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The gray mouse lemur (Microcebus murinus), grey mouse lemur or lesser mouse lemur is a small lemur, a type of strepsirrhine primate, found only on the island of Madagascar. Weighing 58 to 67 grams (2.0 to 2.4 oz), it is the largest of the mouse lemurs (genus Microcebus), a group that includes the smallest primates in the world. The species is named for its mouse-like size and coloration and is known locally (in Malagasy) as tsidy, koitsiky, titilivaha, pondiky, and vakiandry. The gray mouse lemur and all other mouse lemurs are considered cryptic species, as they are nearly indistinguishable from each other by appearance. For this reason, the gray mouse lemur was considered the only mouse lemur species for decades until more recent studies began to distinguish between the species.

Like all mouse lemurs, this species is nocturnal and arboreal. It is very active, and though it forages alone, groups of males and females form sleeping groups and share tree holes during the day. It exhibits a form of dormancy called torpor during the cool, dry winter months, and in some cases undergoes seasonal torpor (or hibernation), which is unusual for primates. The gray mouse lemur can be found in several types of forest throughout western and southern Madagascar. Its diet consists primarily of fruit, insects, flowers, and nectar. In the wild, its natural predators include owls, snakes, and endemic mammalian predators. Predation pressure is higher for this species than among any other primate species, with one out of four individuals taken by a predator each year. This is counterbalanced by its high reproductive rate. Breeding is seasonal, and distinct vocalizations are used to prevent hybridization with species that overlap its range. Gestation lasts approximately 60 days, and typically two young are born. The offspring are usually independent in two months, and can reproduce after one year. The gray mouse lemur has a reproductive lifespan of five years, although captive individuals have been reported to live up to 15 years. (Full article...)

The Vazimba (Malagasy [vaˈʒimbə̥]), according to popular belief, were the first inhabitants of Madagascar. While beliefs about the physical appearance of the Vazimba reflect regional variation, they are generally described as smaller in stature than the average person, leading some scientists to speculate that they may have been a pygmy people (and therefore a separate Malagasy ethnic group) who migrated from the islands that constitute modern-day Indonesia and settled in Madagascar over the course of the period between 350 BCE–500 CE. Scientific evidence confirms the first arrival and subsequent increase of human settlers on the island during this period, but the pygmy theory has not been proven.

Stories about the Vazimba form a significant element in the cultural history and collective identity of the Malagasy people, ranging from the historical to the supernatural, inspiring diverse beliefs and practices across the island. They have analogs in some other Austronesian cultures, including the Menehunes in Hawaii. (Full article...)

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The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the mandoliny and kabosy owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous djembe originated in mainland Africa and the valiha—the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes.

Malagasy music can be roughly divided into three categories: traditional, contemporary and popular music. Traditional musical styles vary by region and reflect local ethnographic history. For instance, in the Highlands, the valiha and more subdued vocal styles are emblematic of the Merina, the predominantly Austronesian ethnic group that has inhabited the area since at least the 15th century, whereas among the southern Bara people, who trace their ancestry back to the African mainland, their a cappella vocal traditions bear close resemblance to the polyharmonic singing style common to South Africa. Foreign instruments such as the acoustic guitar and piano have been adapted locally to create uniquely Malagasy forms of music. Contemporary Malagasy musical styles such as the salegy or tsapika have evolved from traditional styles modernized by the incorporation of electric guitar, bass, drums and synthesizer. Many Western styles of popular music, including rock, gospel, jazz, reggae, hip-hop and folk rock, have also gained in popularity in Madagascar over the later half of the 20th century. (Full article...)