured nuns as the main characters; often as a means at criticizing or parodying religious practices and concepts.^[3] Both popular and critical reaction to Laujon's play was divisive, with the choice of presenting nuns and the setting of a convent as the subject of a secular comedy bringing both harsh criticism from religious conservatives and praise from more radical and progressive thinkers.^[4] Parisian audiences were sharply divided; with both loud booing and enthusiastic applause of approval often occurring simultaneously.^[3] This work inspired the creation of many more convent comedy plays by other writers soon after, including Jean-Baptiste Gresset’s Vert-vert, ou le Perroquet de Nevers (1790) and Carbon de Flins des Oliviers’ Le Mari directeur, ou le Déménagement du couvent (1791) to name a few.^[3]

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Bibliography[edit]

• Curulla, Annelle (2012). Forms of Enclosure: The Convent Plays of the French Revolution (PhD). Columbia University.
• Feilla, Cecilia (2016). The Sentimental Theater of the French Revolution. Taylor & Francis. ISBN 9781317016304.
• Ford, Caroline. "Story-telling and the social imagery of religious conflict in nineteenth-century French law courts". In Coss, Peter R. (ed.). The Moral World of the Law. Cambridge University Press. ISBN 9780521640596.