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Raymond Federman
Born(1928-05-15)May 15, 1928
Montrouge, France
DiedOctober 6, 2009(2009-10-06) (aged 81)
San Diego, California, U.S.
OccupationWriter, poet
LanguageFrench, English
NationalityFrance, United States
EducationColumbia University (BA)
University of California, Los Angeles (MA, PhD)
Website
www.federman.com

Raymond Federman (May 15, 1928 – October 6, 2009)[1] was a French–American novelist and academic, known also for poetry, essays, translations, and criticism. He held positions at the University at Buffalo from 1973 to 1999, when he was appointed Distinguished Emeritus Professor. Federman was a writer in the experimental style, one that sought to deconstruct traditional prose. This type of writing is quite prevalent in his book Double or Nothing, in which the linear narrative of the story has been broken down and restructured so as to be nearly incoherent. Words are also often arranged on pages to resemble images or to suggest repetitious themes.

Federman lived at 4 rue Louis Rolland at Montrouge

Biography[edit]

Federman, who was Jewish, was born in Montrouge, France.[2] He was 14 years old when his parents hid him in a small stairway landing closet as Gestapo arrived at the family home in Nazi-occupied France.[2] His family was taken away, and his parents and two sisters were killed in the Auschwitz concentration camp.[2] Federman hid from the Nazis on farms in southern France during the Holocaust.[2]

He later became a leading backstroker on the French national team, and emigrated to the U.S. in 1947.[2] After serving in the U.S. Army in Korea and Japan from 1951 to 1954, he studied at Columbia University under the G.I. Bill, graduating in 1957.[3] He did his graduate studies at UCLA, receiving his M.A. in 1958, and Ph.D. in Comparative Literature in 1963, with his doctoral dissertation on Samuel Beckett.[4]

Federman's step-son's daughter is Andrea Murez, an Israeli Olympic swimmer who competed in the 2016 Summer Olympics.[2]

He taught in the French Department at the University of California, Santa Barbara from 1959 to 1964, and in the French Department at The State University of New York at Buffalo from 1964 to 1973, and as a fiction writer in the English Department at the University at Buffalo from 1973 to 1999. He was promoted to the rank of Distinguished Professor in 1990, and in 1992, appointed to the Melodia E. Jones Chair of Literature, where he served until retiring in July 1999. In 2000, he was appointed as Distinguished Emeritus Professor.[4]

In his 1973 manifesto "Surfiction—A Position", Federman coined the term surfiction, which refers to a style of fiction that rejects realism and advertises its own fictional status, similar to metafiction, postmodern fiction or fabulation.[5]

He was a member of the Board of Directors of The Coordinating Council of Literary Magazines from 1973 to 1976. From 1979 to 1982 he was co-director of the Fiction Collective, a publishing house dedicated to experimental fiction and its writers, and later served on the Board of Directors of Fiction Collective Two.[6]

Federman died of cancer at the age of 81 in San Diego, California,[1] and in May 2010, his final new English novel was released by Starcherone Press: SHHH: The Story of a Childhood, edited and with an introduction from writer Davis Schneiderman, who also made a 2007 YouTube video with Federman and author Lidia Yuknavitch, in which the three boil books in noodles. This is a reference to Federman's first novel Double or Nothing.

In his lifetime he read from his work in most major American universities, and lectured in at least 18 foreign countries.[4] His novels have been translated into over a dozen languages, and all his novels have been adapted into radio plays in Germany.[4]

Federman's books of fiction were more often than not praised by critics. For example, reviewing The Twofold Vibration in Newsday, Melvin J. Friedman wrote:

Federman is a very gifted storyteller who prefers a circular to a linear design, who comes down on the side of verbal exuberance rather than spareness ... Despite the eccentricities of telling, of composition, and even of typography and punctuation, [the novel] seems part of the leisurely picaresque tradition; it confronts contemporary issues and involves itself in the history of literature and thought ... Federman’s methods surely take some getting used to. But the effort of reading him is amply rewarded.[7]

Reviewing the same novel in The Chicago Tribune, Welch D. Everman wrote:

"The Twofold Vibration" proves what readers of his earlier novels "Double or Nothing," "Take It or Leave It" and "The Voice in the Closet" have known for some time: that Raymond Federman is a brilliantly talented fictioneer who can tell stories that are entertaining, funny and wildly imaginative yet always profound and deeply moving ... Federman is an optimist, a lover of life, language and laughter.[8]

Several full-length books have been written about his work, including a 400-page casebook entitled Federman From A to X-X-X-X by Larry McCaffery, Thomas Hartl and Doug Rice.[9] In 2010 SUNY Press published Federman's Fiction's: Innovation, Theory, and the Holocaust, a collection of essays edited by Jeffrey R. Di Leo intended to demonstrate the relevance of Federman's writing to disciplines beyond contemporary and experimental literature.[10] His collected plays were published in Austria in a bilingual edition (English/German) under the title The Precipice & Other Catastrophes. In 2002 The Journal of Experimental Fiction devoted a 510-page issue to his work.[11]

Federman's excerpt from Return to Manure won an &NOW award in 2009 and was published in The &NOW Awards: The Best Innovative Writing. Federman also participated in the biennial &NOW festival, a festival for experimental and innovative writing.

Awards[edit]

Selected bibliography[edit]

Novels or Novelistic Memoirs[edit]

  • Double or Nothing Swallow Press. Re-issued by Ohio University Press, 1976. New revised edition, following the page design of the German edition Alles oder Nichts, (transl. by Peter Torberg), Greno Verlag, 1985, by Fiction Collective Two, 1991.
  • Amer Eldorado Written in French, Editions Stock, Paris, 1974. New Editions revised and expanded, Weidler Buchverlag, 2001.
  • Take It Or Leave It The Fiction Collective, 1976. New revised edition, Fiction Collective Two, 1997.
  • The Voice in the Closet / La Voix Dans le Cabinet de Débarras (Bilingual novel), Coda Press, 1979. Re-issued Station Hill Press, 1985. New edition, Starchrone Books, 2001. New expanded edition Impressions Nouvelles, 2001. Trilingual edition (English, French, German, (transl. by Peter Torberg)) Kellner Verlag, 1989.
  • The Twofold Vibration Indiana University Press & Harvester Press Ltd., 1982.
  • Smiles on Washington Square Thunder's Mouth Press, 1985.
  • To Whom It May Concern Fiction Collective Two, 1990.
  • La Fourrure de ma Tante Rachel (written in French) Éditions Circé, 1997.
  • Loose Shoes Weidler Verlag, 2001.
  • Aunt Rachel's Fur Fiction Collective Two, 2001.
  • Mon corps en neuf parties Editions Al Dante, 2003.
  • A qui de droit (French) Al Dante, 2003. New edition, 2006.
  • Retour au fumier Editions Al Dante, 2005.
  • My Body in Nine Parts Starcherone Books, 2005.
  • Return To Manure Fiction Collective Two, 2006.
  • The Twilight of the Bums with George Chambers, and cartoon accompaniment by T. Motley. Starcherone Books, 2007.
  • Chut (French) Léo Scheer, 2008.
  • The Carcasses (A Fable) BlazeVOX Books, 2009.
  • SHHH: The Story of a Childhood Introduction by Davis Schneiderman; Edited by Ted Pelton and Davis Schneiderman. Starcherone Books, 2010.

Poetry[edit]

  • Among the Beasts / Parmi Les Monsters (Bilingual poems) Milas-Martin Editions, 1967.
  • Me Too Westcoast Poetry Press, 1975.
  • Duel-L (Poems in English/French/German). The Stop-over Press, 1991.
  • Now Then / Nun denn (Bilingual Poems in English & German (transl. by Peter Torberg)) Edition Isele, 1992.
  • 99 hand written poems = 99 poèmes faits à la Main Weidler Buchverlag, 2001.
  • Here and Elsewhere: Poetic Cul de Sac Six Gallery Press, 2003.
  • Surcomixxxx (English and German with comic strips illustrations). Ed. Dirk Görtler. Klauss Isele, 2003.
  • Ici et ailleurs / Here & elsewhere Le Mot et le reste, 2004.
  • L'extatique de Jule & Juliette Le Mot et le reste, 2006.
  • Chair Jaune (English & French) Le Bleu du Ciel, 2007.

Critical Work[edit]

  • Journey into Chaos: Samuel Beckett's Early Fiction University California Press, 1965. Reprinted by Books on Demand, 1998.
  • Samuel Beckett, His Works and His Critics: An Essay in Bibliography (with John Fletcher). University California Press, 1970.
  • Surfiction: Fiction Now & Tomorrow Editor, Swallow Press, 1975. Revised & expanded edition, Ohio University Press, 1981.
  • Samuel Beckett (Co-Editor with Tom Bishop). Editions de L'Herne, 1976. New edition, Hachette, 1985.
  • Samuel Beckett the Critical Heritage (Co-Editor with Lawrence Graver). Routledge & Kegan Paul, 1978.
  • Critifiction: Postmodern Essays State University of New York Press, 1993.

Selected other works[edit]

  • The Rigmarole of Contrariety (Limited edition chapbook) The Bolt Court Press, 1982.
  • Eine Version meines Lebens (Autobiography with photos, in German, transl. by Peter Torberg) Maro Verlag, 1993.
  • The Supreme Indecision of the Writer: The 1994 Lectures in Turkey (Essays) The Boltcourt Press, 1995.
  • The Line, 1996.
  • The Precipice and Other Catastrophes / der abgrund und andere katastrophen (Collected Plays, bilingual edition, English/German). Ed. Thomas Hartl. Poetry Salzburg, 1999.
  • The Twilight of the Bums (with George Chambers), 2002.[14]
  • More Loose Shoes and Smelly Socks Six Gallery Press, 2005.
  • Coup de Pompes (Fragments d'écriture). Le Mot & Le Reste, 2007.
  • The Sam Book (Memoir), Two Ravens, 2008.

References[edit]

  1. ^ a b Fox, Margalit (October 12, 2009). "Raymond Federman, Avant-Garde Novelist and Beckett Scholar, Dies at 81". The New York Times. Retrieved June 2, 2010.
  2. ^ a b c d e f Stanford swimming's Murez makes own mark
  3. ^ "Columbia College Today". www.college.columbia.edu. Retrieved 2022-06-10.
  4. ^ a b c d Federman's online resumé (http://www.federman.com/rfpub.htm)
  5. ^ "Surfiction". The Oxford Dictionary of Literary Terms.
  6. ^ "Electronic Poetry Center".
  7. ^ Friedman, Melvin J. (October 31, 1982). "'Surfictional' Exuberance". Newsday. p. Ideas9. Retrieved October 6, 2021 – via Newspapers.com.
  8. ^ Everman, Welch D. (September 26, 1982). "Holocaust survivor faces deportation in futuristic society". Chicago Tribune. p. 7:4. Retrieved October 6, 2021 – via Newspapers.com.
  9. ^ Federman: From A to X-X-X-X — A Recyclopedic Narrative Eds. Larry McCaffery, Thomas Hartl, and Doug Rice. San Diego: SDSU Press, 1998. (ISBN 978-1879691537)
  10. ^ Di Leo, Jeffrey R. Ed. Federman's Fictions: Innovation, Theory, and the Holocaust. Albany: SUNY Press, 2011. (ISBN 978-1-4384-3381-3)
  11. ^ Eckhard Gerdes "The Laugh that Laughs at the Laugh: Writing from and about the Pen Man, Raymond Federman." Journal of Experimental Fiction Vol. 2, 2002.3 (ISBN 978-0595214044)
  12. ^ Samuel Beckett Society (http://www.ua.ac.be/main.aspx?c=*SBECKETT)
  13. ^ American Booksellers Association (2013). "The American Book Awards / Before Columbus Foundation [1980–2012]". BookWeb. Archived from the original on March 13, 2013. Retrieved September 25, 2013. 1986 [...] Smiles on Washington Square, Raymond Federman
  14. ^ ebook version at altx.com ("Archived copy" (PDF). Archived from the original (PDF) on 2011-07-07. Retrieved 2011-02-27.{{cite web}}: CS1 maint: archived copy as title (link))

External links[edit]

source: https://en.wikipedia.org/wiki/Raymond_Federman

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