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"The Shepherd on the Rock" (German: Der Hirt auf dem Felsen), D. 965, is a Lied for soprano, clarinet, and piano by Franz Schubert. It was composed in 1828 during the final months of his life.

Lyrics[edit]

Of the seven verses, the first four and the last came from the poetry of Wilhelm Müller, while verses five and six were attributed to Helmina von Chézy^[1] but were written by Karl August Varnhagen von Ense.^[2]^[3]

Background[edit]

The Lied, Schubert's penultimate composition, was written as a belated response to a request from the operatic soprano Anna Milder-Hauptmann, a friend of Schubert. She had requested a show-piece that would allow her to express a wide range of feelings, and he wrote it as thanks for her attempts to stage one of his operas in Berlin.^[1] She received a copy of the score from Schubert's brother Ferdinand in September 1829,^[4] and the work was published a year and a half after Schubert's death. Milder sang it for the first time at the House of the Blackheads in Riga on 10 February 1830.^[5]

Structure[edit]

The Lied has three sections, with clarinet and voice equally challenged. The first, in B-flat major, is warm, as the lonely shepherd on the mountaintop listens to echoes rising from below. The second section grows dark as he expresses grief and loneliness; it starts in G minor, then modulates through A-flat major and A minor to G major. The short last section, returning to B-flat major, anticipates the coming of spring and, with it, rebirth.

Complete text[edit]

"Der Hirt auf dem Felsen"

Montserrat Alavedra (soprano), William McColl (ca. 1820 clarinet), Joseph Levine (fortepiano)

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Wilhelm Müller – "Der Berghirt" (The Mountain Shepherd)
Wenn auf dem höchsten Fels ich steh', In's tiefe Tal hernieder seh', Und singe. Fern aus dem tiefen dunkeln Tal Schwingt sich empor der Widerhall Der Klüfte. Je weiter meine Stimme dringt, Je heller sie mir wieder klingt Von unten. Mein Liebchen wohnt so weit von mir, Drum sehn' ich mich so heiß nach ihr Hinüber.^[6]	When, from the highest rock up here, I look deep down into the valley, And sing, Far from the valley dark and deep Echoes rush through, upward and back to me, The chasm. The farther that my voice resounds, So much the brighter it echoes From under. My sweetheart dwells so far from me, I long hotly to be with her Over there.
Varnhagen – "Nächtlicher Schall" (Nightly Sound)
In tiefem Gram verzehr ich mich, Mir ist die Freude hin, Auf Erden mir die Hoffnung wich, Ich hier so einsam bin. So sehnend klang im Wald das Lied, So sehnend klang es durch die Nacht, Die Herzen es zum Himmel zieht Mit wunderbarer Macht.^[3]	I am consumed in misery, Happiness is far from me, Hope has on earth eluded me, I am so lonesome here. So longingly did sound the song, So longingly through wood and night, Towards heaven it draws all hearts With amazing strength.
Wilhelm Müller – "Liebesgedanken" (Love Thoughts)
Der Frühling will kommen, Der Frühling, meine Freud', Nun mach' ich mich fertig Zum Wandern bereit.^[7]	The Springtime will come, The Springtime, my happiness, Now must I make ready To wander forth.

References[edit]

^ ^a ^b Schwarm, Betsy (September 9, 2013). "Der Hirt auf dem Felsen". Encyclopædia Britannica. Retrieved 28 August 2020.
^ T. G. Waidelich: "Der letzte Hauch im Lied entflieht, im Lied das Herz entweicht! – Varnhagens 'Nächtlicher Schall' als letzter Baustein zum 'Hirt auf dem Felsen'." In: Schubert: Perspektiven 8 (2010), p. 237–243.
^ ^a ^b Varnhagen von Ense, Karl August (1816). Vermischte Gedichte (in German). Frankfurt: Barrentrapp. p. 15. Verses 2 and 1 used by Schubert.
^ Keller, James M. (November 2018). "Notes on the Program" (PDF). nyphil.org. New York Philharmonic. Retrieved 28 August 2020.
^ "Anna Milder-Hauptmann and 'Der Hirt auf dem Felsen'". In: Schubert 200, Heidelberg 1997, pp. 165–167.^{[full citation needed]}
^ Müller, Wilhelm (1824). Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten. Lieder des Lebens und der Liebe, vol. 2 (in German). Dessau: Ackermann. pp. 111–112.
^ Müller 1824, p. 122, verse 2

External links[edit]

"Der Hirt auf dem Felsen": Scores at the International Music Score Library Project
First part of the German lyrics, with translations, lieder.net
Third part of the German lyrics, with translations, lieder.net
Complete text, with English translation, beverlysillsonline.com
Review of recording by Helen Donath, Dieter Klöcker, Klaus Donath; Arts Archives 43054-2 (1981)
Performance of "Der Hirt auf dem Felsen" on modern instruments by Hyunah Yu (soprano), Alexander Fiterstein (clarinet), and Gilbert Kalish (piano), from the Isabella Stewart Gardner Museum in MP3 format

[Schwarm-1] Schwarm, Betsy (September 9, 2013). "Der Hirt auf dem Felsen". Encyclopædia Britannica. Retrieved 28 August 2020.

[2] T. G. Waidelich: "Der letzte Hauch im Lied entflieht, im Lied das Herz entweicht! – Varnhagens 'Nächtlicher Schall' als letzter Baustein zum 'Hirt auf dem Felsen'." In: Schubert: Perspektiven 8 (2010), p. 237–243.

[Varnhagen-3] Varnhagen von Ense, Karl August (1816). Vermischte Gedichte (in German). Frankfurt: Barrentrapp. p. 15. Verses 2 and 1 used by Schubert.

[4] Keller, James M. (November 2018). "Notes on the Program" (PDF). nyphil.org. New York Philharmonic. Retrieved 28 August 2020.

[5] "Anna Milder-Hauptmann and 'Der Hirt auf dem Felsen'". In: Schubert 200, Heidelberg 1997, pp. 165–167.^{[full citation needed]}

[6] Müller, Wilhelm (1824). Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten. Lieder des Lebens und der Liebe, vol. 2 (in German). Dessau: Ackermann. pp. 111–112.

[7] Müller 1824, p. 122, verse 2

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Songs by Franz Schubert
Part songs	"Schwertlied", D 170 "An die Freude", D 189 "Gesang der Geister über den Wassern", D 714 "Ständchen", D 920
Lieder	"Der Taucher", D 77 "Gretchen am Spinnrade", D 118 "Rastlose Liebe", D 130 "Der Mondabend", D 141 "Amphiaraos", D 166 "Die Bürgschaft", D 246 "Heidenröslein", D 257 "Vaterlandslied", D 287 "Hermann und Thusnelda", D 322 "Erlkönig", D 328 "Der König in Thule", D 367 "Der Wanderer", D 489 "Wiegenlied", D 498 "Der Tod und das Mädchen", D 531 "An die Musik", D 547 "Die Forelle", D 550 "Prometheus", D 674 "Willkommen und Abschied", D 767 "Der Zwerg", D 771 "Auf dem Wasser zu singen", D 774 "Du bist die Ruh', D 776 "Lachen und Weinen", D 777 "Nacht und Träume", D 827 "Ave Maria", D 839 "Im Frühling", D 882 "Ständchen", D 889 "An Sylvia", D 891 "Der Doppelgänger", D 957 No. 13 "Der Hirt auf dem Felsen", D 965
Cycles	Schubert's song cycles, including: Die schöne Müllerin, D 795 Winterreise, D 911 Schwanengesang, D 957
Multiple	Mignon "Nur wer die Sehnsucht kennt" Romanze Sehnsucht Ständchen Trinklied "Wandrers Nachtlied"
List of compositions by Franz Schubert List of compositions by Franz Schubert by genre Schubert opus/Deutsch number concordance

Chamber music by Franz Schubert
Duos	For violin and piano Sonat(in)as D 384, 385 and 408 Duo in A major, D 574 Rondo in B minor, D 895 Fantasy in C major, D 934 Arpeggione Sonata, D 821
Trios	Sonatensatz for piano trio, D 28 String Trios D 111A, 471 and 581 Notturno for piano trio, D 897 Piano Trio No. 1, D 898 Piano Trio No. 2, D 929 "The Shepherd on the Rock", D 965
String Quartets	No. 1, D 18 No. 2, D 32 No. 3, D 36 No. 4, D 46 No. 5, D 68 No. 6, D 74 No. 7, D 94 Quartettsatz, D 103 No. 8, D 112 No. 9, D 173 No. 10 (Haushaltung), D 87 No. 11, D 353 No. 12 (Quartettsatz), D 703 No. 13 (Rosamunde), D 804 No. 14 (Death and the Maiden), D 810 No. 15, D 887
Other	Rondo for violin and strings, D 438 Adagio and Rondo Concertante, D 487 Trout Quintet, D 667 Octet, D 803 String Quintet, D 956
List of compositions by genre

Authority control databases
International	VIAF
National	Spain France BnF data Germany Israel United States
Other	MusicBrainz work

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