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Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.

It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.

Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.

In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.

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Selected profile

L. Sprague and Catherine Crook de Camp at Nolacon II in 1988
Lyon Sprague de Camp (/ˌsprɡdəˈkæmp/; November 27, 1907 – November 6, 2000) was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, including novels and works of non-fiction, including biographies of other fantasy authors. He was a major figure in science fiction in the 1930s and 1940s. (Full article...)

Selected work

Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise and based on the television series Star Trek created by Gene Roddenberry, who also served as its producer. It is the first installment in the Star Trek film series, and stars the cast of the original television series. In the film, set in the 2270s, a mysterious and immensely powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk (William Shatner) assumes command of the recently refitted Starship USS Enterprise, to lead it on a mission to save the planet and determine V'Ger's origins.

When the original television series was canceled in 1969, Roddenberry lobbied Paramount Pictures to continue the franchise through a feature film. The success of the series in syndication convinced the studio to begin work on the film in 1975. A series of writers attempted to craft a "suitably epic" script, but the attempts did not satisfy Paramount, and in 1977, the project was scrapped. Instead, Paramount planned on returning the franchise to its roots, with a new television series titled Star Trek: Phase II. The box office success of Close Encounters of the Third Kind, however, convinced Paramount that science fiction films other than Star Wars could do well, so the studio canceled production of Phase II and resumed its attempts at making a Star Trek film. (Full article...)

Selected quote


Vernor Vinge (b.1944), "The Coming Technological Singularity" (1993).

More quotes from Wikiquote: science fiction, fantasy, alternate history

Selected picture

Illustration to Tennyson's "Sir Galahad" by W. E. F. Britten.
Illustration to Tennyson's "Sir Galahad" by W. E. F. Britten.
Credit: William Edward Frank Britten (illustration), Tennyson (poem), Adam Cuerden (restoration)

Illustration to Tennyson's "Sir Galahad" by W. E. F. Britten:

My good blade carves the casques of men,
    My tough lance thrusteth sure,
My strength is as the strength of ten,
    Because my heart is pure.
The shattering trumpet shrilleth high,
    The hard brands shiver on the steel,
The splinter'd spear-shafts crack and fly,
    The horse and rider reel:
They reel, they roll in clanging lists,
    And when the tide of combat stands,
Perfume and flowers fall in showers,
    That lightly rain from ladies' hands.
   
How sweet are looks that ladies bend
    On whom their favours fall!
For them I battle till the end,
    To save from shame and thrall:
But all my heart is drawn above,
    My knees are bow'd in crypt and shrine:
I never felt the kiss of love,
    Nor maiden's hand in mine.
More bounteous aspects on me beam,
    Me mightier transports move and thrill;
So keep I fair thro' faith and prayer
    A virgin heart in work and will.
   
When down the stormy crescent goes,
    A light before me swims,
Between dark stems the forest glows,
    I hear a noise of hymns:
Then by some secret shrine I ride;
    I hear a voice but none are there;
The stalls are void, the doors are wide,
    The tapers burning fair.
Fair gleams the snowy altar-cloth,
    The silver vessels sparkle clean,
The shrill bell rings, the censer swings,
    And solemn chaunts resound between.
   
Sometime on lonely mountain-meres
    I find a magic bark;
I leap on board: no helmsman steers:
    I float till all is dark.
A gentle sound, an awful light!
    Three angels bear the holy Grail:
With folded feet, in stoles of white,
    On sleeping wings they sail.
Ah, blessed vision! blood of God!
    My spirit beats her mortal bars,
As down dark tides the glory slides,
    And star-like mingles with the stars.
   
When on my goodly charger borne
    Thro' dreaming towns I go,
The cock crows ere the Christmas morn,
    The streets are dumb with snow.
The tempest crackles on the leads,
    And, ringing, springs from brand and mail;
But o'er the dark a glory spreads,
    And gilds the driving hail.
I leave the plain, I climb the height;

    No branchy thicket shelter yields;

But blessed forms in whistling storms
    Fly o'er waste fens and windy fields.
   
A maiden knight--to me is given
    Such hope, I know not fear;
I yearn to breathe the airs of heaven
    That often meet me here.
I muse on joy that will not cease,
    Pure spaces clothed in living beams,
Pure lilies of eternal peace,
    Whose odours haunt my dreams;
And, stricken by an angel's hand,
    This mortal armour that I wear,
This weight and size, this heart and eyes,
    Are touch'd, are turn'd to finest air.
   
The clouds are broken in the sky,
    And thro' the mountain-walls
A rolling organ-harmony
    Swells up, and shakes and falls.
Then move the trees, the copses nod,
    Wings flutter, voices hover clear:
"O just and faithful knight of God!
    Ride on! the prize is near."
So pass I hostel, hall, and grange;
    By bridge and ford, by park and pale,
All-arm'd I ride, whate'er betide,
    Until I find the holy Grail.

Did you know...

Marie Taglioni

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Selected article

Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers. Super Science Stories was an initial success, and within a year Popular increased Pohl's budget slightly, allowing him to pay a bonus rate on occasion. Pohl wrote many stories himself, to fill the magazine and to augment his salary. He managed to obtain stories by writers who subsequently became very well known, such as Isaac Asimov and Robert Heinlein. After Pohl entered the army in early 1943, wartime paper shortages led Popular to cease publication of Super Science Stories. The final issue of the first run was dated May of that year. In 1949 the title was revived with Ejler Jakobsson as editor; this version, which included many reprinted stories, lasted almost three years, with the last issue dated August 1951. A Canadian reprint edition of the first run included material from both Super Science Stories and Astonishing Stories; it was unusual in that it published some original fiction rather than just reprints. There were also Canadian and British reprint editions of the second incarnation of the magazine. (Full article...)

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  • The planet Rubi-Ka is discovered in 28702 by the Omni-Tek Corporation.

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