Taylor Swift masters dispute has been listed as one of the Music good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it.
Article milestones Date Process Result April 19, 2022 Good article nominee Listed
	A fact from this article appeared on Wikipedia's Main Page in the "Did you know?" column on March 8, 2021. The text of the entry was: Did you know ... that the Taylor Swift masters controversy was described by Rolling Stone as one of the "most important moments" in music of the 2010s?

This article is of interest to the following WikiProjects:

Taylor Swift GA‑class High‑importance This article is within the scope of WikiProject Taylor Swift, a collaborative effort to improve the coverage of Taylor Swift on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Taylor SwiftWikipedia:WikiProject Taylor SwiftTemplate:WikiProject Taylor SwiftTaylor Swift articles GA This article has been rated as GA-class on Wikipedia's content assessment scale. High This article has been rated as High-importance on the importance scale. Women in Music GA‑class Mid‑importance This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles GA This article has been rated as GA-class on Wikipedia's content assessment scale. Mid This article has been rated as Mid-importance on the project's importance scale. Record Production GA‑class Low‑importance This article is within the scope of WikiProject Record Production; a collaborative effort to improve Wikipedia's documentation of Record Production articles. Questions or comments related to record production and related articles are welcome at the project's talk page. Anyone interested may join the project: add your name to the list of project members!Record ProductionWikipedia:WikiProject Record ProductionTemplate:WikiProject Record ProductionRecord Production articles GA This article has been rated as GA-class on Wikipedia's content assessment scale. Low This article has been rated as Low-importance on the project's importance scale. Pop music GA‑class Mid‑importance This article is within the scope of WikiProject Pop music, a collaborative effort to improve the coverage of articles related to pop music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Pop musicWikipedia:WikiProject Pop musicTemplate:WikiProject Pop musicPop music articles GA This article has been rated as GA-class on Wikipedia's content assessment scale. Mid This article has been rated as Mid-importance on the project's importance scale.

There should be some information on how re-recording all her albums will affect scooter financially and that because she is the writer of all her songs she will decline requests to use the master recordings and instead will offer the re-recordings and this will see a major drop in profits for him. — Preceding unsigned comment added by 2A04:4A43:44FE:D711:91F5:5C96:D322:F2A2 (talk)

This would require a source. I'm not sure it's true that a songwriter can block use of masters they do not own. -- Calidum 01:42, 11 April 2021 (UTC)[reply]

here’s the source that explains this - https://www.musicbusinessworldwide.com/taylor-swift-is-blocking-sync-uses-of-her-masters-now-theyre-owned-by-scooter-braun/ — Preceding unsigned comment added by 2.30.249.65 (talk • contribs) 12:29, 11 April 2021 (UTC)[reply]

That source does explain why she can "block" use of her original recordings, but it doesn't address the impact on profits of her doing so. I'll keep my eye out for a good source on this Dizzyflamingo (talk) 05:19, 12 January 2022 (UTC)[reply]

As an aside, This article is perhaps a better source for publishing vs recording copyright https://www.wsj.com/amp/articles/we-compared-taylors-version-songs-with-the-original-taylor-swift-albums-11636383601 Dizzyflamingo (talk) 05:32, 12 January 2022 (UTC)[reply]

I'm pretty sure this WSJ source is already used in the article. Ronherry (talk) 19:02, 8 February 2022 (UTC)[reply]

There is a typo in the On the re-recordings section. "Elle's Fawzia Khan nd The New Yorker's Carrie Battan" should be changed to "Elle's Fawzia Khan and The New Yorker's Carrie Battan". 2604:3D09:8879:31A0:F4BF:BDF9:3CA9:D747 (talk) 18:39, 19 March 2022 (UTC)[reply]

 Done RudolfRed (talk) 18:44, 19 March 2022 (UTC)[reply]

The article says, "Although Big Machine owned the masters, Swift retained the publishing rights to the six albums due to her role as the main songwriter of all of the songs she had released under Big Machine. This would allow her to re-record the songs in the future if she desired, as per the artist-label agreement that stipulates the artist cannot re-record a song for a fixed period of time; Swift would not have been able to re-record her musical work had she not been a songwriter." This is cited to two Wall Street Journal articles which are both behind paywalls, so I can't see the explanation in the sources.

I don't understand what Swift being a songwriter has to do with her right to re-record the songs. Let's take an example of an artist who was not a songwriter and recorded for several different labels over his career, Frank Sinatra. Presumably when Sinatra was with Columbia and then Capitol Records, his contract would have prohibited him from recording songs he had already recorded for that label, for another record company later, at least not for a given period of time and without the earlier record company's permission. (With Reprise Records the situation might have been different, because Sinatra founded Reprise and naturally would have had the most favorable contract possible.) Why? Because Columbia or Capitol wouldn't have wanted newer Sinatra recordings of the same songs to compete with the older recordings that they would continue to sell even if he left the label and signed with a new record company.

So the question is, why would Big Machine Records' contract with Swift have been different? It's foreseeable that any artist might later sign with a new record company, and the possibility of a new recording competing with the older recording would always exist. In fact, the Righteous Brothers once did compete with themselves on the Hot 100, when they had both a new and an old recording of Unchained Melody (on different record labels) in the top 20 in 1990.

This seems to be completely different from the issue of compulsory licenses and mechanical licenses for artists to record songs. If I want to record a version of "All Along the Watchtower", I don't need Bob Dylan's approval; he couldn't turn me down from recording it if he didn't like me, because copyright law specifically provides that anyone can record a song that has been previously recorded and released with the song copyright owner's authorization. I would just have to pay the mandatory songwriting royalty rate to Dylan and his publishing company. For that matter, Ryan Adams didn't even need Swift's permission to record all the songs from 1989 (see 1989 (Ryan Adams album)), for the same reason. Obviously, Taylor Swift as a songwriter could authorize herself to record any of her older songs, but if her Big Machine Records contract prohibited her from recording the songs again, then she couldn't do so. And if the Big Machine contract had expired ... well, in that case she could have recorded the same songs over without having been a songwriter. --Metropolitan90 (talk) 19:32, 14 August 2022 (UTC)[reply]

• This article seems to help a little. Swift wrote in 2019, "Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year." So, okay, that means that Swift's Big Machine contract prohibited her from re-recording the same songs until 2020. But then, why would her being a songwriter matter? Even some singer-songwriters occasionally record songs by outside writers. Would James Taylor's record company have been fine with him re-recording "Fire and Rain" and "Your Smiling Face" for other labels because he wrote them, but not "You've Got a Friend" and "Handy Man" because he didn't write them? --Metropolitan90 (talk) 19:41, 14 August 2022 (UTC)[reply]

The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for deletion:

• OR ST (cropped).jpg

Participate in the deletion discussion at the nomination page. —Community Tech bot (talk) 18:53, 29 August 2022 (UTC)[reply]

The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for speedy deletion:

• OR ST (cropped).jpg

You can see the reason for deletion at the file description page linked above. —Community Tech bot (talk) 19:07, 14 September 2022 (UTC)[reply]

Why is the quote by SZA censored? What does that even achieve? - Rooiratel (talk) 07:22, 9 May 2023 (UTC)[reply]

I have no idea. But that's how it is given in the cited source I believe. ℛonherry☘ 11:49, 9 May 2023 (UTC)[reply]

Music Business Worldwide have recently published a new, quite in-depth article about the controversy (focused more on the business and economics aspect of the deals) here. @Ronherry: I wonder if you've had a chance to read this? Might be some possible additions for the article with updated information. — Peterpie123rww (talk) 08:38, 16 June 2023 (UTC)[reply]

Hi Peter! Yes, thank you, I've read it. It's a really insightful source. I used it in a few articles. ℛonherry☘ 08:46, 16 June 2023 (UTC)[reply]

And yes! It can be used in this article too if there's anything in the source that's not already covered in the article! ℛonherry☘ 08:48, 16 June 2023 (UTC)[reply]

@Ronherry: Okay awesome, really well done across all the TS articles btw, they're all so brilliant! — Peterpie123rww (talk) 13:51, 16 June 2023 (UTC)[reply]

1989 to be released October 2023 73.210.152.180 (talk) 23:37, 10 August 2023 (UTC)[reply]

 Not done: it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a reliable source if appropriate. We already have "On August 9, at the tour's sixth and last Los Angeles show, Swift announced her next release, on October 27, 2023, will be 1989 (Taylor's Version), a re-recording of 1989.[75]" in the article. Cannolis (talk) 00:09, 11 August 2023 (UTC)[reply]

The spelling of Joseph Kahn. In the page his surname is written as Khan, which is incorrect. 49.204.162.158 (talk) 23:11, 17 August 2023 (UTC)[reply]

 Done ARandomName123 (talk)^{Ping me!} 01:14, 18 August 2023 (UTC)[reply]

Should we use controversy in the name of this article? See WP:NOCRIT. Maybe rename it to dispute or something else? Thanks! Jtbobwaysf (talk) 23:40, 19 August 2023 (UTC)[reply]

@Jtbobwaysf I came here to ask this as well. I would support a rename to Taylor Swift masters dispute. Axem Titanium (talk) 17:49, 14 September 2023 (UTC)[reply]

I can't find anything about it, but I think I remember an interview with Scott where he said that the terms were that a percentage of ALL sales of ALL performers had to be spent on promoting Swift. Wakelamp d[@-@]b (talk) 08:40, 8 September 2023 (UTC)[reply]