Template:Infobox Chinese-language singer and actor

John Woo Yu-Sen (born 1 May 1946) is a Chinese film director and producer from Hong Kong.^[1] Recognized for his stylised films of highly choreographed action sequences, Mexican standoffs, and use of slow-motion,^[2] Woo has directed several notable Hong Kong action films, among them, A Better Tomorrow, Hard Boiled, and The Killer.^[2] His Hollywood films include Windtalkers, Hard Target, Broken Arrow, Face/Off, and Mission: Impossible 2.^[2] He also created the comic series Seven Brothers, published by Virgin Comics. Woo was described by Dave Kehr in The Observer in 2002 as "arguably the most influential director making movies today".^[3] Woo cites his three favorite films as David Lean's Lawrence of Arabia, Akira Kurosawa's Seven Samurai and Melville's Le Samouraï.^[2]

Early life

Woo was born amidst the chaos of the Chinese Civil War in 1946. The Christian Woo family, faced with persecution during Mao Zedong's early anti-bourgeois-Nationalist purges after the communist takeover of China, fled to Hong Kong when he was five. His father was rendered unable to work by tuberculosis.^[4][5] Impoverished, the Woo family lived in the slums at Shek Kip Mei. Woo went to Concordia Lutheran School and received Christian education. His Christian background shows influences in his films. The family was rendered homeless by the big Shek Kip Mei fire of 1953.^[5] Charitable donations from disaster relief efforts enabled the family to relocate, however, violent crime had by then become commonplace in Hong Kong housing projects.

As a young boy, Woo had wanted to be a Christian minister. He later found a passion for movies influenced by the French New Wave especially Jean-Pierre Melville.^[2] Woo has said he was shy and had difficulty speaking, but found making movies a way to explore his feelings and thinking and would "use movies as a language".^[2]

The local cinema would prove a haven of retreat. Woo found respite in musical films, such as The Wizard of Oz and American Westerns. He has stated the final scene of Butch Cassidy and the Sundance Kid made a particular impression on him in his youth: the device of two comrades, each of whom fire pistols from each hand, is a recurrent spectacle later found in his own work.

Woo married Annie Woo Ngau Chun-lung in 1976 and has had three children.^[5] He has lived in the United States since 1993.

Hong Kong career

American career

An emigré in 1993, the director experienced difficulty in cultural adjustment while contracted with Universal Studios to direct Jean-Claude Van Damme in Hard Target. Characteristic of other foreign national film directors confronted with the Hollywood environment, Mr. Woo was unaccustomed to pervasive management concerns, such as limitations on violence and completion schedules. When initial cuts failed to yield an "R" rated film, the studio assumed control of the project and edited footage to produce a cut "suitable for American audiences". A "rough cut" of the film, supposedly the original unrated version, is still circulated among his admirers.

A three year hiatus saw Mr. Woo next direct John Travolta and Christian Slater in Broken Arrow. A frenetic chase-themed film, the director once again found himself hampered by studio management and editorial concerns. Despite a larger budget than his previous Hard Target, the final feature lacked the trademark Woo style. Public reception saw modest financial success.

Reluctant to pursue projects which would necessarily entail front-office controls, the director cautiously rejected the script for Face/Off several times until it was rewritten to suit him. (The futuristic setting was changed to a contemporary one.) Paramount Pictures also offered the director significantly more freedom to exercise his speciality: emotional characterisation and elaborate action. A complex story of adversaries—each of whom surgically alters their identity—law enforcement agent John Travolta and terrorist Nicolas Cage play a cat-and-mouse game, trapped in each other's outward appearance.

Face/Off opened in 1997 to critical acclaim and strong attendance. Grosses in the United States exceeded $100 million. As a result, John Woo is generally regarded as the first Asian director to find a mainstream commercial base.^{[citation needed]} In 2003, Mr. Woo directed a television pilot entitled The Robinsons: Lost in Space for The WB Television Network, based on the 1960s television series Lost in Space. The pilot was not purchased, although bootleg copies have been made available by fans.

John Woo has made three additional films in Hollywood: Mission: Impossible II, Windtalkers and Paycheck. Mission: Impossible II was the highest-grossing film of 2000, but received mixed reviews. Windtalkers and Paycheck fared poorly at the box office and were summarily dismissed by critics.

Recently, John Woo directed and produced a videogame called Stranglehold for games consoles and PC. It is a sequel to his 1992 film, Hard Boiled. He also produced the 2007 anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.

Return to China

In 2008, Woo returned to Asian cinema with the completion of the epic war film Red Cliff, based on an historical battle from Records of Three Kingdoms. Produced on a grand scale, it is his first film in China since he emigrated from Hong Kong to the United States in 1993. Part 1 of the film was released throughout Asia in July, 2008, to generally favourable reviews and strong attendance. Part 2 was released in China in January, 2009.

Future film projects

His future film on Mighty Mouse will either be animated or live-action with CGI.^{[citation needed]} He will also direct a remake of Papillon.^{[citation needed]} There are persistent rumours that Woo will direct a film version of the videogame Metroid.^{[citation needed]} He had optioned the rights at one point, but the option has long since expired.

Woo's next projects are The Divide, a western concerning the friendship between two workers, one Chinese, the other Irish, on the transcontinental rail-road, while The Devil's Soldier is a biopic on Frederick Townsend Ward, an American brought to China in the mid 19th century by the Emperor to suppress rebellion. Rendezvous in Black will be an adaptation of the drama/thriller novel of the same name, and Psi-Ops is a science fiction thriller about a telepathic agent, a remake of Blind Spot.

In 2009, he will direct Ninja Gold, collaborating with video-game creator Warren Spector. He is also involved in numerous projects in a producing capacity.

In May 2008, Woo announced in Cannes that his next movie would be 1949, an epic love story set between the end of World War II and Chinese Civil War to the founding of the People's Republic of China, the shooting of which would take place in China and Taiwan. Its production was due to begin by the end of 2008, theatrical release planned in December 2009. However, in early April 2009, John Woo's 1949 is cancelled due to script right issues. Also reports indicate that Woo may be working on another World War II film, this time about the American Volunteer Group, or the Flying Tigers. The movie is tentatively titled "Flying Tiger Heroes" and Woo is reported as saying it will feature "The most spectacular aerial battle scenes ever seen in Chinese cinema." Whether this means that John Woo will not be directing the rumoured Romeo and Juliet war film, or it's been put on the back burner. Woo has stated that Flying Tiger Heroes would be an "extremely important production" and will "emphasise US-Chinese friendship and the contributions of the Flying Tigers and the Yunnan people during the war of resistance."^[6]

Quotes

By Woo

• Woo discovered then–television actor Chow Yun-Fat to star in A Better Tomorrow, not anticipating the level of stardom the actor would achieve. Woo said of Chow in a 1999 interview with Robert K. Elder, "This guy was so elegant and also had great charisma. He reminded me of Alain Delon, and Steve McQueen, Ken Takakura—all my great idols, all in him. And I thought, while we are shooting, I just felt, 'He’s a great actor; he will be popular.' But I didn’t know he’d be that popular, you know?"

• Woo was quoted in the June 2000 edition of Premiere magazine:

I love doves. I am a Christian. Doves represent the purity of love, beauty. They're spiritual. Also the dove is a messenger between people and God... When I shot The Killer, these two men, the killer and the cop, they work in different ways, but their souls are pure, because they do the right thing. In the church scene, I wanted to bring them together. I wanted to use a metaphor of the heart. I came up with doves—they're white. When the men die, I cut to the dove flying—it's the soul, rescued and safe and also pure of heart. So the dove became one of my habits: I used it in Hard Boiled, Face/Off, and in Mission: Impossible II.

• Woo likes the look of the Beretta 92F/FS pistol and had featured it in many of his movies. He stated in an interview that it "is a great character" and added that "it's so strong and elegant." He also mentioned that other pistols looked dumb to him.

By others

• In reply to a studio executive who said "I suppose Woo can direct action scenes," Quentin Tarantino has been quoted as saying "Sure, and I suppose Michelangelo can paint ceilings!" ^{[citation needed]}
• When Jean-Claude Van Damme was trying to get Woo for Hard Target, he described him as "the Martin Scorsese of Asia".^{[citation needed]}

In popular culture

• In the anime series, R.O.D the TV which features three girls named after real life Hong Kong action stars, "John Woo" is the name of a mysterious carrier pigeon.
• In another anime series, FLCL, two characters can be seen watching the climactic end sequence of an action film. Although the screen in not visible, it can be surmised that it is indeed a John Woo film, as one of the film's characters exclaims, "What are all these pigeons doing in here?" and a multitude of flapping wings heard. The screen was then broken, and a flock of white doves flew out of the TV set. Also the episode uses gun fu and frequent slow motion, as common in John Woo films. Also in the preview of the above mentioned episode (a preview of the next episode is always shown at the end of the previous, as with most anime series), the character Haruko mentions humorous things to keep in mind when seeing a John Woo film.
• Japanese professional wrestler Suwa, of the promotions Dragon's Gate and Pro Wrestling Noah, utilises a seated dropkick that frequently sends its victim flying back-first into the corner. As a fan of Hong Kong action cinema, he calls this move the "John Woo", as an homage to the impact of shotgun blasts on the human body in Woo's films.
• In the video game Max Payne there are many homages and references to John Woo. For example, the black suit and tie Max is seen wearing at the beginning, as well as the dual guns and jumping and shooting in slow motion. One of the game's difficulty levels is named Hard Boiled, and John Woo's name is mentioned as a password for entering into a gangster hideout, Also a quote by the main character when he is ambushed is "I made like Chow Yun Fat".
• In the PC game F.E.A.R., the developers admitted that they been inspired by John Woo action movies, in that they wanted the game's action sequences to play out as dramatic and elegant gunfights.
• On The Simpsons episode "Half-Decent Proposal", Homer sternly tells Artie Ziff his terms for "selling" the billionaire a weekend with Marge: "No hand holding, kissing, or misdirected Woo...which is pretty much any John Woo movie." Ironically, this statement came in February 2002 when Woo had run off several successful Hollywood films, but in the following years Woo's American films were disappointments.
• On the television drama ER, Jeanie Boulet bonds with Dr. Ansapugh's sick son by asking him if he liked John Woo movies. The son asked her if she meant his Hong Kong or American entries, and they began talking.
• The Christian rock band Newsboys has a song "John Woo" which makes reference to the religious symbolism he often employs in his films.
• "I've got more action than my man John Woo" is a lyric from the Beastie Boys song "Sure Shot" from Ill Communication.
• In one of the versions of the PC game Unreal Tournament, when a character is killed by another wielding dual pistols, the deceased character is listed by the kill readout as having been "John Woo'd" by the victor.
• Typing the cheat code JOHNWOO in the PC game Rise of the Triad gives the player dual pistols.
• Picking up a second sub-machine gun in the PC game Shadow Warrior causes the player's avatar Lo Wang to quip "Be proud, Mr. Woo!"
• Comedian Daniel Tosh references John Woo in a joke on both his CD True Stories I Made Up and his DVD Completely Serious. ("I want to be rich enough to release a dozen doves every time I walked into a room. Everyone would be like 'Did you see that guy come out of the bathroom? The one with doves!' 'I bet that's John Woo's kid.'")
• In the animated TV series American Dad! episode "Homeland Insecurity", Stan describes what an argument with Francine is like and says "...and we have our little John Woo stand off..."
• Mathcore band Botch has a song, "John Woo".
• In "The Greatest Adventure in the History of Basic Cable", an episode of the USA Network television show Psych, Shawn Spencer comments in the middle of a Mexican stand-off, "If there were doves flying around, this would be a John Woo movie."
• In the comic book series Kick-Ass the vigilante superhero Big-Daddy quizzes his sidekick/daughter Hit-Girl on military and gun related trivia while she kills criminals. One of his questions is "What was John Woo's first English language film?"
• In "Moving Day", a Season 2 episode of the TV series How I Met Your Mother, Ted asks Robin if she owns any movies "not directed by John Woo."
• During the Season 1 finale of the animated television series The Venture Bros., there is an entire scene devoted to smashing as many John Woo references as humanly possible into 30 seconds.
• In the PC game SWAT 3, the cheat code JOHNWOO makes the game run in slow motion.
• In "Maurice Gets Caught", an episode of Adult Swim's show Robot Chicken, a scene involving a remake of Gone With The Wind has a fight scene featuring a slow-motion action sequence in which three doves fly by, referencing Woo's love of doves and slow motion.
• In the video game Borderlands, there is a pistol with unlimited ammo called "The Dove", possibly referring to Woo's doves and gunfights.
• Woo is referenced many times in conversations between Jean-Claude Van Damme and his captor in the film JCVD.
• There are many references to John Woo's films in the animated series The Boondocks, in one episode we see Thugnificent showing off his statue of Chow Yun Fat in The Killer, Riley mentions John Woo in another episode and in the episode "Home Alone", when Huey and Riley are shooting at each other with BB guns, some of the shots are references to Hard Boiled, The Killer and Face/Off.

Filmography

Directed

Other works

• Airport '98 (Nike commercial) (1998)^[7]
• Hostage (branded content short film for BMW) (2002)
• 7 Brothers (graphic novel) (2006–2007)
• Stranglehold (video game) (2007)
• Power Up Hong Kong (TVB promotion clip/station campaign) (2009)^{[citation needed]}

See also

• Cinema of China
• Cinema of Hong Kong

References

Further reading

In English

• Bliss, Michael. Between the Bullets: The Spiritual Cinema of John Woo. Filmmakers series, no. 92. Lanham, Md.: Scarecrow Press, 2002. ISBN 081084110X.
• Brown, Andrew M. J. Directing Hong Kong: The Political Cinema of John Woo and Wong Kar-Wai. Political Communications in Greater China: the Construction and Reflection of Identity. London: RoutledgeCurzon, 2001. ISBN 070071734X.
• Crawford, Kevin R. "Mixing violence and religion in 'The Reckoning' : The Scripting of a Postmodern Action Thriller inside the John Woo-film noir Paradigm". Digital Dissertation/Theses, 2007. [1].
• Fang, Karen Y. John Woo's A Better Tomorrow. The New Hong Kong Cinema. Hong Kong: Hong Kong University Press, 2004. ISBN 9622096522.
• Hall, Kenneth E. John Woo: The Films. Jefferson, N.C.: McFarland, 1999. ISBN 0786406194.
• Heard, Christopher. Ten Thousand Bullets: The Cinematic Journey of John Woo. Los Angeles: Lone Eagle Publishing Co., 2000. ISBN 158065021X.
• Woo, John, and Robert K. Elder (ed.). John Woo: Interviews. Conversations with filmmakers series. Jackson, Miss.: University Press of Mississippi, 2005. ISBN 1578067758, ISBN 1578067766.

In other languages

• Berruezo, Pedro J. John Woo y el cine de acción de Hong Kong. Biblioteca Dr. Vértigo, 23. [Barcelona]: Ediciones Glénat, 2000. ISBN 8484490432. Template:Es icon
• Bertolino, Marco, and Ettore Ridola. John Woo: la violenza come redenzione. Recco, Genova: Le mani, 1998. ISBN 8880120980. Template:It icon
• Gaschler, Thomas, and Ralph Umard. Woo Leben und Werk. München: Belleville, 2005. ISBN 3933510481. Template:De icon
• Nazzaro, Giona A., and Andrea Tagliacozzo. John Woo: la nuova leggenda del cinema d'azione. Contatti, 199. Roma: Castelvecchi, 2000. ISBN 8882102033. Template:It icon
• Spanu, Massimiliano. John Woo. Il castoro cinema, 203. Milano: Castoro, 2001. ISBN 8880331922. Template:It icon
• Vié-Toussaint, Caroline. John Woo. Paris: Dark star, 2001. ISBN 2914680015. Template:Fr icon

External links

• Please use a more specific IMDb template. See the documentation for available templates.
• John Woo at HKcinema.net
• Hardboiled.de (via Internet Archive)
• A John Woo Retrospective
• John Woo - The Independents
• John Woo Interviews
• Ten HARD BOILED Moments - The Best of John Woo
• Allegory and symbolism in John Woo's cinematic arts : themes and aesthetics
• Director John Woo to direct WWII fighter epic in China based on Flying Tiger's exploits.
• John Woo interview with Underground Republik
• Interview by Aynne Kokas Asia Pacific Arts, 19 November 2009