The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. Catholic tradition places the Flagellation at the beginning of Via Dolorosa in Jerusalem, and the modern alternate Stations of the Cross locate it at the fourth station; it represents a Sorrowful Mystery of the Rosary.^[1][2] The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi.^[3] The Basilica di Santa Prassede in Rome is one of the churches claiming to possess the original column or parts of it.

In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of art historians. At the same time, Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two subjects, and between Christ at the Column and a Flagellation.^[4]

Gospels[edit]

Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 15:15, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law.^[5] None of the three accounts is more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV). Luke's comparable account, Luke 22:63–65 is of the High Priest's guards beating and mocking Jesus. In the Passion of Christ, the episode precedes the Mocking of Christ and the Crowning with Thorns, which according to the Gospels happened at the same time or immediately afterwards. Unlike the flogging, these were not part of the normal Roman judicial process.^[6]

In art[edit]

The Flagellation first appears in Western art in the 9th century. It is almost never found in Byzantine art, and remains very rare in Eastern Orthodox art of any date. Initially found in illuminated manuscripts and small ivories, there are surviving monumental wall-paintings of the subject from around 1000 in Italy. From the start, there are most often three figures, Christ and two servants of Pontius Pilate who flog him. In early depictions, Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard for Christ to wear a loincloth (perizoma) and face out towards the viewer.^[7] Christ's face is normally visible, giving artists the "technical problem of showing him receiving the strokes on his back – the usual place – while at the same time leaving his face visible".^[8] Often, he appears to be receiving strokes on the front of his body.

Pontius Pilate is sometimes shown watching the scene, and his wife's servant may approach him with her message, and in the later Middle Ages, probably under the influence of Passion plays, the number of men beating Christ may be three or four, increasingly caricatured in the North as grotesque figures in the dress of contemporary mercenaries.^[9] Sometimes another figure, who may be Herod, is present. The Flagellation was at the hands of those working for Pontius Pilate, but the floggers may sometimes wear Jewish hats.^[10] Following the Maestà of Duccio, the scene may take place in public, before an audience of the Jewish people.^[11]

The Franciscans, who promoted self-flagellation as a means of identification with the suffering of Christ, were probably responsible for a number of large Italian processional crosses in which the Flagellation occupies the back of the cross, with a Crucifixion on the front. These were presumably sometimes followed in processions by flagellants, who could see Christ suffering in front of them.^[12]

Part of a series on
Death and Resurrection of Jesus
Passion Last Supper Arrest Trials Sanhedrin trial Herod's court Pilate's court Flagellation Mocking Crown of thorns Via Dolorosa Crucifixion and Death Burial
Resurrection Empty tomb Biblical accounts (overview) Noli me tangere Road to Emmaus Great Commission Ascension
Holy Week Palm Sunday Holy Monday Holy Tuesday Spy Wednesday Maundy Thursday Good Friday Holy Saturday Easter Sunday
Significance Session of Christ Salvation Jewish eschatology Christian eschatology
Visions of Jesus Vision theory Visions Religious experience
Empty tomb theories Stolen body Swoon Lost body Twin
Related Instrument of crucifixion Crucifixion darkness Conversion of Paul the Apostle Islamic view
Portals: Christianity Bible

Notable examples[edit]

Single works:

• Flagellation of Christ (Piero della Francesca), 1455–1460
• Christ at the Column (Antonello da Messina), c. 1475
• The Flagellation of Christ (Caravaggio), 1607
• Christ at the Column (Caravaggio), 1607

In cycles:

• Maestà (Duccio)
• Scrovegni Chapel by Giotto

Gallery of art[edit]

• 
  Maestà by Duccio
• 
  Flagellation of Christ by Piero della Francesca
• 
  Greek Orthodox fresco by Theophanes the Cretan
• 
  Flagellation of Christ, by Bacchiacca
• 
  Guercino, 1657
• 
  Nicolò Grassi, 1720
• 
  Giovanni Domenico Tiepolo
• 
  Christ at the Column, Italian sculpture, 1817
• 
  Christ at the Column by Gregorio Fernández
• 
  The Flagellation of Our Lord Jesus Christ by William-Adolphe Bouguereau

Events in the
Life of Jesus according to the canonical gospels
Early life Annunciation Visitation Joseph's dreams Nativity Virgin birth Annunciation to the Shepherds Adoration of the Shepherds Circumcision Adoration of the Magi Flight into Egypt Massacre of the Innocents Presentation Return to Nazareth Finding in the Temple
Ministry Baptism Temptation Commissioning the Twelve Apostles Sermon on the Mount / Plain Beatitudes Lord's Prayer Miracles Parables Prayer Rejection Transfiguration
Passion Triumphal entry into Jerusalem Temple cleansing Second coming prophecy Anointing Last Supper Farewell Discourse Paraclete promised Agony in the Garden Kiss of Judas Arrest Sanhedrin trial Mocking Herod's court Pilate's court Flagellation Crown of Thorns Via Dolorosa Crucifixion Descent from the Cross Entombment Harrowing of Hell
Resurrection Empty tomb Appearances Noli me tangere Road to Emmaus Great Commission Ascension
In rest of the NT Road to Damascus John's vision
Portals: Christianity Bible

In film and music[edit]

The flagellation of Jesus ("Trial Before Pilate (Including the 39 Lashes)") is a climactic event in the rock musical Jesus Christ Superstar.^{[13][circular reference]} Modern filmmakers have also depicted Christ being flogged. It is a significant scene in Mel Gibson's 2004 The Passion of the Christ. In Kubrick's A Clockwork Orange, Alex imagines himself as a Roman soldier flogging Jesus.^[14]

Relics[edit]

Alleged pieces of the Column or Pillar of the Flagellation, also called the Scourging Post, are kept at different locations.

• Church of the Holy Sepulchre in Jerusalem:
  • Greek Orthodox Chapel of the Derision in the ambulatory
  • Chapel of the Apparition in the Franciscan area, originally in the Cenacle^[15]
• Santa Prassede in Rome

See also[edit]

• Life of Jesus in the New Testament

References[edit]

• Schiller, G. (1972). Iconography of Christian Art, Vol. II. London: Lund Humphries. pp. 66–69, figures 225–234 etc. ISBN 0-85331-324-5. English translation from German